African American Dance

African American Dance PDF Author: Barbara S. Glass
Publisher: McFarland
ISBN: 9780786471577
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Africans brought as slaves to North America arrived without possessions, but not without culture. The fascinating elements of African life manifested themselves richly in the New World, and among the most lasting and influential of these was the art of African dance. This generously illustrated history follows the dynamics of African dance forms throughout each generation. Early chapters discuss the African continent and the heritage of African American dance; the discrimination and marginalization of African Americans and the fortitude with which their dance forms survived; and black dance in the slavery era and later in the nineteenth century. Remaining chapters outline ten major characteristics that have consistently marked African American dance, and describe the various styles of black vernacular dance that became popular in America. The book concludes with a discussion of African dance at the end of the twentieth century and its important role in the flowering of African American arts. Instructors considering this book for use in a course may request an examination copy here.

African American Dance

African American Dance PDF Author: Barbara S. Glass
Publisher: McFarland
ISBN: 9780786471577
Category : Performing Arts
Languages : en
Pages : 0

Get Book Here

Book Description
Africans brought as slaves to North America arrived without possessions, but not without culture. The fascinating elements of African life manifested themselves richly in the New World, and among the most lasting and influential of these was the art of African dance. This generously illustrated history follows the dynamics of African dance forms throughout each generation. Early chapters discuss the African continent and the heritage of African American dance; the discrimination and marginalization of African Americans and the fortitude with which their dance forms survived; and black dance in the slavery era and later in the nineteenth century. Remaining chapters outline ten major characteristics that have consistently marked African American dance, and describe the various styles of black vernacular dance that became popular in America. The book concludes with a discussion of African dance at the end of the twentieth century and its important role in the flowering of African American arts. Instructors considering this book for use in a course may request an examination copy here.

Dancing Many Drums

Dancing Many Drums PDF Author: Thomas F. Defrantz
Publisher: Univ of Wisconsin Press
ISBN: 0299173135
Category : Performing Arts
Languages : en
Pages : 382

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Book Description
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.

Steppin' on the Blues

Steppin' on the Blues PDF Author: Jacqui Malone
Publisher: University of Illinois Press
ISBN: 9780252065088
Category : History
Languages : en
Pages : 316

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Book Description
Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.

African-American Concert Dance

African-American Concert Dance PDF Author: John O. Perpener
Publisher: University of Illinois Press
ISBN: 9780252026751
Category : Biography & Autobiography
Languages : en
Pages : 354

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Book Description
Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.

African Dance

African Dance PDF Author: Kariamu Welsh-Asante
Publisher: Infobase Publishing
ISBN: 1604134771
Category : Dance
Languages : en
Pages : 137

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Book Description
The ancient tradition of African dance has influenced dance styles all over the world. It is used to commemorate many annual ceremonies and activities, such as rites of passage and the harvest, and it is also an important form of recreation, religious expression, and storytelling. In African Dance, Second Edition, the varied cultures of Africa and their respective dances are explored, along with the effects that colonialism had on the art form.

Jookin'

Jookin' PDF Author: Katrina Hazzard-Gordon
Publisher: Temple University Press
ISBN: 143990622X
Category : Performing Arts
Languages : en
Pages : 241

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Book Description
The first analysis of the development of the jook and other dance arenas in African-American culture.

What Makes That Black?

What Makes That Black? PDF Author: Luana
Publisher: Lulu.com
ISBN: 1483454797
Category : Art
Languages : en
Pages : 120

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Book Description
We all can name some of the Africanist aesthetic-structures that fuel African American and American art ... Syncopation, Improvisation, Call and Response, Cool, Polyrhythm, or Innovation as an ambition- But there are many, many more. What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti.

Dancing Revelations

Dancing Revelations PDF Author: Thomas DeFrantz
Publisher: Oxford University Press, USA
ISBN: 9780195301717
Category : Biography & Autobiography
Languages : en
Pages : 324

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Book Description
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.

Survey of African American Dance

Survey of African American Dance PDF Author: Vikki Dale-Baltimore
Publisher:
ISBN: 9781524965327
Category : African American dance
Languages : en
Pages : 0

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Book Description


Black Dance in London, 1730-1850

Black Dance in London, 1730-1850 PDF Author: Rodreguez King-Dorset
Publisher: McFarland
ISBN: 078649204X
Category : Performing Arts
Languages : en
Pages : 205

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Book Description
The survival of African cultural traditions in the New World has long been a subject of academic study and controversy, particularly traditions of dance, music, and song. Yet the dance culture of blacks in London, where a growing black community carried on the newly creolized dance traditions of their Caribbean ancestors, has been largely neglected. This study begins by examining the importance of dance in African culture and analyzing how African dance took root in the Caribbean, even as slaves learned and adapted European dance forms. It then looks at how these dance traditions were transplanted and transformed once again, this time in mid-eighteenth century London. Finally it analyzes how the London black community used the quadrille and other dances to establish a unified self-identity, to reinforce their group dynamic, and to critique the oppressive white society in which they found themselves.