Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 976
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 976
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 976
Book Description
The Encyclopedia of Fantasy
Author: John Clute
Publisher: Macmillan
ISBN: 9780312198695
Category : Art
Languages : en
Pages : 1110
Book Description
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
Publisher: Macmillan
ISBN: 9780312198695
Category : Art
Languages : en
Pages : 1110
Book Description
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
Futurism and Decadence in French Science Fiction
Author: Raymond F. Von Dran
Publisher:
ISBN:
Category : Science fiction, French
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category : Science fiction, French
Languages : en
Pages : 222
Book Description
Host Bibliographic Record for Boundwith Item Barcode 30112004471568 and Others
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 816
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 816
Book Description
Vision and Design
Author: Roger Fry
Publisher: Courier Corporation
ISBN: 0486143937
Category : Art
Languages : en
Pages : 290
Book Description
DIVNoted critic’s 25 art-related essays explore relationships between ancient and modern art and between art and life. Also includes Fry’s "Essay in Aesthetics." 13 b/w illus. /div
Publisher: Courier Corporation
ISBN: 0486143937
Category : Art
Languages : en
Pages : 290
Book Description
DIVNoted critic’s 25 art-related essays explore relationships between ancient and modern art and between art and life. Also includes Fry’s "Essay in Aesthetics." 13 b/w illus. /div
Comics through Time [4 volumes]
Author: M. Keith Booker
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 2803
Book Description
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 2803
Book Description
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.
Civilization and the Culture of Science
Author: Stephen Gaukroger
Publisher: Oxford University Press
ISBN: 0192588923
Category : Philosophy
Languages : en
Pages : 534
Book Description
How did science come to have such a central place in Western culture? How did cognitive values—and subsequently moral, political, and social ones—come to be modelled around scientific values? In Civilization and the Culture of Science, Stephen Gaukroger explores how these values were shaped and how they began, in turn, to shape those of society. The core nineteenth- and twentieth-century development is that in which science comes to take centre stage in determining ideas of civilization, displacing Christianity in this role. Christianity had provided a unifying thread in the study of the world, however, and science had to match this, which it did through the project of the unity of the sciences. The standing of science came to rest or fall on this question, which the book sets out to show in detail is essentially ideological, not something that arose from developments within the sciences, which remained pluralistic and modular. A crucial ingredient in this process was a fundamental rethinking of the relations between science and ethics, economics, philosophy, and engineering. In his engaging description of this transition to a scientific modernity, Gaukroger examines five of the issues which underpinned this shift in detail: changes in the understanding of civilization; the push to unify the sciences; the rise of the idea of the limits of scientific understanding; the concepts of 'applied' and 'popular' science; and the way in which the public was shaped in a scientific image.
Publisher: Oxford University Press
ISBN: 0192588923
Category : Philosophy
Languages : en
Pages : 534
Book Description
How did science come to have such a central place in Western culture? How did cognitive values—and subsequently moral, political, and social ones—come to be modelled around scientific values? In Civilization and the Culture of Science, Stephen Gaukroger explores how these values were shaped and how they began, in turn, to shape those of society. The core nineteenth- and twentieth-century development is that in which science comes to take centre stage in determining ideas of civilization, displacing Christianity in this role. Christianity had provided a unifying thread in the study of the world, however, and science had to match this, which it did through the project of the unity of the sciences. The standing of science came to rest or fall on this question, which the book sets out to show in detail is essentially ideological, not something that arose from developments within the sciences, which remained pluralistic and modular. A crucial ingredient in this process was a fundamental rethinking of the relations between science and ethics, economics, philosophy, and engineering. In his engaging description of this transition to a scientific modernity, Gaukroger examines five of the issues which underpinned this shift in detail: changes in the understanding of civilization; the push to unify the sciences; the rise of the idea of the limits of scientific understanding; the concepts of 'applied' and 'popular' science; and the way in which the public was shaped in a scientific image.
Science Fiction Before 1900
Author: Paul K. Alkon
Publisher: Routledge
ISBN: 1134980566
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Paul Alkon analyzes several key works that mark the most significant phases in the early evolution of science fiction, including Frankenstein, Twenty Thousand Leagues Under the Sea, A Connecticut Yankee in King arthur's Court and The Time Machine. He places the work in context and discusses the genre and its relation to other kinds of literature.
Publisher: Routledge
ISBN: 1134980566
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Paul Alkon analyzes several key works that mark the most significant phases in the early evolution of science fiction, including Frankenstein, Twenty Thousand Leagues Under the Sea, A Connecticut Yankee in King arthur's Court and The Time Machine. He places the work in context and discusses the genre and its relation to other kinds of literature.
Le Sol, la parole et l'écrit
Author:
Publisher:
ISBN:
Category : Africa
Languages : fr
Pages : 566
Book Description
Publisher:
ISBN:
Category : Africa
Languages : fr
Pages : 566
Book Description
Art of the Twentieth Century: 1900-1919, the avant-garde movements
Author: Timothy Stroud
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 466
Book Description
This volume analyses and illustrates the personalities, movements, major figures and works that have given rise to contemporary art, from Matisse to Picasso, from Boccioni to Kirchner, from Kandinsky to Malevich, from De Chirico to Mondrian, to Duchamp.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 466
Book Description
This volume analyses and illustrates the personalities, movements, major figures and works that have given rise to contemporary art, from Matisse to Picasso, from Boccioni to Kirchner, from Kandinsky to Malevich, from De Chirico to Mondrian, to Duchamp.