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Author: Barbara Martin Starke
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 240
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Book Description
Author: Barbara Martin Starke
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 240
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Book Description
Author: Diana DiPaolo Loren
Publisher:
ISBN: 9780813038032
Category : Health & Fitness
Languages : en
Pages : 121
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Book Description
"Highly readable but also innovative in its approach to a broad array of material from diverse colonial contexts."--Carolyn White, University of Nevada, Reno "Loren brings together a sampling of the extensive literature on the archaeology of clothing and adornment to argue that artifacts of the body acquire their meaning through cultural practice. She shows how dress serves as social discourse and a tool of identity negotiation."--Kathleen Deagan, Florida Museum of Natural History Dress has always been a social medium. Color, fabric, and fit of clothing, along with adornments, posture, and manners, convey information on personal status, occupation, religious beliefs, and even sexual preferences. Clothing and adornment are therefore important not only for their utility but also in their expressive properties and the ability of the wearer to manipulate those properties. Diana DiPaolo Loren investigates some ways in which colonial peoples chose to express their bodies and identities through clothing and adornment. She examines strategies of combining local-made and imported goods not simply to emulate European elites, but instead to create a language of new appearance by which to communicate in an often contentious colonial world. Through the lens of historical archaeology Loren highlights the active manipulation of the material culture of clothing and adornment by people in English, Dutch, French, and Spanish colonies, demonstrating that within Northern American dressing traditions, clothing and identity are inextricably linked.
Author: Tanisha C. Ford
Publisher: UNC Press Books
ISBN: 1469625164
Category : Social Science
Languages : en
Pages : 273
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Book Description
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion.
Author: Tanisha C. Ford
Publisher: St. Martin's Press
ISBN: 125017354X
Category : Design
Languages : en
Pages : 304
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Book Description
One of Essence's "10 Books We're Dying To Toss Into Our Summer Totes" From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.
Author: Shane White
Publisher: Cornell University Press
ISBN: 1501718088
Category : Social Science
Languages : en
Pages : 320
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Book Description
For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African origins to the 1940s reveals a culture that differed from that of the dominant racial group in ways that were often subtle and elusive. A wealth of black-and-white illustrations show the range of African American experience in America, emanating from all parts of the country, from cities and farms, from slave plantations, and Chicago beauty contests. White and White argue that the politics of black style is, in fact, the politics of metaphor, always ambiguous because it is always indirect. To tease out these ambiguities, they examine extensive sources, including advertisements for runaway slaves, interviews recorded with surviving ex-slaves in the 1930s, autobiographies, travelers' accounts, photographs, paintings, prints, newspapers, and images drawn from popular culture, such as the stereotypes of Jim Crow and Zip Coon.
Author: T. Brown
Publisher: Springer
ISBN: 1137071397
Category : History
Languages : en
Pages : 572
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Book Description
Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
Author: Justine M. Cordwell
Publisher: Walter de Gruyter
ISBN: 3111631524
Category : Psychology
Languages : en
Pages : 537
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Book Description
Author: Samuele Bacchiocchi
Publisher:
ISBN: 9781930987098
Category : Biblical costume
Languages : en
Pages : 206
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Book Description
Author: Helen Bradley Foster
Publisher: Berg Publishers
ISBN: 9781859731895
Category : Design
Languages : en
Pages : 0
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Book Description
This book examines the clothing worn by African Americans in the southern United States during the thirty years before the American Civil War. Drawing on a wide range of sources, most notably oral narratives recorded in the 1930s, this rich account shows that African Americans demonstrated a thorough knowledge of the role clothing played in demarcating age, sex, status, work, recreation, as well as special secular and sacred events. Testimonies offer proof of African Americans' vast technical skills in producing cloth and clothing, which served both as a fundamental reflection of the peoples' Afrocentric craftsmanship and aesthetic sensibilities, and as a reaction to their particular place in American society. Previous work on clothing in this period has tended to focus on white viewpoints, and as a consequence the dress worn by the enslaved has generally been seen as a static standard imposed by white overlords. This excellent study departs from conventional interpretations to show that the clothing of the enslaved changed over time, served multiple functions and represented customs and attitudes which evolved distinctly from within African American communities. In short, it represents a vital contribution to African American studies, as well as to dress and textile history, and cultural and folklore studies.
Author: Grey Gundaker
Publisher: Univ. of Tennessee Press
ISBN: 9781572333567
Category : Art
Languages : en
Pages : 280
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Book Description
"Focusing primarily, though not exclusively, on the southeastern United States, the book examines works ranging from James Hampton's well-known Throne of the Third Heaven of the Nations Millennium General Assembly (now part of the Smithsonian collection), to several elaborately decorated yards and gardens, to smaller-scale acts of commemoration, protection, and witness. The authors show how the artful arrangement and adornment of everyday objects and plants express both the makers' own experiences and concerns and a number of rich and sustaining cultural traditions. They identify a "lexicon" of material signs that are frequently and consistently used in African American culture and art and then show how such elements have been used in various individual works and what they mean to the practitioners themselves."--BOOK JACKET.
