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Author: Michael J. Kurtz
Publisher: Cambridge University Press
ISBN: 0521849829
Category : Art
Languages : en
Pages : 5
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Book Description
The Nazi war on European culture produced the greatest dislocation of art, archives, and libraries in the history of the world. In the ruins of the Reich, Allied occupiers found millions of paintings, books, manuscripts, and pieces of sculpture, from the mediocre to the priceless, hidden in thousands of secret hideaways. This book tells the story of how the American Military Government in Germany, spearheaded by a few dozen dedicated Monuments, Fine Arts and Archives (MFA&A) officers and enlisted men, coped with restoring Europe's cultural heritage.
Author: Michael J. Kurtz
Publisher: Cambridge University Press
ISBN: 0521849829
Category : Art
Languages : en
Pages : 5
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Book Description
The Nazi war on European culture produced the greatest dislocation of art, archives, and libraries in the history of the world. In the ruins of the Reich, Allied occupiers found millions of paintings, books, manuscripts, and pieces of sculpture, from the mediocre to the priceless, hidden in thousands of secret hideaways. This book tells the story of how the American Military Government in Germany, spearheaded by a few dozen dedicated Monuments, Fine Arts and Archives (MFA&A) officers and enlisted men, coped with restoring Europe's cultural heritage.
Author: Anne Sharp Wells
Publisher: Scarecrow Press
ISBN: 0810879441
Category : History
Languages : en
Pages : 567
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Book Description
This dictionary covers the complex and costly conflict that began when Germany, ruled by Adolf Hitler and the Nazi Party, invaded neighboring Poland on 1 September 1939; and concluded when Germany surrendered on 7–9 May 1945, leaving much of the European continent in ruins and its population devastated. The war against Germany, Italy, and the other European Axis members was fought primarily in Europe, the Mediterranean, the Middle East, East and North Africa, and the Atlantic Ocean. The Axis powers were defeated by the Allies, led by the “Grand Alliance” of Great Britain, the United States, and the Union of Soviet Socialist Republics. The Historical Dictionary of World War II: The War against Germany and Italy relates the history of this war through a chronology, an introductory essay, maps and photos, and an extensive bibliography. The dictionary section has more than 300 cross-referenced entries on the countries and geographical areas involved in the war, as well as the nations remaining neutral; wartime alliances and conferences; significant civilian and military leaders; and major ground, naval, and air operations. This book is an excellent access point for students, researchers, and anyone wanting to know more about World War II.
Author: Iris Lauterbach
Publisher: Getty Publications
ISBN: 1606065823
Category : Art
Languages : en
Pages : 324
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Book Description
A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris Lauterbach’s fascinating history documents the story of the Allies’ Central Collecting Point (CCP), set up in the former Nazi Party headquarters at Königsplatz in Munich, where the confiscated works were transported to be identified and sorted for restitution. This book presents her archival research on the events, people, new facts, and intrigue, with meticulous attention to the official systems, frameworks, and logistical and bureaucratic enterprise of the Munich CCP in the years from 1945 to 1949. She uncovers the stories of the people who worked there at a time of lingering political suspicions; narrates the research, conservation, and restitution process; and investigates how the works of art were managed and returned to their owners.
Author: M. Fishburn
Publisher: Springer
ISBN: 0230583660
Category : History
Languages : en
Pages : 239
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Book Description
This provocative new work examines the years between the Nazi book fires and the publication of Ray Bradbury's Fahrenheit 451 (1953), a period when book burning captured the popular imagination. It explores how embedded the myths of book burning have become in our cultural history, and illustrates the enduring appeal of a great cleansing bonfire.
Author: Lisa Moses Leff
Publisher: Oxford University Press
ISBN: 0199380961
Category : History
Languages : en
Pages : 305
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Book Description
In the aftermath of the Holocaust, Jewish historian Zosa Szajkowski gathered up tens of thousands of documents from Nazi buildings in Berlin, and later, public archives and private synagogues in France, and moved them all, illicitly, to New York. In The Archive Thief, Lisa Moses Leff reconstructs Szajkowski's story in all its ambiguity. Born into poverty in Russian Poland, Szajkowski first made his name in Paris as a communist journalist. In the late 1930s, as he saw the threats to Jewish safety rising in Europe, he broke with the party and committed himself to defending his people in a new way, as a scholar associated with the YIVO Institute for Jewish Research. Following a harrowing 1941 escape from France and U.S. army service, Szajkowski struggled to remake his life as a historian, eking out a living as a YIVO archivist in postwar New York. His scholarly output was tremendous nevertheless; he published scores of studies on French Jewish history that opened up new ways of thinking about Jewish emancipation, modernization, and the rise of modern antisemitism. But underlying Szajkowski's scholarly accomplishments were the documents he stole, moved, and eventually sold to American and Israeli research libraries, where they remain today. Part detective story, part analysis of the construction of history, The Archive Thief offers a window into the debates over the rightful ownership of contested Jewish archives and the powerful ideological, economic, and psychological forces that have made Jewish scholars care so deeply about preserving the remnants of their past.
Author: Simone Gigliotti
Publisher: John Wiley & Sons
ISBN: 1118970527
Category : History
Languages : en
Pages : 704
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Book Description
Provides a cutting-edge, nuanced, and multi-disciplinary picture of the Holocaust from local, transnational, continental, and global perspectives Holocaust Studies is a dynamic field that encompasses discussions on human behavior, extremity, and moral action. A diverse range of disciplines – history, philosophy, literature, social psychology, anthropology, geography, amongst others – continue to make important contributions to its scholarship. A Companion to the Holocaust provides exciting commentaries on current and emerging debates and identifies new connections for research. The text incorporates new language, geographies, and approaches to address the precursors of the Holocaust and examine its global consequences. A team of international contributors provides insightful and sophisticated analyses of current trends in Holocaust research that go far beyond common conceptions of the Holocaust’s causes, unfolding and impact. Scholars draw on their original research to interpret current, agenda-setting historical and historiographical debates on the Holocaust. Six broad sections cover wide-ranging topics such as new debates about Nazi perpetrators, arguments about the causes and places of persecution of Jews in Germany and Europe, and Jewish and non-Jewish responses to it, the use of forced labor in the German war economy, representations of the Holocaust witness, and many others. A masterful framing chapter sets the direction and tone of each section’s themes. Comprising over thirty essays, this important addition to Holocaust studies: Offers a remarkable compendium of systematic, comparative, and precise analyses Covers areas and topics not included in any other companion of its type Examines the ongoing cultural, social, and political legacies of the Holocaust Includes discussions on non-European and non-Western geographies, inter-ethnic tensions, and violence A Companion to the Holocaust is an essential resource for students and scholars of European, German, genocide, colonial and Jewish history, as well as those in the general humanities.
Author: Elizabeth Campbell
Publisher: Oxford University Press
ISBN: 0190051981
Category : Art
Languages : en
Pages : 361
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Book Description
Museum Worthy examines the history behind works of art that were looted in western Europe by the Nazis during the Second World War and never returned to their rightful owners, instead claimed by postwar governments of France, Belgium, and the Netherlands for display in museums, embassies, ministries, and other public buildings.
Author: Miriam Intrator
Publisher: Springer
ISBN: 3030158160
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Books Across Borders: UNESCO and the Politics of Postwar Cultural Reconstruction, 1945-1951 is a history of the emotional, ideological, informational, and technical power and meaning of books and libraries in the aftermath of World War II, examined through the cultural reconstruction activities undertaken by the Libraries Section of the United Nations Educational, Scientific and Cultural Organization (UNESCO). The book focuses on the key actors and on-the-ground work of the Libraries Section in four central areas: empowering libraries around the world to acquire the books they wanted and needed; facilitating expanded global production of quality translations and affordable books; participating in debates over the contested fate of confiscated books and displaced libraries; and formulating notions of cultural rights as human rights. Through examples from France, Poland, and surviving Jewish Europe, this book provides new insight into the complexities and specificities of UNESCO’s role in the realm of books, libraries, and networks of information exchange during the early postwar, post-Holocaust, Cold War years.
Author: Alex Wright
Publisher: Oxford University Press, USA
ISBN: 0199931410
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
"In 1934, a Belgian entrepreneur named Paul Otlet sketched out plans for a worldwide network of computers--or "electric telescopes," as he called them -- that would allow people anywhere in the world to search and browse through millions of books, newspapers, photographs, films and sound recordings, all linked together in what he termed a râeseau mondial: a "worldwide web." Today, Otlet and his visionary proto-Internet have been all but forgotten, thanks to a series of historical misfortunes -- not leastof which involved the Nazis marching into Brussels and destroying most of his life's work. In the years since Otlet's death, however, the world has witnessed the emergence of a global network that has proved him right about the possibilities -- and the perils -- of networked information. In The Web that Wasn't, Alex Wright brings to light the forgotten genius of Paul Otlet, an introverted librarian who harbored a bookworm's dream to organize all the world's information. Recognizing the limitations of traditional libraries and archives, Otlet began to imagine a radically new way of organizing information, and undertook his life's great work: a universal bibliography of all the world's published knowledge that ultimately totaled more than 12 millionindividual entries. That effort eventually evolved into the Mundaneum, a vast "city of knowledge" that opened its doors to the public in 1921 to widespread attention. Like many ambitious dreams, however, Otlet's eventually faltered, a victim to technological constraints and political upheaval in Europe on the eve of World War II. "--
Author: Noah Charney
Publisher: Bloomsbury Publishing USA
ISBN: 0313366365
Category : Social Science
Languages : en
Pages : 288
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Book Description
Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world. Contributors discuss art crime subcategories, including vandalism, iconoclasm, forgery, fraud, peace-time theft, war looting, archaeological looting, smuggling, submarine looting, and ransom. The contributors offer insightful analyses coupled with specific practical suggestions to implement in the future to prevent and address art crime. This work is of critical importance to anyone involved in the art world, its trade, study, and security. Art crime has received relatively little attention from those who study art to those who prosecute crimes. Indeed, the general public is not well-aware of the various forms of art crime and its impact on society at large, to say nothing of museums, history, and cultural affairs. And yet it involves a multi-billion dollar legitimate industry, with a conservatively-estimated $6 billion annual criminal profit. Information about and analysis of art crime is critical to the wide variety of fields involved in the art trade and art preservation, from museums to academia, from auction houses to galleries, from insurance to art law, from policing to security. Since the Second World War, art crime has evolved from a relatively innocuous crime, into the third highest-grossing annual criminal trade worldwide, run primarily by organized crime syndicates, and therefore funding their other enterprises, from the drug and arms trades to terrorism. It is no longer merely the art that is at stake.
