Alchemical Hieroglyphics, which Were Caused to be Painted Upon an Arch in St. Innocents Church Yard in Paris PDF Download
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Author: Nicolas Flamel
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 126
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Book Description
Author: Nicolas Flamel
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 126
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Book Description
Author: Jeffrey Raff
Publisher: Nicolas-Hays, Inc.
ISBN: 0892545674
Category : Body, Mind & Spirit
Languages : en
Pages : 346
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Book Description
Jung and the Alchemical Imagination illustrates the spiritual nature of Jungian psychology and the debt it owes to the tradition of esoteric religion. Unlike other books on Jung and alchemy which contain a psychological interpretation of alchemical material, this work uses alchemy to understand the three cornerstones of Jungian spirituality--the self, the transcendent function, and active imagination. Through the interpretation of alchemical imagery, Raff explains the nature of these three concepts and illustrates how together they form a new model of contemporary Western spirituality. This book is also unique in selecting alchemical texts for analysis that are relatively unknown and which, for the most part, have never been interpreted. In addition, he presents two new concepts--the ally and the psychoid realm. Through the addition of these ideas, and the new understanding that they offer, it is possible to apply alchemical imagery to transpsychic experience/ that is, to a world of spirits which may not be reduced to psychological concepts. By including this realm in the study of alchemy and Jungian thought, it is possible to gain insights into the nature of visionary and ecstatic experiences that form part of the path of individuation--the road to completion.
Author: R. E. Kretz
Publisher: Simon and Schuster
ISBN: 1644117835
Category : Body, Mind & Spirit
Languages : en
Pages : 248
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Book Description
An in-depth guide to attaining the enlightenment of the Philosopher’s Stone • Explores the alchemical mechanics of the Philosopher’s Stone • Illustrates the sacred geometry behind the creation of the Philosopher’s Stone • Explains how the Philosopher’s Stone relates to the Third Eye and how to balance its energies to attain enlightenment Inspired by alchemists of the past, R. E. Kretz explores the mechanics of the Philosophers’ Stone, the Pythagorean transmigration of the soul, and the alchemical path for attaining enlightenment. The author details an illustrative geometric approach for the creation of the Philosophers’ Stone using an “oblong square” (created by three overlapping circles with the center circle squared), the same shape described in Freemasonry as the form of a Masonic Lodge. He compares this diagram to depictions of the Stone in Mesopotamian, Egyptian, and Hindu cultures as well as floorplans for European cathedrals, showing how the sacred geometry of the oblong square elucidates man as mind, body, and spirit encapsulating a soul. Describing the relationship between the alchemical oblong square and the electrical circuit of the brain, the author details the operative process of the Philosophers’ Stone, likening it to the servomechanism of the third eye located between the twin pillars of the cerebral hemispheres. He explores how to navigate the twin pillars of the brain to find equilibrium—the third pillar. When the energies of our third eye are in equilibrium, we resonate as a harmonic waveform generator, and he shows how this can be achieved through meditation and the synchronizing vibration of vocal mantras. Drawing on the work of Rosicrucianism, Freemasonry, Hermeticism, sacred geometry, and Native American shamanism, this book presents an allegorical quest for the Philosophers’ Stone and a path for attaining enlightenment.
Author: Dennis William Hauck
Publisher: Penguin
ISBN: 9781592577354
Category : Body, Mind & Spirit
Languages : en
Pages : 342
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Book Description
More than magic... Where else can one combine chemistry and philosophy to turn base metal into gold while discovering a magical elixir to prolong life? Here's a simple and straightforward guide to alchemy that explains its basic principles. Written by one of the world's few practicing alchemists, it's a concise reference guide that provides easy-to-follow information so that anybody can be a wizard-in-training.
Author: Bruce Janacek
Publisher: Penn State Press
ISBN: 0271078022
Category : Religion
Languages : en
Pages : 417
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Book Description
What did it mean to believe in alchemy in early modern England? In this book, Bruce Janacek considers alchemical beliefs in the context of the writings of Thomas Tymme, Robert Fludd, Francis Bacon, Sir Kenelm Digby, and Elias Ashmole. Rather than examine alchemy from a scientific or medical perspective, Janacek presents it as integrated into the broader political, philosophical, and religious upheavals of the first half of the seventeenth century, arguing that the interest of these elite figures in alchemy was part of an understanding that supported their national—and in some cases royalist—loyalty and theological orthodoxy. Janacek investigates how and why individuals who supported or were actually placed at the traditional center of power in England’s church and state believed in the relevance of alchemy at a time when their society, their government, their careers, and, in some cases, their very lives were at stake.
Author: Liselotte Dieckmann
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 268
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Book Description
Author: Claudia Kren
Publisher: Routledge
ISBN: 1136183205
Category : Body, Mind & Spirit
Languages : en
Pages : 148
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Book Description
This comprehensive annotated bibliography, first published in 1990, guides the user helpfully through where to find information on various elements on alchemy when researching. Divided into categories to aid finding the right area of interest, this book forms a unique reference tool.
Author: Stanton J. Linden
Publisher: Cambridge University Press
ISBN: 9780521796620
Category : History
Languages : en
Pages : 292
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Book Description
Table of contents
Author: Kiran Toor
Publisher: Cambridge Scholars Publishing
ISBN: 1443827630
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This book is an attempt to assess the creative potential of alchemy as a master trope in Coleridge’s conception of authorship and imagination. It begins with a challenge to the idea that an autonomous author is at the centre of a literary work. This idea is crucial to the reception of literature and to the way in which concepts of “originality” and “authorship” are typically understood. Against this marking out of an author as a singular, autonomous, and uniquely privileged “self,” it is posited that, for Coleridge, authorship occurs in a transformative or alchemical interspace between the desire for self-expression and the necessarily other-determined nature of creativity. Offering an alternative trajectory for the author, Coleridge elaborates an imaginative strategy in which the dislocation of the self from itself is the truest path to self-expression, and the author must become other in order to become more fully himself. Demonstrating a unique link between plagiarism and creativity, this book suggests that alchemy, better than any other system, accounts for Coleridge’s propensity for plagiarism and for an aesthetic of artifice. In an attempt to trace Coleridge’s familiarity with Hermetic and alchemical discourses throughout his life, it has been necessary to review works as varied as those of Plato, Marsilio Ficino, Ralph Cudworth, Jacob Boehme, Herman Boerhaave, and F. W. J. Schelling. It is then suggested how Coleridge appropriates alchemical terminology to his own aesthetic and imaginative ends. Unable to resolve the desire for aesthetic autonomy with the impossibility of asserting the self in one’s own voice, Coleridge “plays” in the hermeneutic interspace between selfhood and otherness, creativity and counterfeit, authority and artifice in order to arrive at an entirely unique strategy of alchemical self-exposition. Arriving at authorial selfhood through the odyssey of alterity, Coleridge’s “play”giarisms, in this view, do not violate the principles of originality, but redefine them. The book ends with a consideration of the necessarily negotiated fiction of all acts of imagination and authorship.
Author: Urszula Szulakowska
Publisher: Routledge
ISBN: 1351577182
Category : Art
Languages : en
Pages : 237
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Book Description
Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.
