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Author:
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Category : Etching, American
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Etching, American
Languages : en
Pages :
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![Alfred Hutty, Etc. [Reproductions of Etchings.]. PDF](https://books.google.com/books/content/images/frontcover/kkkPMwEACAAJ?fife=w80-h100)
Author: Alfred HUTTY
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Category :
Languages : en
Pages :
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Author: Alfred Hutty
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Category : African Americans in art
Languages : en
Pages : 44
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Author:
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 248
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Author:
Publisher:
ISBN:
Category : Etchers, American
Languages : en
Pages :
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![American Etchers...: Roth, E. D. Ernest D. Roth. [c1929].- v. 2. Hutty, Alfred. Alfred Hutty. [c1929].- v. 3 Hassam, Childe. Childe Hassam. [c1929].- v. 4 Kappel, Philip. Philip Kappel. [c1929].- v. 5 Arms, J.T. John Taylor Arms. [1930].- v. 6 Heintzelman, A. W. Arthur Wm. Heintzelman. [c1930].- v. 7 Burr, G.E. George Elbert Burr. [c1930].- v. 8 Eby, Kerr. Kerr Eby. [c1930].- v. 9 Kinney, Troy. Troy Kinney. [c1930].- v. 10 Rosenberg, L. C. Louis C. Rosenberg. [c1930].- v. 11 Lewis, Martin. Martin Lewis. [c1931].- v. 12 Benson, F.W. Frank W. Benson. [c1931].- PDF](https://books.google.com/books/content/images/frontcover/6g8B0AEACAAJ?fife=w80-h100)
Author:
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Category : Etchers
Languages : en
Pages : 0
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Author: Alfred Hutty
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ISBN:
Category :
Languages : en
Pages : 5
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Author: Doll & Richards (Gallery)
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ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher: University of Georgia Press
ISBN: 9780820315355
Category : Art
Languages : en
Pages : 260
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Book Description
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
Author: Stephanie E. Yuhl
Publisher: Univ of North Carolina Press
ISBN: 0807876542
Category : History
Languages : en
Pages : 300
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Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.
