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Author: W. Bryan Rommel Ruiz
Publisher: Routledge
ISBN: 1136845402
Category : History
Languages : en
Pages : 305
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Book Description
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.
Author: W. Bryan Rommel Ruiz
Publisher: Routledge
ISBN: 1136845402
Category : History
Languages : en
Pages : 305
Get Book Here
Book Description
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.
Author: W. Bryan Rommel Ruiz
Publisher: Routledge
ISBN: 1136845399
Category : History
Languages : en
Pages : 650
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Book Description
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.
Author: Stewart Brewer
Publisher: Routledge
ISBN: 1317413474
Category : History
Languages : en
Pages : 178
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Book Description
Latin American History Goes to the Movies combines the study of the rich history of Latin America with the medium of feature film. In this concise and accessible book, author Stewart Brewer helps readers understand key themes and issues in Latin American history, from pre-Columbian times to the present, by examining how they have been treated in a variety of films. Moving chronologically across Latin American history, and pairing historical background with explorations of selected films, the chapters cover vital topics including the Spanish conquest and colonialism, revolution, religion, women, U.S.-Latin American relations, and more. Through films such as City of God, Frida, and Che, Brewer shows how history is retold, and what that retelling means for public memory. From Apocalypto to Selena, and from Christopher Columbus to the slave trade, Latin American History Goes to the Movies sets the record straight between the realities of history and cinematic depictions, and gives readers a solid foundation for using film to understand the complexities of Latin America’s rich and vibrant history.
Author: John Sbardellati
Publisher: Cornell University Press
ISBN: 0801464218
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Between 1942 and 1958, J. Edgar Hoover's Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood's alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover's G-men on screenplays and screenings of such films as Frank Capra's It's a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI's anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood's history and the post-World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle at best, or, at its worst, conducive to communism at home. Those who took part in Hollywood's Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.
Author: Donald F. Stevens
Publisher: Rowman & Littlefield Publishers
ISBN: 058534826X
Category : History
Languages : en
Pages : 265
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Book Description
Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.
Author: Wendy S. Wilson
Publisher: Walch Education
ISBN: 9780825144516
Category : History
Languages : en
Pages : 161
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Book Description
A captivating guide to 14 movies that address U.S. history. Includes popular and important favorites, such as: The Patriot Dances with Wolves The Grapes of Wrath American Graffiti Glory Dr. Strangelove With bibliography, glossary, film analysis guide, plot synopses, reviews, lists of similarly themed films, and much more. (Note:Films are not included with this publication.)
Author: Paul Monaco
Publisher: Rowman & Littlefield
ISBN: 0810874393
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
In A History of American Movies: A Film-by-Film Look at the Art, Craft and Business of Cinema, Paul Monaco provides a survey of the narrative feature film from the 1920s to the present. The book focuses on 170 of the most highly regarded and recognized feature films selected by the Hollywood establishment: each Oscar winner for Best Picture, as well as those voted the greatest by members of the American Film Institute. By focusing on a select group of films that represent the epitome of these collaborations, Monaco provides an essential history of one of the modern world's most complex and successful cultural institutions: Hollywood. Divided into three sections, "Classic Hollywood, 1927-1948," "Hollywood In Transition, 1949-1974," and "The New Hollywood, 1975 To The Present," Monaco examines some of the most memorable works in cinematic history, including The General, Wings, Bringing Up Baby, Gone with the Wind, Citizen Kane, Casablanca, On the Waterfront, The Searchers, Psycho, West Side Story, The Godfat
Author: Kenneth M. Cameron
Publisher: Burns & Oates
ISBN:
Category : History
Languages : en
Pages : 296
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Book Description
The challenge of making the great American historical film has attracted some of our finest talents: D. W. Griffith, John Ford, Robert Altman, Francis Ford Coppola, Martin Scorsese, Oliver Stone, Spike Lee. From the earliest flickering images of The Spirit of 76 (1905) through Nixon, America on Film subtly and entertainingly examines Hollywood's filming of American history, including biographies. Among the many films considered, some omissions seem surprising: The Birth of a Nation and Gone with the Wind, for example, since they are based on fiction. But The Iron Horse, The Beginning or the End?, the Jackie Robinson Story, Patton, Quiz Show, Lenny, Malcolm, X, Apollo 13, and literally hundreds of others are all here. Through these many movies, we see the interrelationships between image and substance, illusion and reality, racism and democracy, and cynicism and idealism, which form America's unique national identity.
Author: Peter C. Rollins
Publisher: Columbia University Press
ISBN: 9780231112222
Category : History
Languages : en
Pages : 708
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Book Description
More than 70 scholars examine how filmmakers have presented and interpreted the most important events, topics, eras and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic.
Author: Marnie Hughes-Warrington
Publisher:
ISBN: 9780415328272
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
Can films be used as historical evidence? Do historical films make good or bad history? Are documentaries more useful to historians than historical drama? Written from an international perspective, this book offers a lucid introduction to the ways films are made and used, cumulating with the exploration of the fundamental question, what is history and what is it for? Incorporating film analysis, advertisements, merchandise and internet forums; and ranging from late-nineteenth century short films to twenty-first century DVD 'special editions', this survey evaluates the varied ways in which filmmakers, promoters, viewers and scholars understand film as history. From Saving Private Ryan to Picnic at Hanging Rock to Pocahontas, History Goes to the Movies considers that history is not simply to be found in films, but in the perceptions and arguments of those who make and view them. This helpful introductory text blends historical and methodological issues with real examples to create a systematic guide to issues involved in using historical film in the study of history. History Goes to the Movies is a much-needed overview of an increasingly popular subject.
