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Author: Melissa Thackway
Publisher: James Currey Publishers
ISBN: 0852555768
Category : Literary Collections
Languages : en
Pages : 2
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Book Description
Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influenced film agendas and styles have produced a range of alternative, challenging representations. This well illustrated book focuses on the ways in which memory and history have become central themes and how local cultural forms have been integrated into the film medium to depict African identities, realities and concerns. By highlighting the importance of the representation and cultural identity questions, filmmakers are seen to have forged new cinematic codes and given voice to hitherto silenced groups such as women or African immigrant populations in Europe. North America: Indiana U Press
Author: Melissa Thackway
Publisher: James Currey Publishers
ISBN: 0852555768
Category : Literary Collections
Languages : en
Pages : 2
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Book Description
Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influenced film agendas and styles have produced a range of alternative, challenging representations. This well illustrated book focuses on the ways in which memory and history have become central themes and how local cultural forms have been integrated into the film medium to depict African identities, realities and concerns. By highlighting the importance of the representation and cultural identity questions, filmmakers are seen to have forged new cinematic codes and given voice to hitherto silenced groups such as women or African immigrant populations in Europe. North America: Indiana U Press
Author: Melissa Thackway
Publisher: Indiana University Press
ISBN: 9780253343499
Category : History
Languages : en
Pages : 248
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Book Description
Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the 1960s to challenge Western stereotypes. This text shows how directors have produced alternatives, focusing on issues of memory and history.
Author: Kevin Robertson
Publisher: Quiller
ISBN: 9781571573193
Category : Big game hunting
Languages : en
Pages : 0
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Book Description
An invaluable reference guide to the sport hunter of African game animals. It includes information from the natural history and sex determination of the game trophy through to the rifle, calibre, bullet selection and shot placement. An excellent mini edition to take with you.
Author: Kenneth C. Barnes
Publisher: Univ of North Carolina Press
ISBN: 0807876224
Category : Social Science
Languages : en
Pages : 285
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Book Description
Liberia was founded by the American Colonization Society (ACS) in the 1820s as an African refuge for free blacks and liberated American slaves. While interest in African migration waned after the Civil War, it roared back in the late nineteenth century with the rise of Jim Crow segregation and disfranchisement throughout the South. The back-to-Africa movement held great new appeal to the South's most marginalized citizens, rural African Americans. Nowhere was this interest in Liberia emigration greater than in Arkansas. More emigrants to Liberia left from Arkansas than any other state in the 1880s and 1890s. In Journey of Hope, Kenneth C. Barnes explains why so many black Arkansas sharecroppers dreamed of Africa and how their dreams of Liberia differed from the reality. This rich narrative also examines the role of poor black farmers in the creation of a black nationalist identity and the importance of the symbolism of an ancestral continent. Based on letters to the ACS and interviews of descendants of the emigrants in war-torn Liberia, this study captures the life of black sharecroppers in the late 1800s and their dreams of escaping to Africa.
Author: Roy Armes
Publisher: Indiana University Press
ISBN: 9780253218988
Category : Business & Economics
Languages : en
Pages : 244
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Book Description
Armes offers a wealth of information and a unique perspective on the history and future of African filmmaking.
Author: Kuki Gallmann
Publisher: Penguin UK
ISBN: 0141966408
Category : Biography & Autobiography
Languages : en
Pages : 391
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Book Description
‘Often, at the hour of day when the savannah grass is streaked with silver, and pale gold rims the silhouettes of the hills, I drive with my dogs up to the Mukutan, to watch the sun setting behind the lake, and the evening shadows settle over the valleys and plains of the Laikipia plateau.’ Kuki Gallmann’s haunting memoir of bringing up a family in Kenya in the 1970s first with her husband Paulo, and then alone, is part elegaic celebration, part tragedy, and part love letter to the magical spirit of Africa.
Author: Daniela Ricci
Publisher: MSU Press
ISBN: 1628954019
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
African Diasporic Cinema: Aesthetics of Reconstruction analyzes the aesthetic strategies adopted by contemporary African diasporic filmmakers to express the reconstruction of identity. Having left the continent, these filmmakers see Africa as a site of representation and cultural circulation. The diasporic experience displaces the center and forges new syncretic identities. Through migratory movement, people become foreigners, Others—and in this instance, black. The African diasporic condition in the Western world is characterized by the intersection of various factors: being African and bearing the historical memory of the continent; belonging to a black minority in majority-white societies; and finally, having historically been the object of negative, stereotyped representation. As a result, quests for the self and self-reconstruction are frequent themes in the films of the African diaspora, and yet the filmmakers refuse to remain trapped in the confines of an assigned, rigid identity. Reflecting these complex circumstances, this book analyzes the contemporary diaspora through the prism of cultural hybridization and the processes of recomposing fragmented identities, out of which new identities emerge.
Author: Robin Steedman
Publisher: MIT Press
ISBN: 0262372673
Category : Social Science
Languages : en
Pages : 219
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Book Description
The first book-length study of Nairobi-based female filmmakers—and how their dogged pursuit of opportunities, innovation, and cultural support is defining an industry. Nairobi, the capital of Kenya, is home to something extraordinary and unlikely: in this city, the most critically acclaimed filmmakers—both directors and producers—are women. Yet, across the globe, women make up less than 10 percent of film directors. In Creative Hustling, Robin Steedman takes a closer look at these remarkable women filmmakers, viewing them not only as auteurs, but also as entrepreneurs, who are taking the lead in creating a vibrant, and atypical, screen media industry. To understand their achievement, Steedman theorizes hustling as not only a practice born out of necessity but also an inventive labor in its own right—one that can create new spaces of community by carving new entrepreneurial pathways. Through original empirical field research gathered over eight months in Nairobi, Steedman describes how female filmmakers go about trying to create their films, as well as the challenges they face in distributing those films in their local market. Along the way, she traces the history of the industry over the last fifteen years, the lack of state support for these filmmakers’ undertakings, the low social standing of the profession, and the transnational conflicts that arise when Euro-American funding is at the heart of Kenyan cinema. Creative Hustling is a major contribution to the task of de-Westernizing media industry studies, imparting important lessons about what it takes to create and distribute creative work in a global age increasingly marked by uncertain work.
Author: Mahriana Rofheart
Publisher: Lexington Books
ISBN: 0739175130
Category : Social Science
Languages : en
Pages : 172
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Book Description
In Shifting Perceptions of Migration in Senegalese Literature, Film, and Social Media, MahrianaRofheart proposes a revised understanding of Senegalese migration narratives by asserting the importance of both local and global connections in recent novels, hip-hop songs, and documentary videos. Much previous research on migration narratives in French from Africa has suggested that contemporary authors often do not consider their countries of origin upon departure and instead focus on life abroad or favor a global perspective. Rofheart instead demonstrates that today’s Senegalese novelists and hip-hop artists, whether living in France or Senegal, express connections to communities both in Senegal and abroad to cope with the traumatic experience of emigration and return. Ultimately, Rofheart asserts that Senegalese national identity remains significant to the way these authors and artists respond to migration. In her examination of novels in French, hip-hop songs in French and Wolof, and online documentaries, as well as the social and economic currents that influence the texts’ production and circulation, Rofheart engages with scholarship on transnationalism, postcolonialism, popular culture, and new media studies. The study’s initial chapters address well-known works from the mid-twentieth century, including Cheikh Hamidou Kane’s Ambiguous Adventure, as well as the films of Ousmane Sembène, and Djibril Diop Mambéty. This bookthen demonstrates how novelists such as Aminata Sow Fall and Fatou Diome, as well as hip-hop artists including Simon and Awadi, break with previous tragic depictions of migration in novels and films to present successful responses to the contemporary context of frequent emigration from Senegal.
Author: Kenneth W. Harrow
Publisher: John Wiley & Sons
ISBN: 1119099854
Category : Performing Arts
Languages : en
Pages : 525
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Book Description
An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.
