The Fall of Women in Early English Narrative Verse PDF Download
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Author: Gvtz Schmitz
Publisher: Cambridge University Press
ISBN: 9780521179270
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This 1990 study examines the genre of 'complaint' in the motif of the 'fallen woman' - a common image in Elizabethan literature.
Author: Gvtz Schmitz
Publisher: Cambridge University Press
ISBN: 9780521179270
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This 1990 study examines the genre of 'complaint' in the motif of the 'fallen woman' - a common image in Elizabethan literature.
Author: Gaius Valerius Catullus
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 184
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Book Description
Author: Caroline Blyth
Publisher: Anthem Press
ISBN: 1843313170
Category : Poetry
Languages : en
Pages : 938
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Book Description
This volume is both an essential resource for undergraduates and graduates studying Victorian and Decadent literature and an instructive work for enthusiastic readers of verse. The wide span of the 1872–1900 epoch enables readers to appreciate in great depth the literary developments that led to the fin de siècle, unlike most studies of this period, which focus solely on the 1890s, with no relation to cultural and historical developments in the previous two important decades.
Author: Edmund Waller
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Author: Edmund Waller
Publisher:
ISBN:
Category :
Languages : en
Pages : 498
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Book Description
![Lights and Shadows on the Sunny Side of Skiddaw. [In Verse.] (Prefatory Poems.-Appendix.) [By Frances Rolleston.] PDF](https://books.google.com/books/content/images/frontcover/H1mtWIOU5rcC?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Hamish MacCunn
Publisher: A-R Editions, Inc.
ISBN: 0895798395
Category : Music
Languages : en
Pages : 289
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Book Description
Britain, long revered for its choral music and partsongs, had largely neglected art songs since the Elizabethan era. The middle of the nineteenth century witnessed efforts to revive the genre, particularly in the works of Sir C. Hubert Parry and Sir Charles Villiers Stanford. The following generation, including the Scottish composer Hamish MacCunn (18681916), built on the foundations laid by Parry and Stanford and served as the bridge to the vocal music of Ralph Vaughan Williams, Sir Edward Elgar, Ivor Gurney, John Ireland, and ultimately Benjamin Britten. Though best known for his Scottish-influenced compositions, MacCunn composed over 100 songs that, free from national constraints, are some of the most refined and sophisticated examples of his music. Almost no modern editions of MacCunns song exist, though many were published during the composers lifetime. The current two-part edition presents the composers 102 extant songs. Part 1 contains 53 individual songs; part 2 presents the songs that were first published as sets.
Author: Sarah J. Dille
Publisher: A&C Black
ISBN: 0826469698
Category : Religion
Languages : en
Pages : 215
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Book Description
While most treatments of biblical metaphor examine individual metaphors in isolation, Sarah J. Dille presents a model for interpretation based on their interaction with one another. Using Lakoff and Johnson's category of "metaphoric coherence", she argues that when nonconsistent or contradictory metaphors appear together in a literary unit, the areas of overlap (coherence) are highlighted in each. Using the images of father and mother in Deutero-Isaiah as a starting point, she explores how these images interact with others: for example, the divine warrior, the redeeming kinsman, the artisan of clay, or the husband. The juxtaposition of diverse metaphors (common in Hebrew prophetic literature) highlights common "entailments", enabling the reader to see aspects of the image which would be overlooked or invisible if read in isolation. Dille argues that any metaphor for God can only be understood if it is read or heard in interaction with others within a particular cultural context.
