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Author: Albrecht Dürer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
Albrecht Durer epitomizes the Northern Renaissance and is one of the most celebrated artists of all time. But despite our substantial knowledge about him, he remains elusive. Beginning in 1891, the National Gallery of Victoria started making acquisitions sufficiently significant to make its collections of Durer one of the most important in the world. Over 150 b-w plates, a four-page fold out color plate and essays on the artist's life, 15th century life in Nuremberg during one of the great transforming periods of European history and on the book arts make this an invaluable addition to Durer literature. (National Gallery of Victoria)
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
Albrecht Durer epitomizes the Northern Renaissance and is one of the most celebrated artists of all time. But despite our substantial knowledge about him, he remains elusive. Beginning in 1891, the National Gallery of Victoria started making acquisitions sufficiently significant to make its collections of Durer one of the most important in the world. Over 150 b-w plates, a four-page fold out color plate and essays on the artist's life, 15th century life in Nuremberg during one of the great transforming periods of European history and on the book arts make this an invaluable addition to Durer literature. (National Gallery of Victoria)
Author: Edward H. Wouk
Publisher: Manchester University Press
ISBN: 1526183498
Category : Art
Languages : en
Pages : 400
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Book Description
The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.
Author: Jane Campbell Hutchison
Publisher: Routledge
ISBN: 113558172X
Category : Art
Languages : en
Pages : 329
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Book Description
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Author: Irena Zdanowicz
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Larry Silver
Publisher: University of Pennsylvania Press
ISBN: 0812206010
Category : Art
Languages : en
Pages : 309
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Book Description
Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secular princes in the Holy Roman Empire. Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.
Author: Debra Cashion
Publisher: BRILL
ISBN: 9004354123
Category : Art
Languages : en
Pages : 631
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Book Description
The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
Author: Susan Dackerman
Publisher: Princeton University Press
ISBN: 0691250456
Category : Art
Languages : en
Pages : 200
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Book Description
An important new examination of Islamic themes in the art of Albrecht Dürer Albrecht Dürer’s depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer’s art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture. In this beautifully illustrated book, Dackerman provides new readings of three of the artist’s most enigmatic print projects—Sea Monster, Knots, and Landscape with Cannon—situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg’s development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg’s workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer’s prints, she shows, instead emphasize instances of affiliation between Christendom and Islam. A breathtaking work of scholarship, Dürer’s Knots shows how the artist’s prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.
Author: National Gallery of Victoria (Melbourne)
Publisher:
ISBN:
Category :
Languages : en
Pages : 226
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Book Description
Author: Jennifer Spinks
Publisher: BRILL
ISBN: 9004299017
Category : Religion
Languages : en
Pages : 437
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Book Description
This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans. Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.
Author: Cathy Leahy
Publisher:
ISBN: 9780724103577
Category : Apocalypse in art
Languages : en
Pages : 87
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Book Description
Europe experienced great turmoil between the fifteenth and seventeenth centuries. Bitter religious conflicts, war and other disasters such as plague and famine generated deep anxieties and were increasingly read as divine punishments or warnings that the Last Days were imminent. Artists gave expression to these fears in a range of extraordinary images that are analysed in depth in this publication. Illustrations of the Apocalypse, as well as images of skeletons personifying Death, and of physically deformed creatures, extreme natural phenomena and diabolical witches were all manifestations of the sense of impending social and religious crisis. Lavishly illustrated with works by artists including Albrecht Drer, Jacques de Gheyn II and Stefano della Bella, The Four Horsemen: Apocalypse, Death and Disaster provides a fascinating insight into the art, culture and turbulent times in later medieval, Renaissance and early modern Europe.
