Primitive Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Primitive Art PDF full book. Access full book title Primitive Art by Ferdinand Anton. Download full books in PDF and EPUB format.
Author: Ferdinand Anton
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536
Get Book Here
Book Description
Author: Ferdinand Anton
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536
Get Book Here
Book Description
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 52
Get Book Here
Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
Author: Daniel P. Biebuyck
Publisher: Univ of California Press
ISBN: 9780520020856
Category : Social Science
Languages : en
Pages : 370
Get Book Here
Book Description
A young Highland boy discovers he has the gift of Second Sight.
Author: Philip John Crosskey Dark
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 274
Get Book Here
Book Description
Author: Anitra Nettleton
Publisher: Wits University Press
ISBN: 1868144585
Category : Art
Languages : en
Pages : 486
Get Book Here
Book Description
African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of ‘art’ objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group. Among the artefacts made by southern African peoples, headrests were the best known. Anitra Nettleton’s study of the uses and forms of headrests opened up a number of art-historical methodologies in the attempt to gain an understanding of form, style and content in African art objects. Her drawings of each and every headrest encountered become a major part of the project.
Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0870996339
Category : Art
Languages : en
Pages : 346
Get Book Here
Book Description
Tantalizing trivia. this Hitler, spoiling everything?"
Author: Cara G. Tremain
Publisher: University Press of Florida
ISBN: 0813057205
Category : Social Science
Languages : en
Pages : 231
Get Book Here
Book Description
Pre-Columbian artifacts are among the most popular items on the international antiquities market, yet it is becoming increasingly difficult to monitor these items as public, private, and digital sales proliferate. This timely volume explores past, current, and future policies and trends concerning the sales and illicit movement of artifacts from Mesoamerica to museums and private collections. Informed by the fields of anthropology, economics, law, and criminology, contributors critically analyze practices of research and collecting in Central American countries. They assess the circulation of looted and forged artifacts on the art market and in museums and examine government and institutional policies aimed at fighting trafficking. They also ask if and how scholars can use materials removed from their context to interpret the past. The theft of cultural heritage items from their places of origin is a topic of intense contemporary discussion, and The Market for Mesoamerica updates our knowledge of this issue by presenting undocumented and illicit antiquities within a regional and global context. Through discussion of transparency, accountability, and ethical practice, this volume ultimately considers how antiquities can be protected and studied through effective policy and professional practice. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588390748
Category : Art
Languages : en
Pages : 138
Get Book Here
Book Description
The seventy-five masterpieces presented here, drawn from public and private American collections, are among the most celebrated icons of African art, works that are superb artistic creations as well as expressions of a society's most profound conceptions about its beginnings. All are reproduced in color and are accompanied by entries that illuminate the distinctive cultural contexts that inspired their creation and informed their appreciation."--BOOK JACKET.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
Get Book Here
Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author:
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 418
Get Book Here
Book Description
