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Author: Francis J. Puig
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Author: Francis J. Puig
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 297
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Book Description
Author: Michael Conforti
Publisher:
ISBN:
Category :
Languages : en
Pages : 295
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Book Description
Author: Francis J. Puig
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Francis J. Puig
Publisher:
ISBN:
Category :
Languages : en
Pages : 295
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Book Description
Author: Rosemary Troy Krill
Publisher: Rowman Altamira
ISBN: 0759119465
Category : Business & Economics
Languages : en
Pages : 280
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Book Description
Winterthur Museum is world renowned for its decorative arts collections and its exceptional educational programs. Adapted from the training materials developed at the museum, the revised and enhanced Early American Decorative Arts, 1620-1860: A Handbook for Interpreters is an indispensable guide for anyone involved with interpretation of decorative arts collections. Early American Decorative Arts, 1620-1860 elucidates the principles of public interpretation, explains how to analyze objects, and defines the concept of style. Eighteen chapters provide comprehensive descriptions of decorative arts including furniture, ceramics, textiles, paintings and prints, metalwork, glass, and other objects. Many museums and historic sites display such collections to thousands of visitors annually. Guides, interpreters, educators, and collection managers will find this book a helpful summary and a guide to further research. This enhanced edition includes now includes a CD featuring beautiful color images of the more than 170 black-and-white photographs in the book, bringing the Winterthur collections to life on your computer and in your classroom. Published in cooperation with Winterthur Museum, Garden & Library.
Author: Edward S. Cooke Jr.
Publisher: JHU Press
ISBN: 142143606X
Category : History
Languages : en
Pages : 363
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Book Description
Cooke offers a fresh and appealing cross-disciplinary study of the furnituremakers, social structure, household possessions, and surviving pieces of furniture of two neighboring New England communities. Winner of the Decorative Arts Society, Inc.'s Charles F. Montgomery Prize Originally published in 1996. In Making Furniture in Preindustrial America Edward S. Cooke Jr. offers a fresh and appealing cross-disciplinary study of the furnituremakers, social structure, household possessions, and surviving pieces of furniture of two neighboring New England communities. Drawing on both documentary and artifactual sources, Cooke explores the interplay among producer, process, and style in demonstrating why and how the social economies of these two seemingly similar towns differed significantly during the late colonial and early national periods. Throughout the latter half of the eighteenth century, Cooke explains, the yeoman town of Newtown relied on native joiners whose work satisfied the expectations of their fellow townspeople. These traditionalists combined craftwork with farming and made relatively plain, conservative furniture. By contrast, the typical joiner in the neighboring gentry town of Woodbury was the immigrant innovator. Born and raised elsewhere in Connecticut and serving a diverse clientele, these craftsmen were free of the cultural constraints that affected their Newtown contemporaries. Relying almost entirely on furnituremaking for their livelihood, they were free to pay greater attention to stylistically sensitive features than to mere function.
Author: Alfred F. Young
Publisher: NYU Press
ISBN: 0814797113
Category : History
Languages : en
Pages : 295
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Book Description
The meaning of the American Revolution has always been a much-contested question, and asking it is particularly important today: the standard, easily digested narrative puts the Founding Fathers at the head of a unified movement, failing to acknowledge the deep divisions in Revolutionary-era society and the many different historical interpretations that have followed. Whose American Revolution Was It? speaks both to the ways diverse groups of Americans who lived through the Revolution might have answered that question and to the different ways historians through the decades have interpreted the Revolution for our own time. As the only volume to offer an accessible and sweeping discussion of the period’s historiography and its historians, Whose American Revolution Was It? is an essential reference for anyone studying early American history. The first section, by Alfred F. Young, begins in 1925 with historian J. Franklin Jameson and takes the reader through the successive schools of interpretation up to the 1990s. The second section, by Gregory H. Nobles, focuses primarily on the ways present-day historians have expanded our understanding of the broader social history of the Revolution, bringing onto the stage farmers and artisans, who made up the majority of white men, as well as African Americans, Native Americans, and women of all social classes.
Author: Raymond D. Irwin
Publisher: Bloomsbury Publishing USA
ISBN: 0313074658
Category : History
Languages : en
Pages : 328
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Book Description
A companion volume to Books on Early American History and Culture, 1991-1995, this work covers scholarship on early American history, including North America and the Caribbean from 1492 to 1815. This annotated bibliography surveys over 1,000 monographs, essay collections, exhibition catalogs, and reference works published between 1986 and 1990. In thirty-two thematic sections, the book covers such topics as colonization, rural life and agriculture, and religion. This useful guide organizes the recent explosion of scholarly literature on pre-colonial, colonial, and early Republican America.
Author: Morrison H. Heckscher
Publisher: Metropolitan Museum of Art
ISBN: 0870996312
Category : Decoration and ornament
Languages : en
Pages : 306
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Book Description
Published in conjunction with an exhibition organized by, and held at, the Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art, this volume examines the American (i.e. British colonial) manifestations of the European rococo style. Following an introductory chapter, separate chapters are devoted to architecture, engravings, silver, and furniture, plus iron, glass, and porcelain grouped together as factory products. Illustrated are 173 objects (many in color) that are part of the exhibition, and some 50 related objects. Annotation copyrighted by Book News, Inc., Portland, OR