Ambiguity and Intertextuality in Bob Dylan's 'Like A Rolling Stone' PDF Download
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Author: Felix Kästner
Publisher: GRIN Verlag
ISBN: 3668076693
Category : Literary Collections
Languages : en
Pages : 15
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Book Description
Essay from the year 2015 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Justus-Liebig-University Giessen (Institut für Anglistik), course: Bob Dylan, language: English, abstract: It is beyond doubt that Bob Dylan is one of the most important and influential persons of 20th century popular music. His many songs are loved and renowned for their extraordinariness in terms of the lyrics, which are often ascribed a very high literary quality. Dylan has repeatedly been said to be one of the few persons who are able to combine music with poetry. Dylan's song 'Like a Rolling Stone', recorded in 1965, certainly belongs to his most important pieces of work. It has been covered by countless artists such as Dylan's contemporaries Bob Marley and Jimi Hendrix, but also by much younger and 'newer' artists like for example Green Day, a British 1990's and 2000's punkrock band. Another indicator for the quality and reputation of the song is the fact that the Rolling Stone – one of the world's most influential music magazines – voted it the best song ever in 2004. The enormous popularity of the song is said to have several reasons; one of them surely is the fact that Like a Rolling Stone, respectively the album Highway 61 Revisited, marked a significant change in Dylan's music and career, moving away from the previously dominant folk music towards R'n'B and rock music. This essay will concentrate on the lyrics of the song. There will be a close and detailed analysis of the most important passages of the song (mainly the chorus) with regard to their supposed meanings and implication. However, Dylan's lyrics usually tend to be very ambiguous and thus allow more than one 'right' or 'true' interpretation. This, of course, will be taken into account during the analysis. Another important element in Dylan's songtexts which can also be refound in Like a Rolling Stone is intertextuality; as a consequence, the lyrics of the song will be also put into context with Jack Kerouac's novel On The Road from 1957. At the end of this paper, there will be a short conclusion that sums up the previous analysis.
Author: Felix Kästner
Publisher: GRIN Verlag
ISBN: 3668076693
Category : Literary Collections
Languages : en
Pages : 15
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Book Description
Essay from the year 2015 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Justus-Liebig-University Giessen (Institut für Anglistik), course: Bob Dylan, language: English, abstract: It is beyond doubt that Bob Dylan is one of the most important and influential persons of 20th century popular music. His many songs are loved and renowned for their extraordinariness in terms of the lyrics, which are often ascribed a very high literary quality. Dylan has repeatedly been said to be one of the few persons who are able to combine music with poetry. Dylan's song 'Like a Rolling Stone', recorded in 1965, certainly belongs to his most important pieces of work. It has been covered by countless artists such as Dylan's contemporaries Bob Marley and Jimi Hendrix, but also by much younger and 'newer' artists like for example Green Day, a British 1990's and 2000's punkrock band. Another indicator for the quality and reputation of the song is the fact that the Rolling Stone – one of the world's most influential music magazines – voted it the best song ever in 2004. The enormous popularity of the song is said to have several reasons; one of them surely is the fact that Like a Rolling Stone, respectively the album Highway 61 Revisited, marked a significant change in Dylan's music and career, moving away from the previously dominant folk music towards R'n'B and rock music. This essay will concentrate on the lyrics of the song. There will be a close and detailed analysis of the most important passages of the song (mainly the chorus) with regard to their supposed meanings and implication. However, Dylan's lyrics usually tend to be very ambiguous and thus allow more than one 'right' or 'true' interpretation. This, of course, will be taken into account during the analysis. Another important element in Dylan's songtexts which can also be refound in Like a Rolling Stone is intertextuality; as a consequence, the lyrics of the song will be also put into context with Jack Kerouac's novel On The Road from 1957. At the end of this paper, there will be a short conclusion that sums up the previous analysis.
Author: 陳襄兒
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Timothy Hampton
Publisher: Princeton University Press
ISBN: 1942130554
Category : Music
Languages : en
Pages : 173
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Book Description
A career-spanning account of the artistry and politics of Bob Dylan’s songwriting Bob Dylan’s reception of the 2016 Nobel Prize for Literature has elevated him beyond the world of popular music, establishing him as a major modern artist. However, until now, no study of his career has focused on the details and nuances of the songs, showing how they work as artistic statements designed to create meaning and elicit emotion. Bob Dylan: How the Songs Work (originally published as Bob Dylan's Poetics) is the first comprehensive book on both the poetics and politics of Dylan’s compositions. It studies Dylan, not as a pop hero, but as an artist, as a maker of songs. Focusing on the interplay of music and lyric, it traces Dylan’s innovative use of musical form, his complex manipulation of poetic diction, and his dialogues with other artists, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan’s earliest experiments with the blues, through his mastery of rock and country, up to his densely allusive recent recordings, Timothy Hampton offers a detailed account of Dylan’s achievement. Locating Dylan in the long history of artistic modernism, the book studies the relationship between form, genre, and the political and social themes that crisscross Dylan’s work. Bob Dylan: How the Songs Work offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.
Author: Greil Marcus
Publisher:
ISBN: 9780571223862
Category : Dylan, Bob
Languages : en
Pages : 283
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Book Description
Sardonic, bitter, threatening, compassionate, gleeful, and most of all loud, 'Like a Rolling Stone' is much more than a song. Six minutes and six seconds in length, it was released by Dylan despite the received wisdom of the day as to what constituted a single. Originally published on the 40th anniversary of its release and recording, Greil Marcus' extraordinary book reconstructs the context in which the song first appeared, in terms of Dylan's own career (his controversial transformation from folk singer into rock n roll singer) and the world at large (Vietnam, the Watts Riots, the burgeoning counter-culture of the time). This is itself the stage for Marcus' recreation of the song on the page its emergence from fragments, its words, its sound, its discovery of itself. An analysis and critique of an artist at the height of his creative powers, it affords a unique insight into the mistakes, inspirations and bloody mindedness that come together only in the very highest cultural moments.
Author: Charles Lustig
Publisher: GRIN Verlag
ISBN: 3668882983
Category : Music
Languages : en
Pages : 19
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Book Description
Pre-University Paper from the year 2018 in the subject Musicology, grade: 1,9, , language: English, abstract: This paper should provide a better view on the influence Bob Dylan had on the music industry, focusing on the years 1965 – 1975, while answering the questions of why he became an important figure in music. For this term paper, it’s important that the reader listens to the two analyzed and described songs Like a Rolling Stone from from the album Highway 61 Revisited and Tangled Up in Blue from the album Blood on the Tracks at least once, to be able to comprehend the conclusions and thoughts. Furthermore it is not necessary to be familiar with technical terms, since they will all get described within the paper. However, this term paper can only cover the most important facts in a compressed way, due to the maximal length of twelve pages. In addition, the two songs could only be analyzed briefly by picking out parts from the lyrics and covering the most important and interesting facts. Nuances regarding the subject, such as other musicians, songs and genres Dylan had influence on between 1965 to 1975, as well as a detailed view on his other albums, had to be left out.
Author: Bob Dylan
Publisher:
ISBN: 9783455016123
Category :
Languages : de
Pages : 0
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Book Description
Author: Greg Kot
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Greil Marcus
Publisher:
ISBN: 9783462034875
Category :
Languages : de
Pages : 304
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Book Description
Greil Marcus gilt als einer der bedeutendsten Musikkritiker der Welt. Bob Dylan gehört zu den einflussreichsten Musikern der letzten 40 Jahren. Und >Like a Rolling Stone ist eines der bekanntesten Musikstücke aller Zeiten. Columbia Aufnahmestudio A, 15. Juni 1965: Ein Sänger spielt gedankenverloren einzelne Töne auf dem Klavier. Als er zu singen beginnt, versagt seine Stimme. Der Takt klingt gequält. Am Ende des Tages wird eine Single aufgenommen sein, sechs Minuten und sechs Sekunden: Like a Rolling Stone. Vier Wochen später stürmt Bob Dylan damit die Charts. Für Greil Marcus markiert der Song einen tiefen Einschnitt in der amerikanischen Geschichte, aber auch in der künstlerischen Entwicklung von Bob Dylan. Nach vier Folk-Alben war er zu dem Protestsänger seiner Generation avanciert. Mit Like a Rolling Stone veröffentlichte er seine erste Rock 'n' Roll-Single. Doch auch die Weltgeschichte stand vor einem großen Umbruch: die Bürgerrechtsbewegung, die Studentenrevolte - alles war im Sommer 1965 greifbar. Nach diesem Moment in der Geschichte hält Greil Marcus Ausschau, nach dem Moment, wo sich Musikgeschichte und Politik begegnen. Ausgehend von den sagenumwobenen Aufnahmen zu Like a Rolling Stone
Author: Marke Mothersback
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Michael Ingham
Publisher: Cambridge Scholars Publishing
ISBN: 1527585697
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Popular song is a liminal, hybrid form of cultural production. As a manifestation of adaptation studies, it has lacked visibility by comparison with more dominant adaptation practices, especially those for the screen. This book serves to fill this gap. It investigates what songwriters read and write before they start singing, showing that they need either to adapt material from existing sources or write their own lyrics drawn from a wide range of source texts and personal experiences. They are subject to myriad influences, and among these are other song lyrics, poems, novels, plays, films and hybrid cultural forms. This deep-structure intertextuality is embedded in the cultural flux of language, and operates at both conscious and subconscious levels. This book thus explores the complex and multifarious intertextual connections between popular songs of various genres, styles and eras and literary works, including, but by no means limited to, the Bible and Shakespeare. As such, it offers a valuable resource, by exploring the deep intertextual significance of literary source material for the intellectual and emotional diversity that can be found in the popular song form; the inverse reciprocal relationship, while much less common, is also considered in the study.
