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Author: Patricia Thomas Srebrnik
Publisher: Ann Arbor : University of Michigan Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Author: Patricia Thomas Srebrnik
Publisher: Ann Arbor : University of Michigan Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Patricia T. Srebrnik
Publisher:
ISBN: 9780783756554
Category :
Languages : en
Pages : 281
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Book Description
Author: Karen Bourrier
Publisher: University of Michigan Press
ISBN: 0472131389
Category : Biography & Autobiography
Languages : en
Pages : 363
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Book Description
When novelist Dinah Craik (1826–87) died, expressions of grief came from Lord Alfred Tennyson, Matthew Arnold, Robert Browning, T.H. Huxley, and James Russell Lowell, among others, and even Queen Victoria picked up her pen to offer her consolation to the widower. Despite Craik’s enormous popularity throughout a literary career that spanned forty years, she is now all but forgotten. Yet, in an otherwise respectable life bookended by scandal, this was precisely the way that she wanted it. Victorian Bestseller is the first book to relate the story of Dinah Craik’s remarkable life. Combining extensive archival work with theoretical work in disability studies and the professionalization of women’s authorship, Karen Bourrier engagingly traces the contours of this author’s life. Craik, who wrote extensively about disability in her work, was no stranger to it in her personal and professional life, marked by experiences of mental and physical disability, and the ebb and flow of health. Following scholarship in the ethics of care and disability studies, the book posits Craik as an interdependent subject, placing her within a network of writers, publishers, editors and artists, friends, and family members. Victorian Bestseller also traces the conditions in the material history of the book that allowed Victorian women writers’ careers to flourish. In doing so, the biography connects corporeality, gender, and the material history of the book to the professionalization of Victorian women’s authorship.
Author: Catherine Delafield
Publisher: Routledge
ISBN: 1317057007
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book’s investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.
Author: G. Law
Publisher: Springer
ISBN: 0230286747
Category : Fiction
Languages : en
Pages : 320
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Book Description
Drawing on extensive archival research in both Britain and the United States, Serializing Fiction in the Victorian Press represents the first comprehensive study of the publication of instalment fiction in Victorian newspapers. Often overlooked, this phenomenon is shown to have exerted a crucial influence on the development of the fiction market in the last decades of the nineteenth century. A detailed description of the practice of syndication is followed by a wide-ranging discussion of its implications for readership, authorship, and fictional form.
Author: Marrisa Joseph
Publisher: Springer Nature
ISBN: 3030285928
Category : Business & Economics
Languages : en
Pages : 236
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Book Description
This book explores the business practices of the British publishing industry from 1843-1900, discussing the role of creative businesses in society and the close relationship between culture and business in a historical context. Marrisa Joseph develops a strong cultural, social and historical discussion around the developments in copyright law, gender and literary culture from a management perspective; analysing how individuals formed professional associations and contract law to instigate new processes. Drawing on institutional theory and analysing primary and archival sources, this book traces how the practices of literary businesses developed, reproduced and later legitimised. By offering a close analysis of some of publishing’s most influential businesses, it provides an insight into the decision-making processes that shaped an industry and brings to the fore the ‘institutional story’ surrounding literary business and their practices, many of which can still be seen today.
Author: Katherine Haskins
Publisher: Routledge
ISBN: 1351546287
Category : Art
Languages : en
Pages : 226
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Book Description
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
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Book Description
Author: George MacDonald
Publisher: Rosetta Books
ISBN: 0795352093
Category : Fiction
Languages : en
Pages : 431
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Book Description
Second in the Wingfold Trilogy following Thomas Wingfold Curate from one of the greatest writers of Victorian-era Scotland. A country doctor in the fictional city of Glaston, atheist Paul Faber, encountering spiritually invigorated minister Wingfold, finds himself unexpectedly drawn into his own unwelcome quest for truth. Now it is Wingfold—assisted by Polwarth—sharing his newfound faith with both Paul Faber and Juliet Meredith, whose past secrets draw them together yet also threaten to tear them apart. Michael Phillips comments, “Of MacDonald’s unique characters, one stands alone—Paul Faber, the surgeon of fictional Glaston. He is the only skeptic, unbeliever, and atheist to take the spotlight as a featured title character. The relationship between Thomas Wingfold, the curate, and his atheist friend . . . gives us a vivid picture of George MacDonald’s perspective on how the life of Christ is most effectively communicated into an unbelieving world . . . It is conveyed by the way Christians live.”
Author: MARGARET BEETHAM
Publisher: Routledge
ISBN: 1134422709
Category : Business & Economics
Languages : en
Pages : 296
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Book Description
This book explores the diversity of meanings ascribed to the turn-of-the-century New Woman in the context of cultural debates conducted within and across a wide range of national frameworks. Individual chapters by international scholars scrutinize the flow of ideas, images, and textual parameters of New Woman discourses in the UK, North America, Europe, and Japan, elucidating the national and ethnic hybridity of the 'modern woman' by locating this figure within both international consumer culture and feminist writing. The volume will be essential reading for advanced students and researchers of American Studies, Women's Studies, and Women's History.
