Advancing American Art

Advancing American Art PDF Author: Taylor Littleton
Publisher: Fire Ant Books
ISBN:
Category : Art
Languages : en
Pages : 180

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Book Description
A representative collection of avant-garde American painting from the 1930s and '40s Conceived and funded by the State Department in 1946 as part of a new emphasis in international diplomacy, the exhibit of paintings called Advancing American Art was launched on what was enthusiastically projected as an extended goodwill tour of Europe and Latin America. But almost immediately the exhibit was attacked by conservative groups as "un-American" and "subversive" and its abstract paintings ridiculed in the national media, in Congress, and by no less a critic than President Truman. Following their recall by Secretary Marshall in 1947, the exhibit's paintings were quietly declared surplus property and sold under rather curious circumstances by the War Assets Administration. Most of the collection was acquired by a small number of public universities in what could be called the art bargain of the century, since works by such figures as Marin, O'Keefe, Shahn, Dove, Kuniyoshi, and Hartley were sold for $100 or less. The chronicle of this exhibit tells us something about America after the war, when the nation sought to reconcile its sacrificial experiences from the Depression and in World War II with its new role on the international scene. Defining the figures of confrontation that challenged America's tenuous self-conceptions at the time, this book captures a significant transitional moment in U.S. history while also serving as a catalog of the 38 masterpieces purchased by Auburn University.

Advancing American Art

Advancing American Art PDF Author: Taylor Littleton
Publisher: Fire Ant Books
ISBN:
Category : Art
Languages : en
Pages : 180

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Book Description
A representative collection of avant-garde American painting from the 1930s and '40s Conceived and funded by the State Department in 1946 as part of a new emphasis in international diplomacy, the exhibit of paintings called Advancing American Art was launched on what was enthusiastically projected as an extended goodwill tour of Europe and Latin America. But almost immediately the exhibit was attacked by conservative groups as "un-American" and "subversive" and its abstract paintings ridiculed in the national media, in Congress, and by no less a critic than President Truman. Following their recall by Secretary Marshall in 1947, the exhibit's paintings were quietly declared surplus property and sold under rather curious circumstances by the War Assets Administration. Most of the collection was acquired by a small number of public universities in what could be called the art bargain of the century, since works by such figures as Marin, O'Keefe, Shahn, Dove, Kuniyoshi, and Hartley were sold for $100 or less. The chronicle of this exhibit tells us something about America after the war, when the nation sought to reconcile its sacrificial experiences from the Depression and in World War II with its new role on the international scene. Defining the figures of confrontation that challenged America's tenuous self-conceptions at the time, this book captures a significant transitional moment in U.S. history while also serving as a catalog of the 38 masterpieces purchased by Auburn University.

Modern Masters

Modern Masters PDF Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260

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Book Description
Publication accompanies the inaugural exhibition at the new Frost Collection, Florida, which looks at the rise to prominence of the New York art scene in the two decades following the Second World War

Crafting Modernism

Crafting Modernism PDF Author: Museum of Arts and Design
Publisher: Harry N. Abrams
ISBN: 9780810984806
Category : Design
Languages : en
Pages : 368

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Book Description
"This book is published on the occasion of the exhibition Crafting modernism: midcentury American art and design, Museum of Arts and Design, New York, New York, October 11, 2011-January 15, 2012; Memorial Art Gallery, Rochester, New York, February 27-May 21, 2012"--T.p. verso.

AMERICAN ART AT MID-CENTURY.

AMERICAN ART AT MID-CENTURY. PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Mid-Century Modernism and the American Body

Mid-Century Modernism and the American Body PDF Author: Kristina Wilson
Publisher: Princeton University Press
ISBN: 0691213496
Category : Art
Languages : en
Pages : 264

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Book Description
The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar America In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers. Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.

American Art at Mid-century 1

American Art at Mid-century 1 PDF Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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American Art at Mid-century

American Art at Mid-century PDF Author: E. A. Carmean
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 282

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Book Description
"This exhibition, 'The Subjects of the Artist, ' is the second part of a series of explorations, at the Gallery, of American art at mid-century. It is intended to be a core sample of the abstract-expressionist movement, focusing on works that form a series or emphasize a particular theme by each of seven artists. . . The scholarship of this recent period in American art history is still in its pioneering phase. We are fortunate to have on the Gallery's staff a curator who is deeply immersed in this field. E.A. Carmen, Jr., conceived of the show and selected its contents, and the catalogue is a result of his work and that of Eliza E. Rathbone, assistant curator at the Gallery. The research of the photographic material was provided by Trinkett Clark. Thomas B. Hess has allowed us to reprint his discussion of Newman's Stations of the Cross as one of the seven essays here."--Foreword

American Art at Mid-century

American Art at Mid-century PDF Author: Smithsonian Institution (WASHINGTON, D.C.). National Gallery of Art. 1937-
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Midcentury Modern Art in Texas

Midcentury Modern Art in Texas PDF Author: Katie Robinson Edwards
Publisher: University of Texas Press
ISBN: 0292756593
Category : Art
Languages : en
Pages : 393

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Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.

American Art Since Mid-century

American Art Since Mid-century PDF Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 10

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Book Description