Author: Achille Segard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 91
Book Description
Albert Carrier-Belleuse. 1824-1887
Author: Achille Segard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 91
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 91
Book Description
Carrier-Belleuse, Albert Ernest, 1824-1887
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
The Life and Work of Albert Ernest Carrier-Belleuse
Author: June Ellen Hargrove
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 321
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 321
Book Description
The Life and Work of Albert Carrier-Belleuse
Author: June Ellen Hargrove
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 602
Book Description
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 602
Book Description
The Life and Work of Albert Ernest Carrier-Belleuse
Author: June Ellen Hargrove
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1180
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1180
Book Description
The Life and Work of Albert Carrier-Belleuse
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
Book Description
"Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
The life and work of Albert Ernest Carrier-Belleuse
Author: June Hargrove
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Selected Letters of W.E. Henley
Author: Damian Atkinson
Publisher: Routledge
ISBN: 1351882074
Category : Literary Criticism
Languages : en
Pages : 430
Book Description
The text of the book consists of some 150 letters (out of a corpus of 2,500) written by the late nineteenth-century poet, critic, editor and journalist W.E. Henley, to various figures of the period, e.g. R.L. Stevenson, H. G. Wells, J.M. Barrie, William Archer, Rodin, Wilde, Kipling, Arthur Morrison, Alice Meynell, and Edmund Gosse. Letters are also included to other figures within Henley’s immediate circle, his wife Anna, his financial backer Fitzroy Bell, Charles Baxter the arbitrator in the quarrel between Henley and Stevenson, and his Edinburgh art collector friend Hamilton Bruce. Each letter is fully annotated. An introduction places Henley within the period and provides a biographical account of his life and literary work which is reflected in his letters. Of particular importance is the role of Henley as editor of London, the Magazine of Art, the Scots Observer and later the National Observer and the New Review.
Publisher: Routledge
ISBN: 1351882074
Category : Literary Criticism
Languages : en
Pages : 430
Book Description
The text of the book consists of some 150 letters (out of a corpus of 2,500) written by the late nineteenth-century poet, critic, editor and journalist W.E. Henley, to various figures of the period, e.g. R.L. Stevenson, H. G. Wells, J.M. Barrie, William Archer, Rodin, Wilde, Kipling, Arthur Morrison, Alice Meynell, and Edmund Gosse. Letters are also included to other figures within Henley’s immediate circle, his wife Anna, his financial backer Fitzroy Bell, Charles Baxter the arbitrator in the quarrel between Henley and Stevenson, and his Edinburgh art collector friend Hamilton Bruce. Each letter is fully annotated. An introduction places Henley within the period and provides a biographical account of his life and literary work which is reflected in his letters. Of particular importance is the role of Henley as editor of London, the Magazine of Art, the Scots Observer and later the National Observer and the New Review.
History of Design
Author: Bard Graduate Center
Publisher: Yale University Press
ISBN: 0300196148
Category : Design
Languages : en
Pages : 706
Book Description
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
Publisher: Yale University Press
ISBN: 0300196148
Category : Design
Languages : en
Pages : 706
Book Description
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years