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Author: Donald J. Berg
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402723575
Category : Architecture
Languages : en
Pages : 164
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Book Description
"Provides an excellent introduction as well as suggestions for using these plans to add architectural detail to your own home...an excellent bibliography."--Victorian Homes "The best home, barn and landscape designs...in a charming book....[It] contains numerous original illustrations showing a wealth of construction details, site plans and plantings."--Fine Homebuilding This classic bestseller contains the finest collection of architectural designs from a bygone era--and it's a boon for anyone hoping to construct that dream house or add charming touches to a modern one. Hundreds of illustrations from actual 19th century building plans feature architects' blueprints and drawings, full-color photos, and more. The buildings range from humble farmers' cabins to summer getaway cottages for the rich, and there's plenty of detail work, including built-in shelves, dormers, and turned balusters. With this information, an architect could easily create anything shown on the pages.
Author: Donald J. Berg
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402723575
Category : Architecture
Languages : en
Pages : 164
Get Book Here
Book Description
"Provides an excellent introduction as well as suggestions for using these plans to add architectural detail to your own home...an excellent bibliography."--Victorian Homes "The best home, barn and landscape designs...in a charming book....[It] contains numerous original illustrations showing a wealth of construction details, site plans and plantings."--Fine Homebuilding This classic bestseller contains the finest collection of architectural designs from a bygone era--and it's a boon for anyone hoping to construct that dream house or add charming touches to a modern one. Hundreds of illustrations from actual 19th century building plans feature architects' blueprints and drawings, full-color photos, and more. The buildings range from humble farmers' cabins to summer getaway cottages for the rich, and there's plenty of detail work, including built-in shelves, dormers, and turned balusters. With this information, an architect could easily create anything shown on the pages.
Author: Christine Sheppard
Publisher:
ISBN: 9781495180392
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9781931917964
Category :
Languages : en
Pages :
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Book Description
Author: William E. Firestone
Publisher: William Firestone
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Andrew Jackson Downing
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 572
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Book Description
Author: Lewis A. Coffin
Publisher: Courier Corporation
ISBN: 0486136868
Category : Architecture
Languages : en
Pages : 162
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Book Description
Blueprints, sketches, and exterior and interior photographs showcase the finest examples of 1930s country homes from 70 different architectural firms. A variety of styles are featured, from simple cottages to large estates.
Author: Michael Maines
Publisher: Taunton Press
ISBN: 9781641551656
Category : Architecture
Languages : en
Pages : 256
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Book Description
Pretty Good House provides a framework and set of guidelines for building or renovating a high-performance home that focus on its inhabitants and the environment--but keeps in mind that few people have pockets deep enough to achieve a "perfect" solution. The essential idea is for homeowners to work within their financial and practical constraints both to meet their own needs and do as much for the planet as possible. A Pretty Good House is: * A house that's as small as possible * Simple and durable, but also well designed * Insulated and air-sealed * Above all, it is affordable, healthy, responsible, and resilient.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 398
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Book Description
Author: Paul Andersen
Publisher: Park Publishing (WI)
ISBN: 9783038601951
Category : Architecture, Domestic
Languages : en
Pages : 0
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Book Description
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing-also known at the time as "Chicago construction"-quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country's high regard for novelty, in contrast with the stability that is often assumed to be essential to architecture. American Framing is a visual and textual exploration of the social, environmental, and architectural conditions and consequences of this ubiquitous form of construction. For architecture, it offers a story of an American project that is bored with tradition, eager to choose economy over technical skill, and accepting of a relaxed idea of craft in the pursuit of something useful and new-the forming of an architecture that enables architecture.
Author: Antoine Picon
Publisher: John Wiley & Sons
ISBN: 111858824X
Category : Architecture
Languages : en
Pages : 306
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Book Description
Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
