Author: Mary Anne Stevens
Publisher: Editions Hazan, Paris
ISBN: 9780300215571
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
"This catalogue is published in conjunction with the exhibition 'Alfred Sisley (1839-1899) : Impressionist Master', organized by the Bruce Museum, Greenwich, Connecticut (January 21, 2017 to May 21, 2017) and [Hotel de Caumont Centre d'Art] Culturespaces (June 10, 2017 to October 8, 2017)" -- Watson Library.
Alfred Sisley
Author: Mary Anne Stevens
Publisher: Editions Hazan, Paris
ISBN: 9780300215571
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
"This catalogue is published in conjunction with the exhibition 'Alfred Sisley (1839-1899) : Impressionist Master', organized by the Bruce Museum, Greenwich, Connecticut (January 21, 2017 to May 21, 2017) and [Hotel de Caumont Centre d'Art] Culturespaces (June 10, 2017 to October 8, 2017)" -- Watson Library.
Publisher: Editions Hazan, Paris
ISBN: 9780300215571
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
"This catalogue is published in conjunction with the exhibition 'Alfred Sisley (1839-1899) : Impressionist Master', organized by the Bruce Museum, Greenwich, Connecticut (January 21, 2017 to May 21, 2017) and [Hotel de Caumont Centre d'Art] Culturespaces (June 10, 2017 to October 8, 2017)" -- Watson Library.
Impression
Author:
Publisher:
ISBN: 9780300084474
Category :
Languages : en
Pages : 240
Book Description
Publisher:
ISBN: 9780300084474
Category :
Languages : en
Pages : 240
Book Description
Sisley
Author: Alfred Sisley
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Alfred Sisley is now recognized as one of the great landscape painters of the 19th century, and a leading figure in the Impressionist movement. He divided his time between France and England and the illustrations in this volume include the snow scenes of the Paris suburbs, his views of the flooded Seine at Port-Marly, and his paintings of the regattas on the Thames, which have been described as embodying the perfect moment of Impressionism.
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Alfred Sisley is now recognized as one of the great landscape painters of the 19th century, and a leading figure in the Impressionist movement. He divided his time between France and England and the illustrations in this volume include the snow scenes of the Paris suburbs, his views of the flooded Seine at Port-Marly, and his paintings of the regattas on the Thames, which have been described as embodying the perfect moment of Impressionism.
The Impressionists at Argenteuil
Author: Paul Hayes Tucker
Publisher: National Gallery Washington
ISBN: 9780300083491
Category : Art
Languages : en
Pages : 179
Book Description
In the 1870s, Argenteuil, located on the outskirts of Paris, was still unmarred by urban industrialization. This book explores the responses to Argenteuil of six influential painters in more than 50 of their works. Catalogue for an upcoming exhibition at the National Gallery in Washington, D.C. 105 illustrations, 70 in color.
Publisher: National Gallery Washington
ISBN: 9780300083491
Category : Art
Languages : en
Pages : 179
Book Description
In the 1870s, Argenteuil, located on the outskirts of Paris, was still unmarred by urban industrialization. This book explores the responses to Argenteuil of six influential painters in more than 50 of their works. Catalogue for an upcoming exhibition at the National Gallery in Washington, D.C. 105 illustrations, 70 in color.
The Hammock: A Novel Based on the True Story of French Painter James Tissot
Author: Lucy Paquette
Publisher:
ISBN: 9780578735221
Category : Art
Languages : en
Pages : 356
Book Description
THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.
Publisher:
ISBN: 9780578735221
Category : Art
Languages : en
Pages : 356
Book Description
THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.
The Swan Thieves
Author: Elizabeth Kostova
Publisher: Hachette UK
ISBN: 0316071641
Category : Fiction
Languages : en
Pages : 432
Book Description
Psychiatrist Andrew Marlow, devoted to his profession and the painting hobby he loves, has a solitary but ordered life. When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Theives is a story of obsession, history's losses, and the power of art to preserve human hope.
Publisher: Hachette UK
ISBN: 0316071641
Category : Fiction
Languages : en
Pages : 432
Book Description
Psychiatrist Andrew Marlow, devoted to his profession and the painting hobby he loves, has a solitary but ordered life. When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Theives is a story of obsession, history's losses, and the power of art to preserve human hope.
Impressionist Painters
Author: Guy Jennings
Publisher: Bounty Books
ISBN: 9780753710739
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Publisher: Bounty Books
ISBN: 9780753710739
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
In the Forest of Fontainebleau
Author: Kimberly A. Jones
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
More than 100 works by artists such as Jean-Baptiste-Camille Corot (1796-1875), Théodore Rousseau (1812-1867), Jean-François Millet (1814-1875), Claude Monet (1840-1926), Gustave Le Gray (1820-1884), and Eugène Cuvelier (1837-1900) explore the French phenomenon of plein-air (open-air) painting and photography in the region of Fontainebleau, a pilgrimage site for aspiring landscape artists. The forest also inspired a new school of landscape photography, as figures such as Gustave Le Gray and Eugène Cuvelier, working side by side with painters, explored the camera's potential to reveal nature in a fresh and unadorned manner. The exhibition also includes 19th-century artists' equipment and tourist ephemera.
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
More than 100 works by artists such as Jean-Baptiste-Camille Corot (1796-1875), Théodore Rousseau (1812-1867), Jean-François Millet (1814-1875), Claude Monet (1840-1926), Gustave Le Gray (1820-1884), and Eugène Cuvelier (1837-1900) explore the French phenomenon of plein-air (open-air) painting and photography in the region of Fontainebleau, a pilgrimage site for aspiring landscape artists. The forest also inspired a new school of landscape photography, as figures such as Gustave Le Gray and Eugène Cuvelier, working side by side with painters, explored the camera's potential to reveal nature in a fresh and unadorned manner. The exhibition also includes 19th-century artists' equipment and tourist ephemera.
Impressionism and the Modern Landscape
Author: James H. Rubin
Publisher: Univ of California Press
ISBN: 0520248015
Category : Art
Languages : en
Pages : 208
Book Description
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Publisher: Univ of California Press
ISBN: 0520248015
Category : Art
Languages : en
Pages : 208
Book Description
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Impressionists in Winter
Author: Charles S. Moffett
Publisher: Philip Wilson Publishers
ISBN: 9780856674952
Category : Art
Languages : en
Pages : 240
Book Description
Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.
Publisher: Philip Wilson Publishers
ISBN: 9780856674952
Category : Art
Languages : en
Pages : 240
Book Description
Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.