Author: Tony Fletcher
Publisher: W. W. Norton & Company
ISBN: 0393076717
Category : Music
Languages : en
Pages : 512
Book Description
A penetrating and entertaining exploration of New York’s music scene from Cubop through folk, punk, and hip-hop. From Tony Fletcher, the acclaimed biographer of Keith Moon, comes an incisive history of New York’s seminal music scenes and their vast contributions to our culture. Fletcher paints a vibrant picture of mid-twentieth-century New York and the ways in which its indigenous art, theater, literature, and political movements converged to create such unique music. With great attention to the colorful characters behind the sounds, from trumpet player Dizzy Gillespie to Tito Puente, Bob Dylan, and the Ramones, he takes us through bebop, the Latin music scene, the folk revival, glitter music, disco, punk, and hip-hop as they emerged from the neighborhood streets of Harlem, the East and West Village, Brooklyn, the Bronx, and Queens. All the while, Fletcher goes well beyond the history of the music to explain just what it was about these distinctive New York sounds that took the entire nation by storm.
All Hopped Up and Ready to Go: Music from the Streets of New York 1927-77
Pomus & Shuman: Hitmakers Together & Apart
Author: Graham Vickers
Publisher: Omnibus Press
ISBN: 0857128000
Category : Music
Languages : en
Pages : 179
Book Description
The first joint biography of one of rock n roll's greatest song writing teams, Hitmakers Inc. explores the private lives and public triumphs of lyricist Doc Pomus and composer Mort Shuman. Between 1958 and 1965, usually working out of Manhattan s famous Brill Building, they wrote some 500 teen anthems and timeless ballads for Elvis Presley, Ray Charles, The Drifters, Bobby Darin, Del Shannon and Andy Williams among others. Polio-stricken ex-blues shouter Pomus always attracted the press coverage, but after the duo split junior partner Shuman proved the more colourful of the two, acting in films, writing musicals, joining the post-Beatles British beat boom and eventually becoming a chart-topping singer-composer in his own right in of all places France. The story of Doc Pomus and Mort Shuman, writing together and individually, reveals a personal dynamic that was both warm and difficult but which at its height produced songs like Teenager In Love, Save The Last Dance For Me, Surrender, Little Sister, (Maries The Name) His Latest Flame, This Magic Moment and Lonely Avenue.
Publisher: Omnibus Press
ISBN: 0857128000
Category : Music
Languages : en
Pages : 179
Book Description
The first joint biography of one of rock n roll's greatest song writing teams, Hitmakers Inc. explores the private lives and public triumphs of lyricist Doc Pomus and composer Mort Shuman. Between 1958 and 1965, usually working out of Manhattan s famous Brill Building, they wrote some 500 teen anthems and timeless ballads for Elvis Presley, Ray Charles, The Drifters, Bobby Darin, Del Shannon and Andy Williams among others. Polio-stricken ex-blues shouter Pomus always attracted the press coverage, but after the duo split junior partner Shuman proved the more colourful of the two, acting in films, writing musicals, joining the post-Beatles British beat boom and eventually becoming a chart-topping singer-composer in his own right in of all places France. The story of Doc Pomus and Mort Shuman, writing together and individually, reveals a personal dynamic that was both warm and difficult but which at its height produced songs like Teenager In Love, Save The Last Dance For Me, Surrender, Little Sister, (Maries The Name) His Latest Flame, This Magic Moment and Lonely Avenue.
The Eve of Destruction
Author: James T. Patterson
Publisher: Basic Books
ISBN: 0465033482
Category : History
Languages : en
Pages : 346
Book Description
At the beginning of 1965, the U.S. seemed on the cusp of a golden age. Although Americans had been shocked by the assassination in 1963 of President Kennedy, they exuded a sense of consensus and optimism that showed no signs of abating. Indeed, political liberalism and interracial civil rights activism made it appear as if 1965 would find America more progressive and unified than it had ever been before. In January 1965, President Lyndon Johnson proclaimed that the country had "no irreconcilable conflicts." Johnson, who was an extraordinarily skillful manager of Congress, succeeded in securing an avalanche of Great Society legislation in 1965, including Medicare, immigration reform, and a powerful Voting Rights Act. But as esteemed historian James T. Patterson reveals in The Eve of Destruction, that sense of harmony dissipated over the course of the year. As Patterson shows, 1965 marked the birth of the tumultuous era we now know as "The Sixties," when American society and culture underwent a major transformation. Turmoil erupted in the American South early in the year, when police attacked civil rights demonstrators in Selma, Alabama. Many black leaders, outraged, began to lose faith in nonviolent and interracial strategies of protest. Meanwhile, the U.S. rushed into a deadly war in Vietnam, inciting rebelliousness at home. On August 11th, five days after Johnson signed the Voting Rights Act, racial violence exploded in the Watts area of Los Angeles. The six days of looting and arson that followed shocked many Americans and cooled their enthusiasm for the president's remaining initiatives. As the national mood darkened, the country became deeply divided. By the end of 1965, a conservative resurgence was beginning to redefine the political scene even as developments in popular music were enlivening the Left. In The Eve of Destruction, Patterson traces the events of this transformative year, showing how they dramatically reshaped the nation and reset the course of American life.
Publisher: Basic Books
ISBN: 0465033482
Category : History
Languages : en
Pages : 346
Book Description
At the beginning of 1965, the U.S. seemed on the cusp of a golden age. Although Americans had been shocked by the assassination in 1963 of President Kennedy, they exuded a sense of consensus and optimism that showed no signs of abating. Indeed, political liberalism and interracial civil rights activism made it appear as if 1965 would find America more progressive and unified than it had ever been before. In January 1965, President Lyndon Johnson proclaimed that the country had "no irreconcilable conflicts." Johnson, who was an extraordinarily skillful manager of Congress, succeeded in securing an avalanche of Great Society legislation in 1965, including Medicare, immigration reform, and a powerful Voting Rights Act. But as esteemed historian James T. Patterson reveals in The Eve of Destruction, that sense of harmony dissipated over the course of the year. As Patterson shows, 1965 marked the birth of the tumultuous era we now know as "The Sixties," when American society and culture underwent a major transformation. Turmoil erupted in the American South early in the year, when police attacked civil rights demonstrators in Selma, Alabama. Many black leaders, outraged, began to lose faith in nonviolent and interracial strategies of protest. Meanwhile, the U.S. rushed into a deadly war in Vietnam, inciting rebelliousness at home. On August 11th, five days after Johnson signed the Voting Rights Act, racial violence exploded in the Watts area of Los Angeles. The six days of looting and arson that followed shocked many Americans and cooled their enthusiasm for the president's remaining initiatives. As the national mood darkened, the country became deeply divided. By the end of 1965, a conservative resurgence was beginning to redefine the political scene even as developments in popular music were enlivening the Left. In The Eve of Destruction, Patterson traces the events of this transformative year, showing how they dramatically reshaped the nation and reset the course of American life.
Here Comes the Night
Author: Joel Selvin
Publisher: Catapult
ISBN: 1619023784
Category : Music
Languages : en
Pages : 264
Book Description
"I don't know where he's buried, but if I did I'd piss on his grave." —Jerry Wexler, best friend and mentor Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see twenty–one. Although his name is little remembered today, Berns worked alongside all the greats of the era—Jerry Leiber and Mike Stoller, Ahmet Ertegun and Jerry Wexler, Burt Bacharach, Phil Spector, Gerry Goffin and Carole King, anyone who was anyone in New York rhythm and blues. In seven quick years, he went from nobody to the top of the pops—producer of monumental R&B classics, songwriter of "Twist and Shout," "My Girl Sloopy" and others. His fury to succeed led Berns to use his Mafia associations to muscle Atlantic Records out of a partnership and intimidate new talents like Neil Diamond and Van Morrison he signed to his record label, only to drop dead of a long expected fatal heart attack, just when he was seeing his grandest plans and life's ambitions frustrated and foiled.
Publisher: Catapult
ISBN: 1619023784
Category : Music
Languages : en
Pages : 264
Book Description
"I don't know where he's buried, but if I did I'd piss on his grave." —Jerry Wexler, best friend and mentor Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see twenty–one. Although his name is little remembered today, Berns worked alongside all the greats of the era—Jerry Leiber and Mike Stoller, Ahmet Ertegun and Jerry Wexler, Burt Bacharach, Phil Spector, Gerry Goffin and Carole King, anyone who was anyone in New York rhythm and blues. In seven quick years, he went from nobody to the top of the pops—producer of monumental R&B classics, songwriter of "Twist and Shout," "My Girl Sloopy" and others. His fury to succeed led Berns to use his Mafia associations to muscle Atlantic Records out of a partnership and intimidate new talents like Neil Diamond and Van Morrison he signed to his record label, only to drop dead of a long expected fatal heart attack, just when he was seeing his grandest plans and life's ambitions frustrated and foiled.
Love Goes to Buildings on Fire
Author: Will Hermes
Publisher: Macmillan
ISBN: 0374533547
Category : History
Languages : en
Pages : 385
Book Description
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
Publisher: Macmillan
ISBN: 0374533547
Category : History
Languages : en
Pages : 385
Book Description
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
Television's Marquee Moon
Author: Bryan Waterman
Publisher: Bloomsbury Publishing USA
ISBN: 144114529X
Category : Music
Languages : en
Pages : 122
Book Description
Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for “Country Bluegrass and Blues & Other Music for Uplifting Gormandizers.” That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.
Publisher: Bloomsbury Publishing USA
ISBN: 144114529X
Category : Music
Languages : en
Pages : 122
Book Description
Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for “Country Bluegrass and Blues & Other Music for Uplifting Gormandizers.” That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.
A New and Concise History of Rock and R&B through the Early 1990s
Author: Eric Charry
Publisher: Wesleyan University Press
ISBN: 0819578967
Category : Music
Languages : en
Pages : 417
Book Description
This concise yet lively textbook explores the history and significance of American popular music from Tin Pan Alley to Public Enemy. Ethnomusicologist Eric Charry provides a strong foundation for understanding how music, the music industry, and American culture intersect. His innovative teaching style presents the material in a dynamic format suitable for general education courses in music. The book is organized around a series of timelines, tables, and figures, providing fresh perspectives on the social and cultural importance of the music. Charry lays out key contemporary theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres and subgenres. The book’s figures distill the history and provide new insight into understanding trends. Over a thousand artists, albums, and songs are covered, such as Muddy Waters, Elvis Presley, Bob Dylan, Aretha Franklin, the Velvet Underground, Janis Joplin, Jimi Hendrix, David Bowie, Stevie Wonder, Prince, Madonna, Talking Heads, and many more.
Publisher: Wesleyan University Press
ISBN: 0819578967
Category : Music
Languages : en
Pages : 417
Book Description
This concise yet lively textbook explores the history and significance of American popular music from Tin Pan Alley to Public Enemy. Ethnomusicologist Eric Charry provides a strong foundation for understanding how music, the music industry, and American culture intersect. His innovative teaching style presents the material in a dynamic format suitable for general education courses in music. The book is organized around a series of timelines, tables, and figures, providing fresh perspectives on the social and cultural importance of the music. Charry lays out key contemporary theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres and subgenres. The book’s figures distill the history and provide new insight into understanding trends. Over a thousand artists, albums, and songs are covered, such as Muddy Waters, Elvis Presley, Bob Dylan, Aretha Franklin, the Velvet Underground, Janis Joplin, Jimi Hendrix, David Bowie, Stevie Wonder, Prince, Madonna, Talking Heads, and many more.
Bob Dylan's New York
Author: June Skinner Sawyers
Publisher: Arcadia Publishing
ISBN: 1439674272
Category : History
Languages : en
Pages : 144
Book Description
On a snowy winter morning in 1961, Robert Zimmerman left Minnesota for New York City with a suitcase, guitar, harmonica and a few bucks in his pocket. Wasting no time upon arrival, he performed at the Cafe Wha? in his first day in the city, under the name Bob Dylan. Over the next decade the cultural milieu of Greenwich Village would foster the emergence of one of the greatest songwriters of all time. From the coffeehouses of MacDougal Street to Andy Warhol's Factory, Dylan honed his craft by drifting in and out of New York's thriving arts scenes of the 1960s and early ,70s. In this revised edition, originally published in 2011, author June Skinner Sawyers captures the thrill of how a city shaped an American icon and the people and places that were the touchstones of a legendary journey.
Publisher: Arcadia Publishing
ISBN: 1439674272
Category : History
Languages : en
Pages : 144
Book Description
On a snowy winter morning in 1961, Robert Zimmerman left Minnesota for New York City with a suitcase, guitar, harmonica and a few bucks in his pocket. Wasting no time upon arrival, he performed at the Cafe Wha? in his first day in the city, under the name Bob Dylan. Over the next decade the cultural milieu of Greenwich Village would foster the emergence of one of the greatest songwriters of all time. From the coffeehouses of MacDougal Street to Andy Warhol's Factory, Dylan honed his craft by drifting in and out of New York's thriving arts scenes of the 1960s and early ,70s. In this revised edition, originally published in 2011, author June Skinner Sawyers captures the thrill of how a city shaped an American icon and the people and places that were the touchstones of a legendary journey.
A Man Called Destruction
Author: Holly George-Warren
Publisher: Penguin
ISBN: 0698151429
Category : Biography & Autobiography
Languages : en
Pages : 297
Book Description
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.
Publisher: Penguin
ISBN: 0698151429
Category : Biography & Autobiography
Languages : en
Pages : 297
Book Description
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.
San Francisco and the Long 60s
Author: Sarah Hill
Publisher: Bloomsbury Publishing USA
ISBN: 1628924233
Category : Music
Languages : en
Pages : 373
Book Description
San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city – and more widely in American culture – right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later. The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews. For more information, read Sarah Hill's blog posts here: http://blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s http://blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/ http://blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/
Publisher: Bloomsbury Publishing USA
ISBN: 1628924233
Category : Music
Languages : en
Pages : 373
Book Description
San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city – and more widely in American culture – right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later. The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews. For more information, read Sarah Hill's blog posts here: http://blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s http://blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/ http://blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/