Author: Hanay Geiogamah
Publisher:
ISBN: 9780935626629
Category : Indian arts
Languages : en
Pages : 0
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Book Description
Literary Nonfiction. Native American Studies. Performing Arts. With an introduction by Jace Weaver, this collection of essays analyzes Native theater, dance, and music performances through indigenous critical lenses. Contributors to this volume include both recent and established scholars who offer provocative studies of the ways in which Native performing artists "re-present" American Indian history, culture, art forms, spiritual traditions, and/or contemporary issues in their works. Jacqueline Shea Murphy writes, "The scope is exciting, both in what the essays focus on contemporary Native plays, an early 20th century Sun Dance opera, punk rock band musicians, turn-of-the-century jazz bands, contemporary modern dance and also in the issues the authors raise and consider.... The result is a vibrant, insightful, wide-ranging, and crucial contribution to the growing discussion about this important field."
Author: Hanay Geiogamah
Publisher: Los Angeles : UCLA American Indian Studies Center
ISBN: 9780935626520
Category : American drama
Languages : en
Pages : 0
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Book Description
Cultural Writing. Native American Studies. AMERICAN INDIAN THEATER IN PERFORMANCE: A READER is the first comprehensive collection to present the views of leading playwrights, directors, scholars, and educators in contemporary Native theater. This groundbreaking collection of recent and earlier writings serves as both an overview of the field and a source book for further study and performance. Locating Native theater within the rich contexts of Native communities, tribal sources of creativity, performance traditions, and artistic innovations, the articles and interviews in this reader provide historical context and offer perspectives on directing, dramaturgy, and new play development in Native theater.
Author: Mindy N. Besaw
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
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Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Author: Jaye T. Darby
Publisher: Bloomsbury Publishing
ISBN: 1350035068
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.
Author: S. E. Wilmer
Publisher: University of Arizona Press
ISBN: 0816502749
Category : Social Science
Languages : en
Pages : 298
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Book Description
Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study. This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance. An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.
Author: Frank R. LaPena
Publisher:
ISBN: 9780520300811
Category : Art
Languages : en
Pages : 0
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Book Description
"Published on the occasion of the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum"--Copyright page.
Author: Bill Anthes
Publisher: Duke University Press
ISBN: 9780822338666
Category : Art
Languages : en
Pages : 330
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Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author: Frederick J. Dockstader
Publisher: Greenwich, Conn. : New York Graphic Society
ISBN:
Category : Indian art
Languages : en
Pages : 232
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Book Description
The magnificent art and decorative craftsmanship of the Indian tribes of North America appear in all of their colonial variety and complexity in this superb volume. Examples are included of the work of every major region in the areas now comprising the United States and Canada, of most of the numerically important or artistically pre-eminent tribes, and all of the major techniques employed by Indian artists. No reader of this book can long continue in a misapprehension of the stereotyped image of 'the Indian.' The varying cultures which developed on the North American continent - from the Eskimo hunters of the Arctic to the woodland League of the Iroquois, and from the Pueblo agriculturalists to the nomads of the Great Plains - are all represented. Each found its own ways of using available natural resources for utilitarian objects, for religious and ritual purposes, or for sheer aesthetic pleasure. The book abounds in beautiful examples of characteristics shell and quill work, pottery and weaving, deer and buffalo hide painting, carved stone pipes and tomahawks so commonly associated with Indian cultures. Less familiar are illustrations of mysterious stone effigy sculptures from the death-cults of the ancient Southeast; sophisticated carvings in stone and ivory from the Midwest; elaborate horse-trappings and costuming from the Great Plains; and a fascinating variety of masks. Dr. Dockstader draws upon a thorough knowledge of Indian life, custom and artistic tradition to relate this material to its sources in his introduction and in the extensive background comments accompanying each of the illustrations. He sees the art of the American Indian not as a subject for static sociological research, but as a living and continuing expression of a vital people, and he has included in this book a number of examples of recent and contemporary work by Indian artists. -- from dust jacket.
Author: Pieter Hovens
Publisher: Zkf Publishers
ISBN: 9783981162080
Category : Indian art
Languages : en
Pages : 0
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Book Description
North American Indian Art: Masterpieces and Museum Collections from the Netherlands showcases 114 oustanding examples of Native art and heritage from the Canadian subarctic forests to the American Southwest preserved in Dutch museums. Many of these rare material documents collected between the seventeenth and the twenty-first century have never been published before. They are here stunningly presented as individual works of art and placed into their cultural and historical contexts by forty-two leading American, Canadian, and European experts who weave together the historical narrative of each object's acquisition with current Native and scholarly interpretations of their use and meaning. In his introductory essay Pieter Hovens provides a detailed account of the history of Dutch interests in North American Indian cultures, from the seventeenth-century colonial experience in New Netherland through the collecting activities of public institutions and private connoisseurs to academic scholarship and social engagement. All of these interests have contributed to the wealth and range of objects featured here as well as to the public perception of Native Americans in the Netherlands. This book offers for the first time an overview of all institutional collections of Native North American arts and cultures in a single European country. It is the privilege of the Dutch museums to share these heritage collections with the widest audience possible.
Author: Dean Rader
Publisher: University of Texas Press
ISBN: 0292723997
Category : Social Science
Languages : en
Pages : 298
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Book Description
From Sherman Alexie's films to the poetry and fiction of Louise Erdrich and Leslie Marmon Silko to the paintings of Jaune Quick-To-See Smith and the sculpture of Edgar Heap of Birds, Native American movies, literature, and art have become increasingly influential, garnering critical praise and enjoying mainstream popularity. Recognizing that the time has come for a critical assessment of this exceptional artistic output and its significance to American Indian and American issues, Dean Rader offers the first interdisciplinary examination of how American Indian artists, filmmakers, and writers tell their own stories. Beginning with rarely seen photographs, documents, and paintings from the Alcatraz Occupation in 1969 and closing with an innovative reading of the National Museum of the American Indian, Rader initiates a conversation about how Native Americans have turned to artistic expression as a means of articulating cultural sovereignty, autonomy, and survival. Focusing on figures such as author/director Sherman Alexie (Flight, Face, and Smoke Signals), artist Jaune Quick-To-See Smith, director Chris Eyre (Skins), author Louise Erdrich (Jacklight, The Last Report on the Miracles at Little No Horse), sculptor Edgar Heap of Birds, novelist Leslie Marmon Silko, sculptor Allen Houser, filmmaker and actress Valerie Red Horse, and other writers including Joy Harjo, LeAnne Howe, and David Treuer, Rader shows how these artists use aesthetic expression as a means of both engagement with and resistance to the dominant U.S. culture. Raising a constellation of new questions about Native cultural production, Rader greatly increases our understanding of what aesthetic modes of resistance can accomplish that legal or political actions cannot, as well as why Native peoples are turning to creative forms of resistance to assert deeply held ethical values.
