Alejandro García Caturla PDF Download
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Author: Charles W. White
Publisher: Scarecrow Press
ISBN: 9780810843813
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
CD included
Author: Charles W. White
Publisher: Scarecrow Press
ISBN: 9780810843813
Category : Biography & Autobiography
Languages : en
Pages : 324
Get Book
Book Description
CD included
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 263
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Book Description
Author: Isidore Okpewho
Publisher: Indiana University Press
ISBN: 9780253214942
Category : History
Languages : en
Pages : 598
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Book Description
"This book examines the character of New World black cultures and their relationships with the plural societies within which they function. This volume seeks a balanced look at the fate of the African presence in Western society as well as insights into the sources of periodic conflict between blacks and others."--Résumé de l'éditeur.
Author: Helio Orovio
Publisher: Duke University Press
ISBN: 9780822332121
Category : Biography & Autobiography
Languages : en
Pages : 252
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Book Description
DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div
Author: Leslie Bethell
Publisher: Cambridge University Press
ISBN: 9780521626262
Category : History
Languages : en
Pages : 552
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Book Description
The Cambridge History of Latin America is a large scale, collaborative, multi-volume history of Latin America during the five centuries from the first contacts between Europeans and the native peoples of the Americas in the late fifteenth and early sixteenth centuries to the present. A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History on literature, music, and the visual arts in Latin America during the nineteenth and twentieth centuries. The essays explore: literature, music, and art from c. 1820 to 1870 and from 1870 to c. 1920; Latin American fiction from the regionalist novel between the Wars to the post-War New Novel, from the 'Boom' to the 'Post-Boom'; twentieth-century Latin American poetry; indigenous literatures and culture in the twentieth century; twentieth-century Latin American music; architecture and art in twentieth-century Latin America, and the history of cinema in Latin America. Each chapter is accompanied by a bibliographical essay.
Author: José Manuel Lezcano
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 320
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Book Description
Author: Damien Sagrillo
Publisher: LIT Verlag Münster
ISBN: 3643912781
Category :
Languages : en
Pages :
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Book Description
Das vorliegende Buch ist der dritte Band der Reihe IGEB-Biographien. Es enthält die schriftlichen Fassungen von zwölf Vorträgen, die während der IGEB-Konferenz in Wadgassen/Deutschland 2018 gehalten wurden. Die Beiträge behandeln Persönlichkeiten und ihr Wirken in Zusammenhang mit Blasmusik. The present book is the third volume in the series Biographies IGEB. It consists of the written contributions of twelve papers presented during the IGEB conference in Wadgassen/Germany in 2018. The articles deal with personalities and their work in connection with wind music.
Author: Leon J. Bly
Publisher: LIT Verlag Münster
ISBN: 364391654X
Category :
Languages : en
Pages : 1188
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Book Description
The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.
Author: Alejandro L. Madrid
Publisher: Oxford University Press
ISBN: 0199965811
Category : Music
Languages : en
Pages : 288
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Book Description
Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth-centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike.
Author: Leonardo Acosta
Publisher: Smithsonian Institution
ISBN: 158834147X
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
