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Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Author: Ladislas Segy
Publisher: Courier Corporation
ISBN: 9780486203966
Category : Art
Languages : en
Pages : 228
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Book Description
Includes a brief analysis and history of African sculpture followed by a pictorial survey of this art grouped according to region
Author: Peter Breunig
Publisher: Africa Magna Verlag
ISBN: 3937248463
Category : Social Science
Languages : en
Pages : 103
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Book Description
This book provides insights into the archaeological context of the Nok Culture in Nigeria (West Africa). It was first published in German accompanying the same-titled exhibition “Nok – Ein Ursprung afrikanischer Skulptur” at the Liebieghaus Skulpturensammlung in Frankfurt (30th October 2013 – 23rd March 2014) and has now been translated into English. A team of archaeologists from the Goethe University Frankfurt/Main has been researching the Nok Culture since 2005. The results are now presented to the public. The Nok Culture existed for about 1500 years – from around the mid-second millennium BCE to the turn of the Common Era. It is mainly known by the elaborate terracotta sculptures which were likewise the focus of the exhibition. The research of the archaeologists from Frankfurt, however, not only concerns the terracotta figures. They investigate the Nok Culture from a holistic perspective and put it into the larger context of the search for universal developments in the history of mankind. Such a development – important because it initiated a new era of the past – is the transition from small groups of hunters and gatherers to large communities with complex forms of human co-existence. This process took place almost everywhere in the world in the last 10,000 years, although in very different ways. The Nok Culture represents an African variant of that process. It belongs to a group of archaeological cultures or human groups, who in part subsisted on the crops they were growing and lived in mostly small but permanent settlements in the savanna regions south of the Sahara from the second millennium BCE onwards. The discovery of metallurgy is the next turning point in the development of the first farming cultures. In Africa the first metal used was not copper or bronze as in the Near East and Europe, but iron. The people of the Nok Culture were among the first that produced iron south of the Sahara. This happened in the first millennium BCE – about 1000 years after the agricultural beginning. While iron metallurgy spread rapidly across sub-Saharan Africa, the terracotta sculptures remained a cultural monopoly of the Nok Culture. Nothing comparable existed in Africa outside of Ancient Egypt and the Mediterranean coast. The oldest, securely dated clay figures date back to the early first millennium BCE. Currently, it seems as if they appeared in the Nok Culture before iron metallurgy, reaching their peak in the following centuries. At the end of the first millennium BCE they disappeared from the scene. There is hardly any doubt about the ritual character of the Nok sculptures. Yet, central questions remain unanswered: Why did such an apparently complex world of ritual practices develop in an early farming culture just before or at the beginning of the momentous invention of iron production? Why were the elaborate sculptures – as excavations show – intentionally destroyed? And why did they disappear as suddenly as they emerged?
Author: RenŽe Ater
Publisher: Univ of California Press
ISBN: 0520262123
Category : Art
Languages : en
Pages : 211
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Book Description
"The George Gund Foundation imprint in African American studies."
Author: Christa Clarke
Publisher: Metropolitan Museum of Art
ISBN: 1588391906
Category : Art
Languages : en
Pages : 218
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Book Description
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0810918749
Category : Art
Languages : en
Pages : 118
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Book Description
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 0870999338
Category : Art, Black
Languages : en
Pages : 82
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Book Description
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Allen F. Roberts
Publisher:
ISBN: 9780990762669
Category : Art
Languages : en
Pages : 0
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Book Description
"The collection of scholarly essays 'Striking Iron: The Art of African Blacksmiths' accompanies an international traveling exhibition of the same title organized by the Fowler Museum at UCLA. For more than two millennia, ironworking has shaped African cultures in the most fundamental ways. 'Striking Iron' reveals the history of invention and technical sophistication that led African blacksmiths to transform one of Earth's most basic natural resources into objects of life-changing utility, empowerment, prestige, spiritual potency, and astonishing artistry. The contributions of diverse scholars examine how blacksmiths' virtuosic works can harness the powers of the natural and spiritual worlds, effect change and ensure protection, prestige, and status, assist with life's challenges and transitions, and enhance the efficacies of sacred acts such as ancestor veneration, healing, fertility, and prophecy. The publication features full-color photographic reproductions of over 225 artworks from across the African continent, focusing on the region south of the Sahara and covering a time period spanning early archaeological evidence to the present day. These works include blades, currencies, diverse musical instruments, body adornments, ritual accoutrements, tools, weapons, and other important iron objects. Following its presentation at the Fowler Museum in Los Angeles the exhibition 'Striking Iron' travels to the Smithsonian Institution's National Museum of African Art, Washington D.C., and the Musée du quai Branly-Jacques Chirac, Paris"--Provided by publisher.
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588394328
Category : Art
Languages : en
Pages : 314
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Book Description
Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.
Author: Museum of Modern Art (Oxford, England)
Publisher: Hyperion Books
ISBN:
Category : Art
Languages : en
Pages : 60
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Book Description
