Author: Olugbenga Adesida
Publisher: Nordic Africa Institute
ISBN: 9789171065308
Category : History
Languages : en
Pages : 232
Book Description
Does Africa have a future? What are the visions, hopes, ambitions and fears of young Africans for the future of the world, the continent, their nation, and their communities? How do they envision this world and their roles within it? These issues have not previously been explored collectively by Africans because of the enormous challenges and the preoccupation with the present. But Africa must not allow the enormity of the problems to blind it to its past and future. Africa must chart its own vision of a desirable future, and therefore young Africans, born just before or after independence, were challenged to reflect on the future of the continent. This book presents the response to that challenge. In this book, the voices of a new generation of Africa are heard exploring the future from personal and diverse perspectives. The authors have enumerated the ills of Africa, analyzed the problems and explored the opportunities. Remarkably, despite the daunting nature of the challenges, they were all hopeful about the future. They provided their visions of the future, suggest numerous ideas on how to build a new Africa, and implored Africans to take responsibility for the transformation of the continent. Given the current emphasis on African renaissance and union, the ideas presented here could become the basis for a truly shared vision for the continent.
African Voices, African Visions
Author: Olugbenga Adesida
Publisher: Nordic Africa Institute
ISBN: 9789171065308
Category : History
Languages : en
Pages : 232
Book Description
Does Africa have a future? What are the visions, hopes, ambitions and fears of young Africans for the future of the world, the continent, their nation, and their communities? How do they envision this world and their roles within it? These issues have not previously been explored collectively by Africans because of the enormous challenges and the preoccupation with the present. But Africa must not allow the enormity of the problems to blind it to its past and future. Africa must chart its own vision of a desirable future, and therefore young Africans, born just before or after independence, were challenged to reflect on the future of the continent. This book presents the response to that challenge. In this book, the voices of a new generation of Africa are heard exploring the future from personal and diverse perspectives. The authors have enumerated the ills of Africa, analyzed the problems and explored the opportunities. Remarkably, despite the daunting nature of the challenges, they were all hopeful about the future. They provided their visions of the future, suggest numerous ideas on how to build a new Africa, and implored Africans to take responsibility for the transformation of the continent. Given the current emphasis on African renaissance and union, the ideas presented here could become the basis for a truly shared vision for the continent.
Publisher: Nordic Africa Institute
ISBN: 9789171065308
Category : History
Languages : en
Pages : 232
Book Description
Does Africa have a future? What are the visions, hopes, ambitions and fears of young Africans for the future of the world, the continent, their nation, and their communities? How do they envision this world and their roles within it? These issues have not previously been explored collectively by Africans because of the enormous challenges and the preoccupation with the present. But Africa must not allow the enormity of the problems to blind it to its past and future. Africa must chart its own vision of a desirable future, and therefore young Africans, born just before or after independence, were challenged to reflect on the future of the continent. This book presents the response to that challenge. In this book, the voices of a new generation of Africa are heard exploring the future from personal and diverse perspectives. The authors have enumerated the ills of Africa, analyzed the problems and explored the opportunities. Remarkably, despite the daunting nature of the challenges, they were all hopeful about the future. They provided their visions of the future, suggest numerous ideas on how to build a new Africa, and implored Africans to take responsibility for the transformation of the continent. Given the current emphasis on African renaissance and union, the ideas presented here could become the basis for a truly shared vision for the continent.
Black Visions
Author: Michael C. Dawson
Publisher: University of Chicago Press
ISBN: 9780226138619
Category : History
Languages : en
Pages : 432
Book Description
This comprehensive analysis of the complex relationship of black political thought identifies which political ideologies are supported by blacks, then traces their historical roots and examines their effects on black public opinion.
Publisher: University of Chicago Press
ISBN: 9780226138619
Category : History
Languages : en
Pages : 432
Book Description
This comprehensive analysis of the complex relationship of black political thought identifies which political ideologies are supported by blacks, then traces their historical roots and examines their effects on black public opinion.
Marcus Garvey and the Vision of Africa
Author: John Henrik Clarke
Publisher:
ISBN: 9781574780475
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
Originally published: New York: Random House, 1974.
Publisher:
ISBN: 9781574780475
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
Originally published: New York: Random House, 1974.
Cross-cultural Visions in African American Modernism
Author: Yoshinobu Hakutani
Publisher: Ohio State University Press
ISBN: 0814210309
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright's literary manifesto "Blueprint for Negro Writing" in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats's symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel's jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.
Publisher: Ohio State University Press
ISBN: 0814210309
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright's literary manifesto "Blueprint for Negro Writing" in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats's symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel's jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.
The African American Newspaper
Author: Patrick S. Washburn
Publisher: Northwestern University Press
ISBN: 0810122901
Category : History
Languages : en
Pages : 281
Book Description
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
Publisher: Northwestern University Press
ISBN: 0810122901
Category : History
Languages : en
Pages : 281
Book Description
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
Visions of African Unity
Author: Matteo Grilli
Publisher: Springer Nature
ISBN: 3030529118
Category : History
Languages : en
Pages : 436
Book Description
This collection of essays analyzes different iterations of African unity, exploring the political and cultural visions that informed projects aimed at African unification. It explores the cultural, economic and non-state aspects of the Organisation of African Unity (OAU) as the principal institution dedicated to the cooperation of African states, from its establishment in 1963 to its transformation into the African Union (AU) in 2000, as well as how ideas of African unity shaped the Cold War and African liberation struggles. Bringing together contributors from a diverse range of disciplinary backgrounds across Africa, Europe and the US, this book investigates the ideological origins and historiography of Pan-African and unification projects, and considers how African intellectuals, leaders and populations engaged with these ideas.
Publisher: Springer Nature
ISBN: 3030529118
Category : History
Languages : en
Pages : 436
Book Description
This collection of essays analyzes different iterations of African unity, exploring the political and cultural visions that informed projects aimed at African unification. It explores the cultural, economic and non-state aspects of the Organisation of African Unity (OAU) as the principal institution dedicated to the cooperation of African states, from its establishment in 1963 to its transformation into the African Union (AU) in 2000, as well as how ideas of African unity shaped the Cold War and African liberation struggles. Bringing together contributors from a diverse range of disciplinary backgrounds across Africa, Europe and the US, this book investigates the ideological origins and historiography of Pan-African and unification projects, and considers how African intellectuals, leaders and populations engaged with these ideas.
African American Writers
Author: Lynda Koolish
Publisher: Univ. Press of Mississippi
ISBN: 9781578062584
Category : Literary Criticism
Languages : en
Pages : 140
Book Description
This volume of photos of African-American authors highlights the diversity within African American literature and celebrates the many genres it explores. 59 photos.
Publisher: Univ. Press of Mississippi
ISBN: 9781578062584
Category : Literary Criticism
Languages : en
Pages : 140
Book Description
This volume of photos of African-American authors highlights the diversity within African American literature and celebrates the many genres it explores. 59 photos.
Blues Vision
Author: Alexs D. Pate
Publisher: Minnesota Historical Society
ISBN: 0873519744
Category : Literary Collections
Languages : en
Pages : 343
Book Description
"A rich Minnesota literary tradition is brought into the spotlight in this groundbreaking collection of incisive prose and powerful poetry by forty- three black writers who educate, inspire, and reveal the unabashed truth. Historically significant figures tell their stories, demonstrating how much and how little conditions have changed: Gordon Parks hitchhikes to Bemidji, Taylor Gordon describes his first day as a chauffeur in St. Paul, and Nellie Stone Johnson insists on escaping the farm for high school in Minneapolis. A profusionof modern voices-- poet Tish Jones, playwright Kim Hines, and memoirist Frank Wilderson-- reflect the dizzying, complex realities of the present. Showcasing the unique vision and reality of Minnesota's African American community from the Harlem renaissance through the civil rights movement, from the black power movement to the era of hip- hop and the time of America's first black president, this compelling anthology provides an explosion of artistic expression about what it means to be a Minnesotan. Alexs Pate, an award- winning novelist, playwright, and writing professor, is the president of Innocent Technologies, LLC. Pamela R. Fletcher is associate professor of English at St. Catherine University. J. Otis Powell!? is a poet, performance artist, and curator working in an aesthetic rooted in Afrocentric lore and culture"--
Publisher: Minnesota Historical Society
ISBN: 0873519744
Category : Literary Collections
Languages : en
Pages : 343
Book Description
"A rich Minnesota literary tradition is brought into the spotlight in this groundbreaking collection of incisive prose and powerful poetry by forty- three black writers who educate, inspire, and reveal the unabashed truth. Historically significant figures tell their stories, demonstrating how much and how little conditions have changed: Gordon Parks hitchhikes to Bemidji, Taylor Gordon describes his first day as a chauffeur in St. Paul, and Nellie Stone Johnson insists on escaping the farm for high school in Minneapolis. A profusionof modern voices-- poet Tish Jones, playwright Kim Hines, and memoirist Frank Wilderson-- reflect the dizzying, complex realities of the present. Showcasing the unique vision and reality of Minnesota's African American community from the Harlem renaissance through the civil rights movement, from the black power movement to the era of hip- hop and the time of America's first black president, this compelling anthology provides an explosion of artistic expression about what it means to be a Minnesotan. Alexs Pate, an award- winning novelist, playwright, and writing professor, is the president of Innocent Technologies, LLC. Pamela R. Fletcher is associate professor of English at St. Catherine University. J. Otis Powell!? is a poet, performance artist, and curator working in an aesthetic rooted in Afrocentric lore and culture"--
Kwame Nkrumah
Author: Jeffrey S. Ahlman
Publisher: Ohio University Press
ISBN: 0821447394
Category : Biography & Autobiography
Languages : en
Pages : 162
Book Description
A new biography of Ghana’s Kwame Nkrumah, one of the most influential political figures in twentieth-century African history. As the first prime minister and president of the West African state of Ghana, Kwame Nkrumah helped shape the global narrative of African decolonization. After leading Ghana to independence in 1957, Nkrumah articulated a political vision that aimed to free the country and the continent—politically, socially, economically, and culturally—from the vestiges of European colonial rule, laying the groundwork for a future in which Africans had a voice as equals on the international stage. Nkrumah spent his childhood in the maturing Gold Coast colonial state. During the interwar and wartime periods he was studying in the United States. He emerged in the postwar era as one of the foremost activists behind the 1945 Manchester Pan-African Congress and the demand for an immediate end to colonial rule. Jeffrey Ahlman’s biography plots Nkrumah’s life across several intersecting networks: colonial, postcolonial, diasporic, national, Cold War, and pan-African. In these contexts, Ahlman portrays Nkrumah not only as an influential political leader and thinker but also as a charismatic, dynamic, and complicated individual seeking to make sense of a world in transition.
Publisher: Ohio University Press
ISBN: 0821447394
Category : Biography & Autobiography
Languages : en
Pages : 162
Book Description
A new biography of Ghana’s Kwame Nkrumah, one of the most influential political figures in twentieth-century African history. As the first prime minister and president of the West African state of Ghana, Kwame Nkrumah helped shape the global narrative of African decolonization. After leading Ghana to independence in 1957, Nkrumah articulated a political vision that aimed to free the country and the continent—politically, socially, economically, and culturally—from the vestiges of European colonial rule, laying the groundwork for a future in which Africans had a voice as equals on the international stage. Nkrumah spent his childhood in the maturing Gold Coast colonial state. During the interwar and wartime periods he was studying in the United States. He emerged in the postwar era as one of the foremost activists behind the 1945 Manchester Pan-African Congress and the demand for an immediate end to colonial rule. Jeffrey Ahlman’s biography plots Nkrumah’s life across several intersecting networks: colonial, postcolonial, diasporic, national, Cold War, and pan-African. In these contexts, Ahlman portrays Nkrumah not only as an influential political leader and thinker but also as a charismatic, dynamic, and complicated individual seeking to make sense of a world in transition.
The Vintage Book of African American Poetry
Author: Michael S. Harper
Publisher: Vintage
ISBN: 030776513X
Category : Poetry
Languages : en
Pages : 450
Book Description
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
Publisher: Vintage
ISBN: 030776513X
Category : Poetry
Languages : en
Pages : 450
Book Description
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.