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Author: Timothy Burns
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : History
Languages : en
Pages : 290
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Book Description
In the euphoric aftermath of 1989's history-making events, the fall of the Berlin Wall and Soviet Union, reviewers heralded Francis Fukuyama's national bestseller The End of History and the Last Man as 'the first book to fully fathom the depth and range of the changes now sweeping through the world.' In After History?, 13 critics from across the political spectrum offer provocative responses to Fukuyama's bold declaration that democracy and capitalism have triumphed over totalitarianism and socialism. Fukuyama responds directly to his critics in a concluding chapter.
Author: Timothy Burns
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : History
Languages : en
Pages : 290
Get Book Here
Book Description
In the euphoric aftermath of 1989's history-making events, the fall of the Berlin Wall and Soviet Union, reviewers heralded Francis Fukuyama's national bestseller The End of History and the Last Man as 'the first book to fully fathom the depth and range of the changes now sweeping through the world.' In After History?, 13 critics from across the political spectrum offer provocative responses to Fukuyama's bold declaration that democracy and capitalism have triumphed over totalitarianism and socialism. Fukuyama responds directly to his critics in a concluding chapter.
Author: Samuel Cohen
Publisher: University of Iowa Press
ISBN: 1587298902
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
Author: Geoff Kaplan
Publisher: MIT Press
ISBN: 1949484092
Category : Design
Languages : en
Pages : 0
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Book Description
A history of design teaching from the mid-1950s to the mid-1990s told through essays, interviews, remembrances, and primary materials. With contributions by more than forty of the most influential voices in art, architecture, and design, After the Bauhaus, Before the Internet traces a history of design teaching from the mid-1950s to the mid-1990s through essays, interviews, and primary materials. Geoff Kaplan has gathered a multigenerational group of theorists and practitioners to explore how the evolution of graphic design pedagogy can be placed within a conceptual and historical context. At a time when all choices and behaviors are putatively curated, and when “design thinking” is recruited to solve problems from climate change to social media optimization, the volume’s contributors examine how design’s self-understandings as a discipline have changed and how such changes affect the ways in which graphic design is being historicized and theorized today.
Author: Mathilde Fasting
Publisher: Georgetown University Press
ISBN: 1647120861
Category : History
Languages : en
Pages : 225
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Book Description
Intimate access to the mind of Francis Fukuyama and his reflections on world politics, his life and career, and the evolution of his thought
Author: Ramachandra Guha
Publisher: Pan Macmillan
ISBN: 1509883282
Category : History
Languages : en
Pages : 871
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Book Description
Ramachandra Guha’s India after Gandhi is a magisterial account of the pains, struggles, humiliations and glories of the world’s largest and least likely democracy. A riveting chronicle of the often brutal conflicts that have rocked a giant nation, and of the extraordinary individuals and institutions who held it together, it established itself as a classic when it was first published in 2007. In the last decade, India has witnessed, among other things, two general elections; the fall of the Congress and the rise of Narendra Modi; a major anti-corruption movement; more violence against women, Dalits, and religious minorities; a wave of prosperity for some but the persistence of poverty for others; comparative peace in Nagaland but greater discontent in Kashmir than ever before. This tenth anniversary edition, updated and expanded, brings the narrative up to the present. Published to coincide with seventy years of the country’s independence, this definitive history of modern India is the work of one of the world’s finest scholars at the height of his powers.
Author: Scott Spector
Publisher: Berghahn Books
ISBN: 0857453742
Category : History
Languages : en
Pages : 318
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Book Description
Michel Foucault’s seminal The History of Sexuality (1976–1984) has since its publication provided a context for the emergence of critical historical studies of sexuality. This collection reassesses the state of the historiography on sexuality—a field in which the German case has been traditionally central. In many diverse ways, the Foucauldian intervention has governed the formation of questions in the field as well as the assumptions about how some of these questions should be answered. It can be argued, however, that some of these revolutionary insights have ossified into dogmas or truisms within the field. Yet, as these contributions meticulously reveal, those very truisms, when revisited with a fresh eye, can lead to new, unexpected insights into the history of sexuality, necessitating a return to and reinterpretation of Foucault’s richly complex work. This volume will be necessary reading for students of historical sexuality as well as for those readers in German history and German studies generally who have an interest in the history of sexuality.
Author: Hans Belting
Publisher: University of Chicago Press
ISBN: 9780226041841
Category : Art
Languages : en
Pages : 246
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Book Description
"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.
Author: Mary Ziegler
Publisher: Harvard University Press
ISBN: 067473677X
Category : History
Languages : en
Pages : 400
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Book Description
In the decade after the 1973 Supreme Court decision on abortion, advocates on both sides sought common ground. But as pro-abortion and anti-abortion positions hardened over time into pro-choice and pro-life, the myth was born that Roe v. Wade was a ruling on a woman’s right to choose. Mary Ziegler’s account offers a corrective.
Author: Teresa Brennan
Publisher: Routledge
ISBN: 1134982836
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Lacan was not an ahistorical post-structuralist. Starting from this controversial premiss, Teresa Brennan tells the story of a social psychosis. She begins by recovering Lacan's neglected theory of history which argued that we are in the grip of a psychotic's era which began in the seventeenth century and climaxes in the present. By extending and elaborating Lacan's theory, Brennan develops a general theory of modernity. Contrary to postmodern assumptions, she argues, we need general historical explanation. An understanding of historical dynamics is essential if we are to make the connections between the outstanding facts of modernity - ethnocentrism, the relationship between the sexes and ecological catastrophe.
Author: Piotr Stolarski
Publisher: Lulu.com
ISBN: 1471042537
Category : History
Languages : en
Pages : 143
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Book Description
What if, living in the past and for the past was no longer tenable - no longer acceptable? What if, being stuck in the past became a force for alienation, breaking down and coming to seem like a false consciousness divorced from the present and from all true human happiness? What if history were dead? Would that matter...? After History: On the Death of History, and the New Culture by Dr. Piotr Stolarski, gets to grip with the pretensions and soul-destroying irrelevance of academic history - arguing that a new existential historiography abandoning a Man-centred Englightenment vision (and now allied to philosophy and theology) is possible and necessary. Analysing the significance, practices and characteristics of History in detail, the author argues for the abandonment of a History dead to and disdainful of the present, and sketches the possibilities left to historians after the "Death of History" - embodied in a Neo-Renaissance eclecticism allying faith to a reformed historiography.
