A History of African American Theatre PDF Download
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Author: Errol G. Hill
Publisher: Cambridge University Press
ISBN: 9780521624435
Category : Drama
Languages : en
Pages : 652
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Book Description
Table of contents
Author: Errol G. Hill
Publisher: Cambridge University Press
ISBN: 9780521624435
Category : Drama
Languages : en
Pages : 652
Get Book Here
Book Description
Table of contents
Author: Suzan-Lori Parks
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822214236
Category : Drama
Languages : en
Pages : 56
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Book Description
THE STORY: Once upon a time there was a theme park called the Great Hole of History. It was a popular spot for honeymooners who, in search of post-nuptial excitement, would visit this hole and watch the daily historical parades. One of these visi
Author: Nathan Hurwitz
Publisher: Routledge
ISBN: 1317912055
Category : History
Languages : en
Pages : 269
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Book Description
From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.
Author: Andrew Davis
Publisher: Penn State Press
ISBN: 0271030534
Category : History
Languages : en
Pages : 428
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Book Description
America&’s Longest Run: A History of the Walnut Street Theatre traces the history of America&’s oldest theater. The Philadelphia landmark has been at or near the center of theatrical activity since it opened, as a circus, on February 2, 1809. This book documents the players and productions that appeared at this venerable house and the challenges the Walnut has faced from economic crises, changing tastes, technological advances, and competition from new media. The Walnut&’s history is a classic American success story. Built in the early years of the nineteenth century, the Walnut responded to the ever-changing tastes and desires of the theatergoing public. Originally operated as a stock company, the Walnut has offered up every conceivable form of entertainment&—pageantry and spectacle, opera, melodrama, musical theater, and Shakespeare. It escaped the wrecking ball during the Depression by operating as a burlesque house, a combination film and vaudeville house, and a Yiddish theater, before becoming the Philadelphia headquarters for the Federal Theatre Project. Because Philadelphia is located so close to New York City, the Walnut has served as a tryout house for many Broadway-bound shows, including A Streetcar Named Desire, The Diary of Anne Frank, and A Raisin in the Sun. Today, the Walnut operates as a nonprofit performing arts center. It is one of the most successful producing theaters in the country, with more than 350,000 attending performances each year.
Author: Sarah Ruhl
Publisher: Theatre Communications Group
ISBN: 1636700101
Category : Drama
Languages : en
Pages : 93
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Book Description
“Eurydice is a luminous retelling of the Orpheus myth from his beloved wife’s point of view. Watching it, we enter a singular, surreal world, as lush and limpid as a dream—an anxiety dream of love and loss—where both author and audience swim in the magical, sometimes menacing, and always thrilling flow of the unconscious… Ruhl’s theatrical voice is reticent and daring, accurate and outlandish.” —John Lahr, New Yorker A reimagining of the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice journeys to the underworld, where she reunites with her beloved father and struggles to recover lost memories of her husband and the world she left behind.
Author: Jeffrey Sweet
Publisher: Yale University Press
ISBN: 0300195575
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
Author: Christopher Durang
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 228
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Book Description
Author: Marvin Edward McAllister
Publisher: Univ of North Carolina Press
ISBN: 9780807854501
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.
Author: Dorothy Chansky
Publisher: SIU Press
ISBN: 9780809326495
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.
Author: Bonnie Nelson Schwartz
Publisher: Terrace Books
ISBN: 9780299183240
Category : History
Languages : en
Pages : 244
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Book Description
Accompanying DVD contains the chapters: Who killed the Federal Theatre? -- Innovations: a selection of interviews -- Art and politics: a selection of interviews -- Selection of Federal Theatre posters -- Selection of Federal Theatre photographs.
