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Author: Patricia Janis Broder
Publisher:
ISBN:
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Languages : en
Pages : 0
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Author: Patricia Janis Broder
Publisher:
ISBN:
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Languages : en
Pages : 0
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Author: Dorothy Dunn
Publisher:
ISBN:
Category : Americana
Languages : en
Pages : 496
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Book Description
For the Southwestern Indians, painting was a natural part of all the arts and ceremonies through which they expressed their perception of the universe and their sense of identification with nature. It was wholly lacking in individualism, included no portraits, singled out no artists. But the roving life of the Plains Indians produced a more personal art. Their painted hides were records of an individual's exploits intended, not to supplicate or appease unearthly powers, but to gain prestige within the tribe and proclaim invincibility to an enemy. Plains painting served man-to-man relationships, Southwestern painting those of man to nature, man to God. Such characteristics, and the ways they persist in contemporary Indian painting, are documented by the 157 examples Miss Dunn has chosen to illustrate her story. Thirty-three of these pictures, in full color, are here published for the first time.
Author: Janet Catherine Berlo
Publisher: Metropolitan Museum of Art
ISBN: 0870998579
Category : Diker, Charles
Languages : en
Pages : 130
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Book Description
This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.
Author: Philbrook Art Center
Publisher: Hudson Hills
ISBN: 9780933920569
Category : Art
Languages : en
Pages : 328
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Book Description
Fourteen authorities explore sociology, anthropology, art history of Native American creativity.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Zena Pearlstone
Publisher: Metropolitan Museum of Art
ISBN: 0870993348
Category : Art, Comparative
Languages : en
Pages : 26
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Book Description
"The current exhibition illustrates the gradual move from traditional design and restrained use of color to eclectic but exuberant design and hgih color during the period from the late eighteenth century to the early twentieth century."--Page 3.
Author: Zena Pearlstone Mathews
Publisher: Metropolitan Museum of Art
ISBN: 0870993631
Category : Indian art
Languages : en
Pages : 25
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Author: Patricia Janis Broder
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Exposition of Indian Tribal Arts, Inc
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 232
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Book Description
Author: Susan C. Power
Publisher: University of Georgia Press
ISBN: 9780820325019
Category : Art
Languages : en
Pages : 300
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Book Description
Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.
