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Author: Zahid R. Chaudhary
Publisher: U of Minnesota Press
ISBN: 0816677484
Category : Art
Languages : en
Pages : 283
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Book Description
How the colonial photograph revolutionized the very nature of perception
Author: Zahid R. Chaudhary
Publisher: U of Minnesota Press
ISBN: 0816677484
Category : Art
Languages : en
Pages : 283
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Book Description
How the colonial photograph revolutionized the very nature of perception
Author: Christos Lynteris
Publisher: MIT Press
ISBN: 0262544229
Category : Medical
Languages : en
Pages : 323
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Book Description
How epidemic photography during a global pandemic of bubonic plague contributed to the development of modern epidemiology and our concept of the “pandemic.” In Visual Plague, Christos Lynteris examines the emergence of epidemic photography during the third plague pandemic (1894–1959), a global pandemic of bubonic plague that led to over twelve million deaths. Unlike medical photography, epidemic photography was not exclusively, or even primarily, concerned with exposing the patient’s body or medical examinations and operations. Instead, it played a key role in reconceptualizing infectious diseases by visualizing the “pandemic” as a new concept and structure of experience—one that frames and responds to the smallest local outbreak of an infectious disease as an event of global importance and consequence. As the third plague pandemic struck more and more countries, the international circulation of plague photographs in the press generated an unprecedented spectacle of imminent global threat. Nothing contributed to this sense of global interconnectedness, anticipation, and fear more than photography. Exploring the impact of epidemic photography at the time of its emergence, Lynteris highlights its entanglement with colonial politics, epistemologies, and aesthetics, as well as with major shifts in epidemiological thinking and public health practice. He explores the characteristics, uses, and impact of epidemic photography and how it differs from the general corpus of medical photography. The new photography was used not simply to visualize or illustrate a pandemic, but to articulate, respond to, and unsettle key questions of epidemiology and epidemic control, as well as to foster the notion of the “pandemic,” which continues to affect our lives today.
Author: Roberta Bivins
Publisher: OUP Oxford
ISBN: 0191038407
Category : History
Languages : en
Pages : 441
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Book Description
It was only a coincidence that the NHS and the Empire Windrush (a ship carrying 492 migrants from Britain's West Indian colonies) arrived together. On 22 June 1948, as the ship's passengers disembarked, frantic preparations were already underway for 5 July, the Appointed Day when the nation's new National Health Service would first open its doors. The relationship between immigration and the NHS rapidly attained - and has enduringly retained - notable political and cultural significance. Both the Appointed Day and the post-war arrival of colonial and Commonwealth immigrants heralded transformative change. Together, they reshaped daily life in Britain and notions of 'Britishness' alike. Yet the reciprocal impacts of post-war immigration and medicine in post-war Britain have yet to be explored. Contagious Communities casts new light on a period which is beginning to attract significant historical interest. Roberta Bivins draws attention to the importance - but also the limitations - of medical knowledge, approaches, and professionals in mediating post-war British responses to race, ethnicity, and the emergence of new and distinctive ethnic communities. By presenting a wealth of newly available or previously ignored archival evidence, she interrogates and re-balances the political history of Britain's response to New Commonwealth immigration. Contagious Communities uses a set of linked case-studies to map the persistence of 'race' in British culture and medicine alike; the limits of belonging in a multi-ethnic welfare state; and the emergence of new and resolutely 'unimagined' communities of patients, researchers, clinicians, policy-makers, and citizens within the medical state and its global contact zones.
Author: Niharika Dinkar
Publisher: Manchester University Press
ISBN: 1526139650
Category : Art
Languages : en
Pages : 464
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Book Description
Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of ‘cities of light’ and ‘hearts of darkness’ coincided with the industrialisation of light (in homes, streets, theatres) and its instrumentalisation through new representative forms (photography, film, magic lanterns, theatrical lighting). Cataloguing the imperial vision in its engagement with colonial India, the book evaluates responses by the celebrated Indian painter Ravi Varma (1848–1906) to reveal the centrality of light in technologies of vision, not merely as an ideological effect but as a material presence that produces spaces and inscribes bodies.
Author: Juliet Hacking
Publisher: Bloomsbury Publishing
ISBN: 1350048542
Category : Photography
Languages : en
Pages : 249
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Book Description
Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.
Author:
Publisher: Bloomsbury Publishing
ISBN: 9394701974
Category : History
Languages : en
Pages : 512
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Book Description
The volumes focus on select aspects of the British imperial archives: the accounts of discovery and exploration fauna and flora, geography, climate the people of the subcontinent, English domesticity and social life in the subcontinent, the wars and skirmishes including the Mutiny of 1857-58 and the civilisational mission. This volume documents how the practice of thuggee was viewed by the British before: as if it symbolized everything that was wrong with the social order in India. The texts collected here are accounts of how the British 'discovered' the subcontinent. The narrative of discovery, with the freshness of the 'new', was couched very often in the rhetoric of wonder. But this sense of wonder, even astonishment in some cases at the variety, magnitude and sheer difference of the land and its people, was tempered over time with a narrative of exploration.
Author: Monica Huerta
Publisher: NYU Press
ISBN: 1479812420
Category : Art
Languages : en
Pages : 327
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Book Description
"Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
Author: Reinhold Martin
Publisher: U of Minnesota Press
ISBN: 1452970831
Category : Architecture
Languages : en
Pages : 440
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Book Description
Examining architecture’s foundational role in the repression of democracy Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, Architecture against Democracy presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent “nationalist international.” As new forms of nationalism and authoritarian rule proliferate across the globe, this timely collection offers fresh understandings of the role of architecture in the opposition to democracy. Contributors: Esra Akcan, Cornell U; Can Bilsel, U of San Diego; José H. Bortoluci, Getulio Vargas Foundation; Charles L. Davis II, U of Texas at Austin; Laura diZerega; Eve Duffy, Duke U; María González Pendás, Cornell U; Paul B. Jaskot, Duke U; Ana María León, Harvard U; Ruth W. Lo, Hamilton College; Peter Minosh, Northeastern U; Itohan Osayimwese, Brown U; Kishwar Rizvi, Yale U; Naomi Vaughan; Nader Vossoughian, New York Institute of Technology and Columbia U; Mabel O. Wilson, Columbia U.
Author: Kevin Coleman
Publisher: University of Texas Press
ISBN: 1477308555
Category : History
Languages : en
Pages : 329
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Book Description
In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company’s power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated “banana republics.” In A Camera in the Garden of Eden, Kevin Coleman argues that the “banana republic” was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study.
Author: Adrian De Leon
Publisher: UNC Press Books
ISBN:
Category : Political Science
Languages : en
Pages : 297
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Book Description
From the late eighteenth century, the hinterlands of Northern Luzon and its Indigenous people were in the crosshairs of imperial and capitalist extraction. Combining the breadth of global history with the intimacy of biography, Adrian De Leon follows the people of Northern Luzon across space and time, advancing a new vision of the United States's Pacific empire that begins with the natives and migrants who were at the heart of colonialism and its everyday undoing. From the emergence of Luzon's eighteenth-century tobacco industry and the Hawaii Sugar Planters' Association's documentation of workers to the movement of people and ideas across the Suez Canal and the stories of Filipino farmworkers in the American West, De Leon traces "the Filipino" as a racial category emerging from the labor, subjugation, archiving, and resistance of native people. De Leon's imaginatively constructed archive yields a sweeping history that promises to reshape our understanding of race making in the Pacific world.
