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Author: Terence McSweeney
Publisher:
ISBN: 9781474413817
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
'Gripping and smart, American Cinema in the Shadow of 9/11 is a must-read for cinema students and researchers. It offers especially timely and important analyses of post-9/11 US film through a series of lucid essays that incisively explore how the traumas and anxieties of the terrorist attacks continue to haunt American identity and its imaginary. I can't recommended this book enough for anyone interested in the cultural function of film, narrative and allegory.' Anna Froula, East Carolina University American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able both to reflect the defining fears and anxieties of the tumultuous era, but also to shape them in compelling and resonant ways. Terence McSweeney is Lecturer in the School of Media Arts and Technology, Southampton Solent University. Cover image: American Sniper, Clint Eastwood, 2014 (c) Warner Bros/Village Roadshow/Malpaso Productions/The Kobal Collection Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-1381-7 Barcode
Author: Terence McSweeney
Publisher:
ISBN: 9781474413817
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
'Gripping and smart, American Cinema in the Shadow of 9/11 is a must-read for cinema students and researchers. It offers especially timely and important analyses of post-9/11 US film through a series of lucid essays that incisively explore how the traumas and anxieties of the terrorist attacks continue to haunt American identity and its imaginary. I can't recommended this book enough for anyone interested in the cultural function of film, narrative and allegory.' Anna Froula, East Carolina University American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able both to reflect the defining fears and anxieties of the tumultuous era, but also to shape them in compelling and resonant ways. Terence McSweeney is Lecturer in the School of Media Arts and Technology, Southampton Solent University. Cover image: American Sniper, Clint Eastwood, 2014 (c) Warner Bros/Village Roadshow/Malpaso Productions/The Kobal Collection Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-1381-7 Barcode
Author: Terence McSweeney
Publisher: Edinburgh University Press
ISBN: 1474413838
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
Author: Jeff Birkenstein
Publisher: A&C Black
ISBN: 1441119051
Category : Social Science
Languages : en
Pages : 258
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Book Description
A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.
Author: Wheeler W. Dixon
Publisher: SIU Press
ISBN: 9780809325566
Category : History
Languages : en
Pages : 274
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Book Description
Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.
Author: Johan Andersson
Publisher: Bloomsbury Publishing
ISBN: 1350115630
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).
Author: McSweeney Terence McSweeney
Publisher: Edinburgh University Press
ISBN: 0748693114
Category : Performing Arts
Languages : en
Pages : 371
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Book Description
This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - this book explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond.
Author: Irene Berti
Publisher: Bloomsbury Publishing
ISBN: 1350075418
Category : Art
Languages : en
Pages : 310
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Book Description
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures. A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Author: Terence McSweeney
Publisher: Springer
ISBN: 3030194582
Category : Social Science
Languages : en
Pages : 290
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Book Description
This edited collection charts the first four seasons of Black Mirror and beyond, providing a rich social, historical and political context for the show. Across the diverse tapestry of its episodes, Black Mirror has both dramatized and deconstructed the shifting cultural and technological coordinates of the era like no other. With each of the nineteen chapters focussing on a single episode of the series, this book provides an in-depth analysis into how the show interrogates our contemporary desires and anxieties, while simultaneously encouraging audiences to contemplate the moral issues raised by each episode. What if we could record and replay our most intimate memories? How far should we go to protect our children? Would we choose to live forever? What does it mean to be human? These are just some of the questions posed by Black Mirror, and in turn, by this volume. Written by some of the foremost scholars in the field of contemporary film and television studies, Through the Black Mirror explores how Black Mirror has become a cultural barometer of the new millennial decades and questions what its embedded anxieties might tell us.
Author: Steffen Hantke
Publisher: Univ. Press of Mississippi
ISBN: 1496846761
Category : Performing Arts
Languages : en
Pages : 129
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Book Description
Upon its release in 2008, Matt Reeves’s Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with personal and collective trauma. It applied the horror genre’s fascination with personal stories captured by found footage to the grand violence of history. Innovative and intense, Cloverfield represented blockbuster filmmaking at its best. Cloverfield’s franchising followed the path of high-profile Hollywood properties. This volume provides the first comprehensive overview of the franchise, measuring how it steers precariously between the commercial potential, creative risks, and political challenges in Hollywood. As 10 Cloverfield Lane (2016) and The Cloverfield Paradox (2018) struggled to sustain and update the franchise’s original concept, both films’ strengths and weaknesses come into focus by comparison with the original, just as the historical sequence of all three films allows for a reassessment of Cloverfield itself. Author Steffen Hantke examines how, in the broader context of postmillennial Hollywood, the Cloverfield franchise remains both a harbinger of the way Hollywood does business and a test case for the cinematic fantasies of apocalyptic disaster that continue to dominate global box office, long after the Cold War that gave rise to giant creatures has ended and 9/11 has lost its hold on the global imagination. As an inspiration for the next stage of blockbuster filmmaking, in which franchises have replaced the singular cinematic masterpiece and marketing plays to fans as critics and scholars, Cloverfield remains as relevant today as when it first unleashed its giant creature onto New York City over a decade ago.
Author: Mary Harrod
Publisher: Springer Nature
ISBN: 3030709949
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.
