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Author: Jack Kechum
Publisher:
ISBN: 9788899569327
Category : Fiction
Languages : en
Pages : 414
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Book Description
All American Horror of the 21st Century is a compilation of the best short horror fiction published by magazines, anthologies, and websites between 2000 and 2010. These stories deal with "uniquely American" themes and subjects, and are written in an equally unique "American style." Contributors include National Book Award-nominee Dan Chaon, rising horror star Jeff Jacobson, World-Fantasy award winner Andy Duncan, New York Times-bestselling authors Tom Monteleone, David Morrell, F. Paul Wilson, Nick Mamatas, Jay Bonansinga, Bram Stoker Awards winners Jack Ketchum, Steve Rasnic Tem, Paul Tremblay, Sarah Langan, and many others. This is the only book to offer wide-ranging but always modern, uniquely American horror stories. Introduction and new Afterword by Mort Castle. Cover Art and Illustrations by Giampaolo Frizzi.
Author: Jack Kechum
Publisher:
ISBN: 9788899569327
Category : Fiction
Languages : en
Pages : 414
Get Book Here
Book Description
All American Horror of the 21st Century is a compilation of the best short horror fiction published by magazines, anthologies, and websites between 2000 and 2010. These stories deal with "uniquely American" themes and subjects, and are written in an equally unique "American style." Contributors include National Book Award-nominee Dan Chaon, rising horror star Jeff Jacobson, World-Fantasy award winner Andy Duncan, New York Times-bestselling authors Tom Monteleone, David Morrell, F. Paul Wilson, Nick Mamatas, Jay Bonansinga, Bram Stoker Awards winners Jack Ketchum, Steve Rasnic Tem, Paul Tremblay, Sarah Langan, and many others. This is the only book to offer wide-ranging but always modern, uniquely American horror stories. Introduction and new Afterword by Mort Castle. Cover Art and Illustrations by Giampaolo Frizzi.
Author: James Aston
Publisher: McFarland
ISBN: 1476668884
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's "vomit gore" films. The author begins with a definition and critical overview of this marginalized subgenre before exploring its key aesthetic convention, the pursuit of realist horror. Production practices, exhibition and marketing strategies are discussed in an in-depth interview with filmmaker Shane Ryan. Audience reception is covered with a focus on fan interaction via the Internet.
Author: Robin R. Means Coleman
Publisher: Routledge
ISBN: 1136942947
Category : History
Languages : en
Pages : 294
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Book Description
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Author: Charles Derry
Publisher: McFarland
ISBN: 0786456957
Category : Performing Arts
Languages : en
Pages : 449
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Book Description
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
Author: Paul Counelis
Publisher: Lulu.com
ISBN: 1312262575
Category : Fiction
Languages : en
Pages : 126
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Book Description
In 11:59 AND COUNTING, Paul Counelis (Rue Morgue) talks to a host of horror hosts, delving into what makes them tick, insights into what its like to do what they do and how they stay relevant in today's media overloaded world. A fun and engrossing look at a rich, intriguing and spooky tradition and a must read for fans of horror movies and the men and women who introduce them.
Author: Steffen Hantke
Publisher: Univ. Press of Mississippi
ISBN: 160473454X
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self—or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone’s much-maligned Feardotcom in the light of the torture debate at the end of President George W. Bush’s administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the US film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres—from the teenage horror flick to the serial killer film and the spiritual horror film—as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic and on the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.
Author: Ruth Maxey
Publisher: Springer Nature
ISBN: 3030418979
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
This new collection examines important US historical fiction published since 2000. Exploring historical novels by established American writers such as Philip Roth, Joyce Carol Oates, E.L. Doctorow, Chang-rae Lee, James McBride, Susan Choi, and George Saunders, the book also includes chapters on first-time novelists. Individual essays in 21st Century US Historical Fiction: Contemporary Responses to the Past tackle prominent and provocative new novels, for example, recent Pulitzer Prize-winning fiction by Anthony Doerr, Viet Thanh Nguyen and Colson Whitehead. Interrogating such key themes as war, race, sexuality, trauma and childhood; notions of genre and periodization; and recent theorizations of historical fiction, scholars from the United States, Canada, Britain and Ireland analyze an emerging canon of contemporary historical fiction by an ethno-racially diverse range of major American writers.
Author: Dana Stevens
Publisher: Simon and Schuster
ISBN: 1501134205
Category : Biography & Autobiography
Languages : en
Pages : 448
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Book Description
They were calling it the Twentieth Century -- "She is a little animal, surely" -- "He's my son, and I'll break his neck any way I want to" -- "The locomotive of juveniles" -- A little hell-raising Huck Finn -- The boy who couldn't be damaged -- "Make me laugh, Keaton" -- Speed mania in the kingdom of shadows -- Pancakes at Childs -- Comique -- Roscoe -- Brooms -- Mabel at the wheel -- Famous players in famous plays -- Home, made -- Rice, shoes, and real estate -- The shadow stage -- Battle-scarred risibilities -- One for you, one for me -- The "darkie shuffle" -- The collapsing façade -- Grief slipped in -- The road through the mountain -- Not a drinker, a drunk -- Old times -- The coming thing in entertainment -- Coda: Eleanor.
Author: Aaron K.H. Ho
Publisher: McFarland
ISBN: 1476679150
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
After Charmed ended in 2006, witches were relegated to sidekicks of televisual vampires or children's programs. But during the mid-2010s they began to resurface as leading characters in shows like the immensely popular The Chilling Adventures of Sabrina, the Charmed reboot, Salem, American Horror Story: Coven, and the British program, A Discovery of Witches. No longer sweet, feminine, domestic, and white, these witches are powerful, diverse, and transgressive, representing an intersectional third-wave feminist vision of the witch. Featuring original essays from noted scholars, this is the first critical collection to examine witches on television from the late 2010s. Situated in the aftermath of the #MeToo movement, essays examine the reemergence and shifting identities of TV witches through the perspectives of intersectional gender studies, hauntology, politics, morality, monstrosity, violence, queerness, disabilities, rape, ecofeminism, linguistics, family, and digital humanities.
Author: Ellen Datlow
Publisher: Start Publishing LLC
ISBN: 1597805238
Category : Fiction
Languages : en
Pages : 532
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Book Description
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories—stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards. More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join
