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Author: James W. Wilkie
Publisher: El Colegio de Mexico AC
ISBN: 6074625506
Category : History
Languages : en
Pages : 173
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Book Description
Las entrevistas que el profesor de la Universidad de California en Berkeley, James J. Wilkie, y su esposa Edna Monzón Wilkie le hicieron a don Daniel en el año de 1964 no sólo constituyen un espléndido ejercicio de historia oral, a medio camino de la autobiografía y de las memorias tanto como del oficio de historiar, sino un material de lectura e investigación ineludible para quien aspire a estudiar con mayor hondura y alcance el periodo histórico en cuestión, al personaje protagonista, y a su trasfondo y paisaje. La entrevista aquí presentada, en edición y notas de Rafael Rodríguez Castañeda, Adolfo Castañón y Diego Flores Magón, formó parte en su origen de una obra de más amplia envergadura, editada hace más de quince años en 1995, en cuatro volúmenes e incluía a otros dieciséis protagonistas de aquella etapa constructiva de la Revolución Mexicana. En el curso a la par simpático y acucioso de este ensayo impecable de historia oral, pautado por las preguntas hechas por los investigadores, va reconstruyéndose el itinerario, los años de formación y de aprendizaje, las ideas rectoras y la génesis de este eminente historiador, investigador, escritor, maestro y creador de instituciones, "caudillo y empresario cultural" (para aludir a las expresiones acuñadas por su biógrafo Enrique Krauze), que fue don Daniel Cosío Villegas.
Author: James W. Wilkie
Publisher: El Colegio de Mexico AC
ISBN: 6074625506
Category : History
Languages : en
Pages : 173
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Book Description
Las entrevistas que el profesor de la Universidad de California en Berkeley, James J. Wilkie, y su esposa Edna Monzón Wilkie le hicieron a don Daniel en el año de 1964 no sólo constituyen un espléndido ejercicio de historia oral, a medio camino de la autobiografía y de las memorias tanto como del oficio de historiar, sino un material de lectura e investigación ineludible para quien aspire a estudiar con mayor hondura y alcance el periodo histórico en cuestión, al personaje protagonista, y a su trasfondo y paisaje. La entrevista aquí presentada, en edición y notas de Rafael Rodríguez Castañeda, Adolfo Castañón y Diego Flores Magón, formó parte en su origen de una obra de más amplia envergadura, editada hace más de quince años en 1995, en cuatro volúmenes e incluía a otros dieciséis protagonistas de aquella etapa constructiva de la Revolución Mexicana. En el curso a la par simpático y acucioso de este ensayo impecable de historia oral, pautado por las preguntas hechas por los investigadores, va reconstruyéndose el itinerario, los años de formación y de aprendizaje, las ideas rectoras y la génesis de este eminente historiador, investigador, escritor, maestro y creador de instituciones, "caudillo y empresario cultural" (para aludir a las expresiones acuñadas por su biógrafo Enrique Krauze), que fue don Daniel Cosío Villegas.
Author: Linda Egan
Publisher: University of Arizona Press
ISBN: 9780816521371
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
One of MexicoÕs foremost social and political chroniclers and its most celebrated cultural critic, Carlos Monsiv‡is has read the pulse of his country over the past half century. The author of five collections of literary journalism pieces called cr—nicas, he is perhaps best known for his analytic and often satirical descriptions of Mexico CityÕs popular culture. This comprehensive study of Monsiv‡isÕs cr—nicas is the first book to offer an analysis of these works and to place Monsiv‡isÕs work within a theoretical framework that recognizes the importance of his vision of Mexican culture. Linda Egan examines his ideology in relation to theoretical postures in Latin America, the United States, and Europe to cast Monsiv‡is as both a heterodox pioneer and a mainstream spokesman. She then explores the poetics of the contemporary chronicle in Mexico, reviewing the genreÕs history and its relation to other narrative forms. Finally, she focuses on the canonical status of Monsiv‡isÕs work, devoting a chapter to each of his five principal collections. Egan argues that the five books that are the focus of her study tell a story of ever-renewing suspense: we cannot know Òthe endÓ until Monsiv‡is is through constructing his literary project. Despite this, she observes, his work between 1970 and 1995 documents important discoveries in his search for causes, effects, and deconstructions of historical obstacles to MexicoÕs passage into modernity. While anthropologists and historians continue to introduce new paradigms for the study of MexicoÕs cultural space, EganÕs book provides a reflexive twist by examining the work of one of the thinkers who first inspired such a critical movement. More than an appraisal of Monsiv‡is, it offers a valuable discussion of theoretical issues surrounding the study of the chronicle as it is currently practiced in Mexico. It balances theory and criticism to lend new insight into the ties between Mexican society, social conscience, and literature.
Author: Pablo Palomino
Publisher:
ISBN: 0190687401
Category : Art
Languages : en
Pages : 273
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Book Description
The ethnically and geographically heterogeneous countries that comprise Latin America have each produced music in unique styles and genres - but how and why have these disparate musical streams come to fall under the single category of "Latin American music"? Reconstructing how this category came to be, author Pablo Palomino tells the dynamic history of the modernization of musical practices in Latin America. He focuses on the intellectual, commercial, musicological, and diplomatic actors that spurred these changes in the region between the 1920s and the 1960s, offering a transnational story based on primary sources from countries in and outside of Latin America. The Invention of Latin American Music portrays music as the field where, for the first time, the cultural idea of Latin America disseminated through and beyond the region, connecting the culture and music of the region to the wider, global culture, promoting the now-established notion of Latin America as a single musical market. Palomino explores multiple interconnected narratives throughout, pairing popular and specialist traveling musicians, commercial investments and repertoires, unionization and musicology, and music pedagogy and Pan American diplomacy. Uncovering remarkable transnational networks far from a Western cultural center, The Invention of Latin American Music firmly asserts that the democratic legitimacy and massive reach of Latin American identity and modernization explain the spread and success of Latin American music.
Author: Dianna C. Niebylski
Publisher: State University of New York Press
ISBN: 0791484955
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Contextualizing theoretical debates about the political uses of gendered humor and female excess, this book explores bold new ways in which a number of contemporary Latin American women authors approach questions of identity and community. The author examines the connections among strategic uses of humor, women's bodies, and resistance in works of fiction by Laura Esquivel, Ana Lydia Vega, Luisa Valenzuela, Armonía Somers, and Alicia Borinsky. She shows how the interarticulation of the comic and comic-grotesque vision with different types of excessive female bodies can result in new configurations of female subjectivity.
![World Literature in Spanish [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/yxbOEAAAQBAJ?fife=w80-h100)
Author: Maureen Ihrie
Publisher: Bloomsbury Publishing USA
ISBN: 0313080836
Category : Literary Criticism
Languages : en
Pages : 1509
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Book Description
Containing roughly 850 entries about Spanish-language literature throughout the world, this expansive work provides coverage of the varied countries, ethnicities, time periods, literary movements, and genres of these writings. Providing a thorough introduction to Spanish-language literature worldwide and across time is a tall order. However, World Literature in Spanish: An Encyclopedia contains roughly 850 entries on both major and minor authors, themes, genres, and topics of Spanish literature from the Middle Ages to the present day, affording an amazingly comprehensive reference collection in a single work. This encyclopedia describes the growing diversity within national borders, the increasing interdependence among nations, and the myriad impacts of Spanish literature across the globe. All countries that produce literature in Spanish in Europe, Africa, the Americas, and Asia are represented, covering both canonical authors and emerging contemporary writers and trends. Underrepresented writings—such as texts by women writers, queer and Afro-Hispanic texts, children's literature, and works on relevant but less studied topics such as sports and nationalism—also appear. While writings throughout the centuries are covered, those of the 20th and 21st centuries receive special consideration.
Author: Ignacio Corona
Publisher: SUNY Press
ISBN: 9780791453537
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Diverse perspectives on the “chronicle”as a literary genre and socio-cultural practice.
Author: Manuel Cruz
Publisher: Editorial GEDISA
ISBN: 8497849779
Category : Political Science
Languages : en
Pages : 162
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Book Description
Uno de los pilares sobre los que se sostiene la visión del mundo hegemónica en la actualidad es el de la importancia fundamental atribuida a los individuos, entendidos como seres libres y soberanos, y, en consecuencia, responsables. Sin embargo, no está claro que semejante defensa de la libre responsabilidad sea la actitud realmente más extendida en nuestra sociedad, en la que lo que parece generalizado en creciente medida es la sistemática búsqueda de argumentos exculpatorios que minimicen la aceptación de responsabilidad por parte de los individuos (el ambiente familiar, el contexto económico, la inestabilidad emocional...). Desde el punto de vista teórico, estaríamos ante una paradoja. De tanto exculpar al individuo a base de responsabilizar a las estructuras, hemos terminado por convertirle en el eslabón más débil de la cadena. La misma modernidad que en un principio pretendía hacer descansar el sentido del mundo sobre el ser humano, convirtiéndolo en la nueva clave para justificar lo real, al final ha terminado por considerarlo un elemento incapaz de sostener nada ni hacerse cargo de acción alguna a poco que ésta tenga consecuencias negativas.
Author: Catriona McAllister
Publisher: Liverpool University Press
ISBN: 1800345518
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. As the moment of the birth of the patria, Independence enjoys a privileged role in the historical imaginary of many Latin American nations. In Argentina as in other countries, the period has been fundamental to state discourses of nation-building and identity, lending its figures and central narratives a powerful symbolic function. It has also attracted significant literary attention, and this book offers an innovative reading of texts that provide irreverent, metafictional, or self-reflexive retellings of this foundational moment. This type of fiction is usually read through well-established frameworks on the contemporary Latin American historical novel that emphasise its destabilising of knowledge and single truths. Instead, this work foregrounds the much more immediate, concrete political points at stake when we read these texts through both their direct engagement with contemporary circumstances and the politics of the history they evoke. It therefore argues for a new approach to reading contemporary Latin American historical fiction that showcases its response to politically urgent questions.
Author: Manuel Gutiérrez Silva
Publisher: Springer Nature
ISBN: 3030229564
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein’s films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.
Author: David Rojinsky
Publisher: Springer Nature
ISBN: 3031175905
Category : Photography
Languages : en
Pages : 305
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Book Description
This book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
