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Author: Susan Lerer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 60
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Book Description
Sixty-six excellent color photos of remarkable Benin, Yoruba, Ibo... ceremonial objects and tools. 11x8.5". Published by Images of Culture, Box 9625, Newport Beach, CA 92658. Annotation copyright by Book News, Inc., Portland, OR
Author: Susan Lerer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 60
Get Book Here
Book Description
Sixty-six excellent color photos of remarkable Benin, Yoruba, Ibo... ceremonial objects and tools. 11x8.5". Published by Images of Culture, Box 9625, Newport Beach, CA 92658. Annotation copyright by Book News, Inc., Portland, OR
Author: Crafts Council (Great Britain)
Publisher:
ISBN:
Category : Art metal-work
Languages : en
Pages : 64
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Book Description
Author: Ana M. Lopez
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Art
Languages : en
Pages : 197
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Book Description
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
Author: Christopher Spring
Publisher: Harvard University Press
ISBN: 9780674036222
Category : Art
Languages : en
Pages : 152
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Book Description
This book opens with the question, What is African art? The answer is a brilliantly colorful and detailed look at the myriad materials and genres, forms and meanings, cultural contexts and expressions that comprise artistic traditions across this vast and varied continent. Viewing artworks in their contexts--ancient and modern, urban and rural, western and eastern, decorative and functional--the book is nothing less than a virtual tour of African culture. Masks, textiles, royal art, sculpture, ceramics, tools and weapons--in each instance, the book features examples that reveal the most significant aspects of workmanship, materials, and design in objects of wood, stone, ivory, clay, metalwork, featherwork, leather, basketwork, and cloth. Photographs of each piece alongside close-ups of fine details afford new views of these works and allow for intriguing comparisons between seemingly unrelated objects and media. The featured details evoke the hand and eye of the most accomplished craftspeople across Africa, past and present. In sum, these photographs, along with Chris Spring's enlightening commentary, offer an experience of African art that is at once broad and deep, richly informed and intimately felt. They are, at the same time, a kaleidoscopic view of art from prehistory to gestures prefiguring the future.
Author: F. Rolin & Co
Publisher:
ISBN:
Category : Art metal-work
Languages : en
Pages : 64
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Book Description
Author: Elizabeth Skidmore Sasser
Publisher: Texas Tech University Press
ISBN: 9780896723467
Category : Art
Languages : en
Pages : 222
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Book Description
The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa illustrates for the first time a collection of African Sculpture at the Museum of Texas Tech University in Lubbock, Texas. The masks and figurative carvings from the late nineteenth century to the mid-twentieth century are from two sources: Ambassador and Mrs. Julius Walker's gift to ICASALS (International Center for Arid and Semiarid Land Studies), now on permanent loan to the Museum, and the Elliot Howard Collection. Howard, an artist and authority on antiques, chose examples of sculpture for their "variety and aesthetic appeal". His hope was that the pieces he assembled would provide new discoveries for those unacquainted with the art of Africa and an art experience that would "enhance mutual respect among people". Fittingly, then, a context for understanding is the focus of Elizabeth Skidmore Sasser's book. As the title suggests, The World of Spirits and Ancestors introduces carefully chosen examples of masks and figures as social and spiritual communications imbued with the living history and culture of the various peoples of western sub-Saharan Africa. Sasser emphasizes that geography and climate - ranging from semiarid deserts to tropical rain forests - influence not only the art but also the habitations and ceremonial life of the region. More than 180 drawings and illustrations reflect the creative genius that continues to meet environmental challenges and to express the distinctive contributions of the cultures and the people of western sub-Saharan Africa.
Author: Philip M. Peek
Publisher: Taylor & Francis
ISBN: 1000096874
Category : Art
Languages : en
Pages : 251
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Book Description
This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek’s research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.
Author: Peter Mitchell
Publisher: Rowman Altamira
ISBN: 075911501X
Category : Social Science
Languages : en
Pages : 333
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Book Description
From the exodus of early modern humans to the growth of African diasporas, Africa has had a long and complex relationship with the outside world. More than a passive vessel manipulated by external empires, the African experience has been a complex mix of internal geographic, environmental, sociopolitical and economic factors, and regular interaction with outsiders. Peter Mitchell attempts to outline these factors over the long period of modern human history, to find their commonalities and development over time. He examines African interconnections through Egypt and Nubia with the Near East, through multiple Indian Ocean trading systems, through the trans-Saharan trade, and through more recent incursion of Europeans. The African diaspora is also explored for continuities and resistance to foreign domination. Commonalities abound in the African experience, as do complexities of each individual period and interrelationship. MitchellOs sweeping analysis of African connections place the continent in context of global prehistory and history. The book should be of interest not only to Africanists, but to many other archaeologists, historians, geographers, linguists, social scientists and their students.
Author: Eugenia W. Herbert
Publisher: Indiana University Press
ISBN: 9780253115966
Category : History
Languages : en
Pages : 302
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Book Description
"[Herbert] has constructed a model of power relationships structured upon gender and age, and derived from male transformative processes, and in so doing has written a notable, and most enjoyable, book." -- African History "Herbert examines with great care and thoroughness the relationships between gender and power and the rationales that give them social form.... [Her] analytical ability is outstanding." -- Patrick McNaughton "This book is a well-written and essential study of the place of belief in African material culture." -- International Journal of African Historical Studies Herbert relates the beliefs and practices associated with iron working in African cultures to other transformative activities -- chiefly investiture, hunting, and pottery making -- to propose a gender/age-based theory of power.
Author: M. S. Dimand
Publisher: Metropolitan Museum of Art
ISBN:
Category : Design
Languages : en
Pages : 330
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Book Description
The first history of Mohammedan decorative arts to appear in English, this publication from 1930 highlights The Metropolitan Museum of Art's strong Islamic art collection with over 170 works discussed. The diverse selection objects spans over twelve centuries and includes richly illuminated manuscripts, colorful glazed pottery, and intricate woven carpets, among others. Dimand contextualizes Mohammedan decorative arts within the history of Islam and its spread across the world, from the Middle East to Egypt and India.
