Alternative Readings in Old English Poetry PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Alternative Readings in Old English Poetry PDF full book. Access full book title Alternative Readings in Old English Poetry by Jerome Mandel. Download full books in PDF and EPUB format.
Author: Jerome Mandel
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 228
Get Book Here
Book Description
Professor Mandel examines four Old English elegies--The Wanderer, The Seafarer, Deor, and The Wife's Lament--from a point of view that combines rhetorical analysis (the contrastive collocation of words, phrases, and ideas) with a penetrating reading of the text. He points to new relationships among the parts of these poems and shows how they can be read in ways different from those currently accepted by the community of scholars. These «alternative readings» of Old English poetry will greatly modify the perception of all students and scholars interested in Anglo-Saxon life and culture.
Author: Jerome Mandel
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 230
Get Book Here
Book Description
Professor Mandel examines four Old English elegies--The Wanderer, The Seafarer, Deor, and The Wife's Lament--from a point of view that combines rhetorical analysis (the contrastive collocation of words, phrases, and ideas) with a penetrating reading of the text. He points to new relationships among the parts of these poems and shows how they can be read in ways different from those currently accepted by the community of scholars. These «alternative readings» of Old English poetry will greatly modify the perception of all students and scholars interested in Anglo-Saxon life and culture.
Author: Jerome Mandel
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 228
Get Book Here
Book Description
Professor Mandel examines four Old English elegies--The Wanderer, The Seafarer, Deor, and The Wife's Lament--from a point of view that combines rhetorical analysis (the contrastive collocation of words, phrases, and ideas) with a penetrating reading of the text. He points to new relationships among the parts of these poems and shows how they can be read in ways different from those currently accepted by the community of scholars. These «alternative readings» of Old English poetry will greatly modify the perception of all students and scholars interested in Anglo-Saxon life and culture.
Author: Jennifer Neville
Publisher: Cambridge University Press
ISBN: 113942596X
Category : Literary Criticism
Languages : en
Pages : 236
Get Book Here
Book Description
This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons - the animals, diseases, landscapes, seas and weather with which they had to contend. She argues that poetic descriptions of these elements were not a reflection of the existing physical conditions but a literary device used by Anglo-Saxons to define more important issues: the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation and the power of writing to control information. Examples of contemporary literature in other languages are used to provide a sense of Old English poetry's particular approach, which incorporated elements from Germanic, Christian and classical sources. The result of this approach was not a consistent cosmological scheme but a rather contradictory vision which reveals much about how the Anglo-Saxons viewed themselves.
Author: Carol Braun Pasternack
Publisher: Cambridge University Press
ISBN: 9780521465496
Category : Foreign Language Study
Languages : en
Pages : 252
Get Book Here
Book Description
This study constructs a reading of Old English poetry which takes up issues in poststructuralist theory, including intertextuality, work versus text and the author. The modern reader knows this literature as a discrete number of poems, set up and printed in units punctuated as modern sentences and with titles inserted by modern editors. Carol Braun Pasternack offers an alternative approach which takes into account the format of the verse as it exists in the manuscripts, using the term 'inscribed' to define texts which are situated between oral inheritance and print. In a detailed examination of texts throughout the canon she explores the ways in which readers construct poems in the process of reading and in addition she extends her analysis to the question of authorship, arguing that the texts do not imply an author but rather imply tradition as the source of their authority.
Author: Thomas Birkett
Publisher: Taylor & Francis
ISBN: 1317070992
Category : Literary Criticism
Languages : en
Pages : 223
Get Book Here
Book Description
Reading the Runes in Old English and Old Norse Poetry is the first book-length study to compare responses to runic heritage in the literature of Anglo-Saxon England and medieval Iceland. The Anglo-Saxon runic script had already become the preserve of antiquarians at the time the majority of Old English poetry was written down, and the Icelanders recording the mythology associated with the script were at some remove from the centres of runic practice in medieval Scandinavia. Both literary cultures thus inherited knowledge of the runic system and the traditions associated with it, but viewed this literate past from the vantage point of a developed manuscript culture. There has, as yet, been no comprehensive study of poetic responses to this scriptural heritage, which include episodes in such canonical texts as Beowulf, the Old English riddles and the poems of the Poetic Edda. By analysing the inflection of the script through shared literary traditions, this study enhances our understanding of the burgeoning of literary self-awareness in early medieval vernacular poetry and the construction of cultural memory, and furthers our understanding of the relationship between Anglo-Saxon and Norse textual cultures. The introduction sets out in detail the rationale for examining runes in poetry as a literary motif and surveys the relevant critical debates. The body of the volume is comprised of five linked case studies of runes in poetry, viewing these representations through the paradigm of scriptural reconstruction and the validation of contemporary literary, historical and religious sensibilities.
Author: Helen Damico
Publisher: Indiana University Press
ISBN: 9780253205476
Category : Literary Criticism
Languages : en
Pages : 336
Get Book Here
Book Description
Re-examines a critical tradition unchallenged since the 19th century. The 20 essays reassess the place of women in Anglo-Saxon culture as demonstrated by the laws, works by women, and the depiction of them in the standard Old English canon of literature (Beowulf, Alfred, Wulfstan, et al.) Categories include the historical record, sexuality and folklore, language and gender characterization, and several deconstructions of stereotypes. Paper edition (unseen), $14.50. Annotation copyrighted by Book News, Inc., Portland, OR
Author:
Publisher: University of Pennsylvania Press
ISBN: 0812293215
Category : Literary Collections
Languages : en
Pages : 1248
Get Book Here
Book Description
From the riddling song of a bawdy onion that moves between kitchen and bedroom to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, from the heart-rending lament of a lone castaway to the embodied speech of the cross upon which Christ was crucified, from the anxiety of Eve, who carries "a sumptuous secret in her hands / And a tempting truth hidden in her heart," to the trust of Noah who builds "a sea-floater, a wave-walking / Ocean-home with rooms for all creatures," the world of the Anglo-Saxon poets is a place of harshness, beauty, and wonder. Now for the first time, the entire Old English poetic corpus—including poems and fragments discovered only within the past fifty years—is rendered into modern strong-stress, alliterative verse in a masterful translation by Craig Williamson. Accompanied by an introduction by noted medievalist Tom Shippey on the literary scope and vision of these timeless poems and Williamson's own introductions to the individual works and his essay on translating Old English poetry, the texts transport us back to the medieval scriptorium or ancient mead-hall, to share a herdsman's recounting of the story of the world's creation or a people's sorrow at the death of a beloved king, to be present at the clash of battle or to puzzle over the sacred and profane answers to riddles posed over a thousand years ago. This is poetry as stunning in its vitality as it is true to its sources. Were Williamson's idiom not so modern, we might think that the Anglo-Saxon poets had taken up the lyre again and begun to sing once more.
Author: Anne L. Klinck
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522411
Category : Literary Criticism
Languages : en
Pages : 528
Get Book Here
Book Description
Bringing together some of the most important poetic texts of the Anglo-Saxon period, Anne Klinck presents the poems both as discrete entities and as members of an elegiac group, all inspired by the sense of separation from one's desire that is at the hear
Author: Alice Jorgensen
Publisher: Routledge
ISBN: 1317180887
Category : Literary Criticism
Languages : en
Pages : 319
Get Book Here
Book Description
Research into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.
Author: Janet Schrunk Ericksen
Publisher:
ISBN: 9781487536299
Category : LITERARY CRITICISM
Languages : en
Pages : 222
Get Book Here
Book Description
"Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the creation story and ends with the final vanquishing of Satan by Jesus. The study is framed by particular attention to the materiality of the manuscript and how that might have informed its early reception, and it broadens considerations of reading beyond those of the manuscript's compiler and possible patron. As a book, Junius 11 reflects a rich and varied culture of reading that existed in and beyond houses of God in England in the tenth and eleventh centuries, and it points to readers who had enough experience to select and find wisdom, narrative pleasure, and a diversity of other things within this or any book's contents."--
