Alfred Hitchcock's Vertigo PDF Download
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Author: Alec Coppel
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
Author: Alec Coppel
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
Author: Douglas A. Cunningham
Publisher: Scarecrow Press
ISBN: 0810881225
Category : Medical
Languages : en
Pages : 357
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Book Description
This book is a collection of essays that examine the integrated relationship that the 1958 Alfred Hitchcock film Vertigo has with the history and culture of California and the San Francisco Bay area.
Author: Robert B. Pippin
Publisher: University of Chicago Press
ISBN: 022666824X
Category : Performing Arts
Languages : en
Pages : 155
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Book Description
On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock’s 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock’s films. Hitchcock’s characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others—or even ourselves—very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, Pippin argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness. A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.
Author: Dan Auiler
Publisher: Dan Auiler
ISBN:
Category : Art
Languages : en
Pages : 263
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Book Description
25th Anniversary Edition Special edition of the the bestselling Vertigo: The Making of a Hitchcock Classic. The new e-text has images, a new preface and additional commentary on Vertigo's selection as the Best Film Ever Made by the BFI's Sight and Sound.
Author: Richard Brody
Publisher: Macmillan
ISBN: 9780805068863
Category : Biography & Autobiography
Languages : en
Pages : 732
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Book Description
"When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.
Author: Pierre Boileau
Publisher: Pushkin Vertigo
ISBN: 1782271392
Category : Fiction
Languages : en
Pages : 143
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Book Description
The original breath-taking psychological thriller behind Hitchcock’s legendary film—the story of a man tormented by his search for the truth, and ultimately destroyed by a terrible secret It could have happened to any of us, but it happened to a man named Flavieres. His days as a detective were over, and everyone knew he had his reasons. But when an old friend appeared out of nowhere with concerns about his withdrawn and mysterious wife, Flavieres didn't have the heart to refuse. Soon, he would be scouring the streets of Paris in search of an answer—in search of a girl who belonged to no one, not even to herself. Intrigue would be replaced by obsession, and dreams replaced by nightmares. This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door. A man tormented—and destroyed—by a dark, terrible secret.
Author: Andrea Cavalletti
Publisher: Fordham University Press
ISBN: 0823298051
Category : Performing Arts
Languages : en
Pages : 135
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Book Description
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
Author: Dan Aulier
Publisher: iBooks
ISBN: 9780743400176
Category : Fiction
Languages : en
Pages : 312
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Book Description
An Alfred Hitchcock mystery.
Author: Alfred Hitchcock
Publisher: University of California Press
ISBN: 0520279603
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
This second volume of Alfred Hitchcock’s reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edited by Sidney Gottlieb, this new collection of interviews, articles with the great director's byline, and “as-told-to” pieces provides an enlivening perspective on a career that spanned seven decades and transformed the history of cinema. In writings and interviews imbued with the same exuberance and originality that he brought to his films, Hitchcock ranges from accounts of his own life and experiences to provocative comments on filmmaking techniques and cinema in general. Wry, thoughtful, witty, and humorous—as well as brilliantly informative and insightful—this volume contains much valuable material that adds to our understanding and appreciation of a titan who decades after his death remains one of the most renowned and influential of all filmmakers. François Truffaut once said that Hitchcock “had given more thought to the potential of his art than any of his colleagues.” This profound contemplation of his art is superbly captured in the pieces from all periods of Hitchcock’s career gathered in this volume, which reveal fascinating details about how he envisioned and attempted to create a “pure cinema” that was entertaining, commercially successful, and artistically ambitious and innovative in an environment that did not always support this lofty goal.
Author: Jeff Kraft
Publisher: Santa Monica Press
ISBN: 1595809198
Category : Performing Arts
Languages : en
Pages : 848
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Book Description
Footsteps in the Fog is a celebration of the San Francisco films of Alfred Hitchcock. The master director's familiarity with Northern California greatly influenced his decision to use Bay Area locations in several of his landmark motion pictures, and more importantly was often the source of inspiration for many of these same cinema classics. Three of Hitchcock's masterpieces were set in the San Francisco area: Shadow of a Doubt, Vertigo, and The Birds. In addition, Rebecca, Suspicion, Marnie, Topaz, Psycho, and Family Plot utilized Bay Area locations and/or were inspired by Northern California events and settings. Footsteps in the Fog examines these famous films, taking the reader on a journey around the Bay Area, while weaving together cinemagraphic intrigue, Bay Area history and lore, and the timeless elegance of San Francisco and its picturesque surroundings. Over 400 historical and contemporary photos are featured in the book, including impromptu off-camera images and shots from the films themselves—many never before seen! Footsteps in the Fog can be used as a companion to viewing the Northern California Hitchcock films, as a guide for visiting the sites and settings used in these motion pictures, and as a source of biographical information about Alfred Hitchcock's personal connections to San Francisco and the Bay Area. Hitchcock loved Northern California; he often entertained Hollywood celebrities at his ranch and vineyard outside of Santa Cruz, and frequented such San Francisco institutions as Jack's Restaurant, the Fairmont Hotel, the Top of the Mark, and the historic Bercut Brothers' Grant Market. Hitchcock fans everywhere will rejoice as they revisit and rediscover the locations and settings used in the great director's most beloved films.
