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Author: Melissa Thackway
Publisher: James Currey Publishers
ISBN: 0852555768
Category : Literary Collections
Languages : en
Pages : 2
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Book Description
Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influenced film agendas and styles have produced a range of alternative, challenging representations. This well illustrated book focuses on the ways in which memory and history have become central themes and how local cultural forms have been integrated into the film medium to depict African identities, realities and concerns. By highlighting the importance of the representation and cultural identity questions, filmmakers are seen to have forged new cinematic codes and given voice to hitherto silenced groups such as women or African immigrant populations in Europe. North America: Indiana U Press
Author: Melissa Thackway
Publisher: James Currey Publishers
ISBN: 0852555768
Category : Literary Collections
Languages : en
Pages : 2
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Book Description
Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influenced film agendas and styles have produced a range of alternative, challenging representations. This well illustrated book focuses on the ways in which memory and history have become central themes and how local cultural forms have been integrated into the film medium to depict African identities, realities and concerns. By highlighting the importance of the representation and cultural identity questions, filmmakers are seen to have forged new cinematic codes and given voice to hitherto silenced groups such as women or African immigrant populations in Europe. North America: Indiana U Press
Author: Melissa Thackway
Publisher: Indiana University Press
ISBN: 9780253216427
Category : History
Languages : en
Pages : 244
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Book Description
"Filmmakers in sub-Saharan Francophone Africa have been using cinema since independence in the Sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influence film agendas and styles have produced a range of alternative, challenging representations"--Page 4 of cover.
Author: Kevin Robertson
Publisher: Quiller
ISBN: 9781571573193
Category : Big game hunting
Languages : en
Pages : 0
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Book Description
An invaluable reference guide to the sport hunter of African game animals. It includes information from the natural history and sex determination of the game trophy through to the rifle, calibre, bullet selection and shot placement. An excellent mini edition to take with you.
Author: James E. Genova
Publisher: Indiana University Press
ISBN: 025301011X
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
“Illuminates the enduring importance of political and economic dynamics not yet fully explored in the study of African cinema.” —Africa Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African identities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states.
Author: Dominic Thomas
Publisher: Indiana University Press
ISBN: 0253007038
Category : Political Science
Languages : en
Pages : 445
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Book Description
An “excellent [and] incisive” look at identity, immigration, and culture in postcolonial France (Journal of West African History). This stimulating and insightful book reveals how increased control over immigration has changed cultural and social production in theater, literature, and even museum construction. Dominic Thomas’s analysis unravels the complex cultural and political realities of long-standing mobility between Africa and Europe. Thomas questions the attempt to place strict limits on what it means to be French or European and offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness. “Essential reading for anyone investigating the debates surrounding contemporary French identity and the ever-changing relationship between France and her former colonial possessions.” —African Studies Bulletin
Author: Suzanne Crosta
Publisher: Indiana University Press
ISBN: 0253066549
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote.
Author: Michael T. Martin
Publisher: Indiana University Press
ISBN: 0253066220
Category : Art
Languages : en
Pages : 637
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Book Description
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.
Author: Anjali Prabhu
Publisher: John Wiley & Sons
ISBN: 1405193034
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives. Focuses on art house cinema and discusses commercial African cinema Enlarges our understanding of African film to include thematic and aesthetic influence Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora Heavily illustrated with over 90 film stills Features selected stills integral to the filmic analysis in full color Moves beyond Western-oriented analytical paradigms
Author: William V. Costanzo
Publisher: Oxford University Press
ISBN: 0190925027
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
When the World Laughs is a book about the intersection of humor, history, and culture. It explores how film comedy, one of the world's most popular movie genres, reflects the values and beliefs of those who enjoy its many forms, its most enduring characters and stories, its most entertaining routines and funniest jokes. What people laugh at in Europe, Africa, or the Far East reveals important truths about their differences and common bonds. By investigating their traditions of humor, by paying close attention to what kinds of comedy cross national boundaries or what gets lost in translation, this study leads us to a deeper understanding of each other and ourselves. Section One begins with a survey of the theories and research that best explain how humor works. It clarifies the varieties of comic forms and styles, identifies the world's most archetypal figures of fun, and traces the history of the world's traditions of humor from earliest times to today. It also examines the techniques and aesthetics of film comedy: how movies use the world's rich repertoire of amusing stories, gags, and wit to make us laugh and think. Section Two offers a close look at national and regional trends. It applies the concepts set forth earlier to specific films-across a broad spectrum of sub-genres, historical eras, and cultural contexts-providing an insightful comparative study of the world's great traditions of film comedy.
Author: Kenneth C. Barnes
Publisher: Univ of North Carolina Press
ISBN: 0807876224
Category : Social Science
Languages : en
Pages : 285
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Book Description
Liberia was founded by the American Colonization Society (ACS) in the 1820s as an African refuge for free blacks and liberated American slaves. While interest in African migration waned after the Civil War, it roared back in the late nineteenth century with the rise of Jim Crow segregation and disfranchisement throughout the South. The back-to-Africa movement held great new appeal to the South's most marginalized citizens, rural African Americans. Nowhere was this interest in Liberia emigration greater than in Arkansas. More emigrants to Liberia left from Arkansas than any other state in the 1880s and 1890s. In Journey of Hope, Kenneth C. Barnes explains why so many black Arkansas sharecroppers dreamed of Africa and how their dreams of Liberia differed from the reality. This rich narrative also examines the role of poor black farmers in the creation of a black nationalist identity and the importance of the symbolism of an ancestral continent. Based on letters to the ACS and interviews of descendants of the emigrants in war-torn Liberia, this study captures the life of black sharecroppers in the late 1800s and their dreams of escaping to Africa.
