Sturm und Drang: Lenz, Wagner, Klinger, and Schiller

Sturm und Drang: Lenz, Wagner, Klinger, and Schiller PDF Author: Alan Leidner
Publisher: A&C Black
ISBN: 9780826407054
Category : Literary Criticism
Languages : en
Pages : 332

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Sturm und Drang: Lenz, Wagner, Klinger, and Schiller

Sturm und Drang: Lenz, Wagner, Klinger, and Schiller PDF Author: Alan Leidner
Publisher: A&C Black
ISBN: 9780826407054
Category : Literary Criticism
Languages : en
Pages : 332

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Book Description


Literature of the Sturm und Drang

Literature of the Sturm und Drang PDF Author: David Hill
Publisher: Boydell & Brewer
ISBN: 1571131744
Category : Literary Criticism
Languages : en
Pages : 391

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Book Description
Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.

Samuel Beckett in Context

Samuel Beckett in Context PDF Author: Anthony Uhlmann
Publisher: Cambridge University Press
ISBN: 1107017033
Category : Literary Criticism
Languages : en
Pages : 489

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Book Description
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.

All Sturm and No Drang

All Sturm and No Drang PDF Author: Dirk Van Hulle
Publisher: Rodopi
ISBN: 9042023015
Category : Drama
Languages : en
Pages : 434

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Book Description
Contains three sections: Beckett and Romanticism, the conference proceedings of Beckett at Reading 2006, and a collection of miscellaneous essays. This title presents contributions on Beckett's attitudes toward Romantic aesthetics in general. It reflects the importance of the Beckett Foundation's Archive to scholars.

Beckett and Musicality

Beckett and Musicality PDF Author: Sara Jane Bailes
Publisher: Routledge
ISBN: 1317175891
Category : Music
Languages : en
Pages : 453

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Book Description
Discussion concerning the ’musicality’ of Samuel Beckett’s writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett’s engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett’s work. In Beckett’s drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be ’scored’. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is ’musical’? The essays included in this book explore a number of ways in which Beckett’s writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Beckett’s work.

Selected Works

Selected Works PDF Author: Jakob Michael Reinhold Lenz
Publisher: Camden House (NY)
ISBN: 1571139931
Category : Art
Languages : en
Pages : 382

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Book Description
First representative English collection of the Sturm und Drang writer Lenz, suited for the classroom and anyone interested in German literature, the European Enlightenment, or the theory and practice of theater. Jakob Michael Reinhold Lenz (1751-1792) is, after Goethe, the most important writer of the German Sturm und Drang. Crucial in the reinvention of German literature through the reception of Shakespeare, his works contain a scathing critique of the ethical, political, and sexual regimes then prevailing in German and Eastern European territories. Both aesthetically and politically, Lenz strongly influenced later German writers - most notably Georg Büchner and Bertolt Brecht. In Germany, Lenz is still widely read and performed. Given his importance and lasting reception, it is surprising that many of his texts are not available in English. While his best-known dramas have been translated, many of his essays have not, and none of his stories or poems have been. This is especially astonishing given the growth of English-language Lenz scholarship over recent decades. This volume contains new - and, in many cases, first - English translations of Lenz's most important plays, stories, essays, and poems. It is the first representative English collection of Lenz's works. Providing reliable translations of Lenz's key writings and succinct glosses of historical and literary references, this book is a valuable resource for classroom use and for anyone interested in German literature, the European Enlightenment, or the theory and practice of theater. Martin Wagner is Assistant Professor of German at the University of Calgary. Ellwood Wiggins is Assistant Professor of German at the University of Washington.

Schiller's Wound

Schiller's Wound PDF Author: Stephanie Barbé Hammer
Publisher: Wayne State University Press
ISBN: 9780814328620
Category : Psychoanalysis and literature
Languages : en
Pages : 188

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Book Description
"Schiller's Wound is an exciting work that will not only entice scholars but also serve as a useful resource for instructors who wish to reintroduce this important writer into their curricula. As the 200th anniversary of Schiller's death approaches, it will provide an invaluable context for further discussions of his work and its impact."--BOOK JACKET.

Beckett, Lacan and the Gaze

Beckett, Lacan and the Gaze PDF Author: Llewellyn Brown
Publisher: BoD – Books on Demand
ISBN: 3838212398
Category : Performing Arts
Languages : en
Pages : 628

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Book Description
Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.

The Cambridge Introduction to Literature and Psychoanalysis

The Cambridge Introduction to Literature and Psychoanalysis PDF Author: Jean-Michel Rabaté
Publisher: Cambridge University Press
ISBN: 1107027586
Category : Literary Criticism
Languages : en
Pages : 267

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Book Description
Taking Sigmund Freud's theories as a point of departure, Jean-Michel Rabaté's book explores the intriguing ties between psychoanalysis and literature.

Unpopular Virtues

Unpopular Virtues PDF Author: Alan C. Leidner
Publisher: Camden House
ISBN: 9781571130938
Category : Literary Criticism
Languages : en
Pages : 194

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Book Description
In this study of the criticism of the most idiosyncratic voice of the German Sturm und Drang, the authors try to explain why critics have so often failed to come to terms with Lenz's refusal to encourage the middle class and to cater to its tastes. While many of the first reviewers found Lenz's work liberating, after his death the consensus of critics - when they gave him any attention at all - was that his works were second-rate or worse, and Goethe's negative comments were often used to support this verdict. This volume traces Lenz's reception from the earliest reviews through to New Criticism, Lenz's "rediscovery," and the changes in focus after the 1992 Lenz bicentennial.