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Author: Sergei Mariev
Publisher: Walter de Gruyter
ISBN: 1614512612
Category : Philosophy
Languages : en
Pages : 248
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Book Description
The general scope of the present volume is to present a variety of approaches and topics within the growing field of research on Byzantine aesthetics. Theurgy in Neoplatonic and Christian contexts is represented by the contributions of W.-M. Stock and L. Bergemann; theories of beauty are at the centre of interest of the papers by S. Mariev and M. Marchetto. A. Pizzone approaches Byzantine aesthetics by looking for aesthetic experience in the literary texts, while the remaining contributions explore issues related to the iconoclast controversy: An important moment in the development of Byzantine philosophy on the eve of iconoclasm is the primary interest of A. del Campo Echevarría, who looks at the question of universals in John of Damaskos. The relationship between image and text in Byzantine illustrated manuscripts occupies the attention of B. Crostini. D. Afinogenov explores from a philological perspective the fate of important iconophile terminology in Old Bulgarian, while L. Lukhovitskij reconstructs from historical and philological perspectives the historical memory of the iconoclast controversy during the Late Byzantine Period.
Author: Sergei Mariev
Publisher: Walter de Gruyter
ISBN: 1614512612
Category : Philosophy
Languages : en
Pages : 248
Get Book Here
Book Description
The general scope of the present volume is to present a variety of approaches and topics within the growing field of research on Byzantine aesthetics. Theurgy in Neoplatonic and Christian contexts is represented by the contributions of W.-M. Stock and L. Bergemann; theories of beauty are at the centre of interest of the papers by S. Mariev and M. Marchetto. A. Pizzone approaches Byzantine aesthetics by looking for aesthetic experience in the literary texts, while the remaining contributions explore issues related to the iconoclast controversy: An important moment in the development of Byzantine philosophy on the eve of iconoclasm is the primary interest of A. del Campo Echevarría, who looks at the question of universals in John of Damaskos. The relationship between image and text in Byzantine illustrated manuscripts occupies the attention of B. Crostini. D. Afinogenov explores from a philological perspective the fate of important iconophile terminology in Old Bulgarian, while L. Lukhovitskij reconstructs from historical and philological perspectives the historical memory of the iconoclast controversy during the Late Byzantine Period.
Author: Anthony Kaldellis
Publisher: Cambridge University Press
ISBN: 110821021X
Category : History
Languages : en
Pages : 1438
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Book Description
This volume brings into being the field of Byzantine intellectual history. Shifting focus from the cultural, social, and economic study of Byzantium to the life and evolution of ideas in their context, it provides an authoritative history of intellectual endeavors from Late Antiquity to the fifteenth century. At its heart lie the transmission, transformation, and shifts of Hellenic, Christian, and Byzantine ideas and concepts as exemplified in diverse aspects of intellectual life, from philosophy, theology, and rhetoric to astrology, astronomy, and politics. Case studies introduce the major players in Byzantine intellectual life, and particular emphasis is placed on the reception of ancient thought and its significance for secular as well as religious modes of thinking and acting. New insights are offered regarding controversial, understudied, or promising topics of research, such as philosophy and medical thought in Byzantium, and intellectual exchanges with the Arab world.
Author: Roland Betancourt
Publisher: Cambridge University Press
ISBN: 1108667708
Category : History
Languages : en
Pages : 420
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Book Description
Considering the interrelations between sight, touch, and imagination, this book surveys classical, late antique, and medieval theories of vision to elaborate on how various spheres of the Byzantine world categorized and comprehended sensation and perception. Revisiting scholarly assumptions about the tactility of sight in the Byzantine world, it demonstrates how the haptic language associated with vision referred to the cognitive actions of the viewer as they grasped sensory data in the mind in order to comprehend and produce working imaginations of objects for thought and memory. At stake is how the affordances and limitations of the senses came to delineate and cultivate the manner in which art and rhetoric was understood as mediating the realities they wished to convey. This would similarly come to contour how Byzantine religious culture could also go about accessing the sacred, the image serving as a site of desire for the mediated representation of the Divine.
Author: Ahmet Arı
Publisher: Taylor & Francis
ISBN: 1003856969
Category : History
Languages : en
Pages : 213
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Book Description
In 1963 a collection of fifty-seven silver vessels was discovered during illegal excavations by villagers in Antalya Province, Turkey. The Sion Treasure, named after the inscription ‘Holy Sion’ on several vessels in the hoard, is now divided between five collections: Antalya Museum (Turkey), Dumbarton Oaks (United States), a private collection in Geneva, the Digby-Jones collection and Hewett collection (United Kingdom). This book builds on the studies of the Sion Treasure and examines questions regarding silver mining, manufacture, and the economic and cultural role of the silver vessels. It considers the treasure using the concept of the cultural biography of objects. The vessels from the Sion Treasure have not previously been considered in this context and the book highlights the fact that the value and significance of the objects at the time they were created does not lie exclusively in their visual characteristics and aesthetics since their relationship to, and with, people is also significant. While their functionality lends them one life story, another biography is gained through their users: the producers, patrons, and individuals within the church, not only the clergy, who engaged with the objects. The Sion Treasure Reconsidered will appeal to students and scholars alike interested in Byzantine cultural and material history and medieval material history in general.
Author: Marc D. Lauxtermann
Publisher: Routledge
ISBN: 1351803964
Category : History
Languages : en
Pages : 252
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Book Description
The eleventh century in Byzantium is all about being in between, whether this is between Basil II and Alexios Komnenos, between the forces of the Normans, the Pechenegs and the Turks, or between different social groupings, cultural identities and religious persuasions. It is a period of fundamental changes and transformations, both internal and external, but also a period rife with clichés and dominated by the towering presence of Michael Psellos whose usually self-contradictory accounts continue to loom large in the field of Byzantine studies. The essays collected here, which were delivered at the 45th Spring Symposium of Byzantine Studies, explore new avenues of research and offer new perspectives on this transitional period. The book is divided into four thematic clusters: 'The age of Psellos' studies this crucial figure and seeks to situate him in his time; 'Social structures' is concerned with the ways in which the deep structures of Byzantine society and economy responded to change; 'State and Church' offers a set of studies of various political developments in eleventh-century Byzantium; and 'The age of spirituality' offers the voices of those for whom Psellos had little time and little use: monks, religious thinkers and pious laymen.
Author: Ivan Drpić
Publisher: Cambridge University Press
ISBN: 1316654346
Category : History
Languages : en
Pages : 515
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Book Description
This book explores the nexus of art, personal piety, and self-representation in the last centuries of Byzantium. Spanning the period from around 1100 to around 1450, it focuses upon the evidence of verse inscriptions, or epigrams, on works of art. Epigrammatic poetry, Professor Drpić argues, constitutes a critical - if largely neglected - source for reconstructing aesthetic and socio-cultural discourses that informed the making, use, and perception of art in the Byzantine world. Bringing together art-historical and literary modes of analysis, the book examines epigrams and other related texts alongside an array of objects, including icons, reliquaries, ecclesiastical textiles, mosaics, and entire church buildings. By attending to such diverse topics as devotional self-fashioning, the aesthetics of adornment, sacred giving, and the erotics of the icon, this study offers a penetrating and highly original account of Byzantine art and its place in Byzantine society and religious life.
Author: Karin Krause
Publisher: Cambridge University Press
ISBN: 1108918085
Category : Art
Languages : en
Pages : 673
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Book Description
In this volume, Karin Krause examines conceptions of divine inspiration and authenticity in the religious literature and visual arts of Byzantium. During antiquity and the medieval era, “inspiration” encompassed a range of ideas regarding the divine contribution to the creation of holy texts, icons, and other material objects by human beings. Krause traces the origins of the notion of divine inspiration in the Jewish and polytheistic cultures of the ancient Mediterranean and Near Eastern worlds and their reception in Byzantine religious culture. Exploring how conceptions of authenticity are employed in Eastern Orthodox Christianity to claim religious authority, she analyzes texts in a range of genres, as well as images in different media, including manuscript illumination, icons, and mosaics. Her interdisciplinary study demonstrates the pivotal role that claims to the divine inspiration of religious literature and art played in the construction of Byzantine cultural identity.
Author: Robin M. Jensen
Publisher: Univ of California Press
ISBN: 0520345428
Category : Art
Languages : en
Pages : 269
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Book Description
"From Idols to Icons tells the fascinating history of the dramatic shift in Christian attitudes toward sacred images from the third through the early seventh century. From attacks on the cult images of polytheism to the emergence of Christian narrative iconography to the appearance of portrait type representations of holy figures, this book examines the primary theological critiques as well as defenses of holy images in light of the surviving material evidence for early Christian visual art. Against the assumption that fourth- and fifth-century Christians simply forgot or ignored their predecessors' censure and reverted to more alluring pagan practices, Robin M. Jensen contends that each stage of this profound change was uniquely Christian. Through a careful consideration of the cult of saints' remains, devotional portraits, and pilgrimage to sacred sites, Jensen shows how the Christian devotion to holy images came to be rooted in their evolving conviction that the divinity was accessible in and through visible objects. Even the briefest glance at a museum's holdings or an introductory textbook demonstrates how profoundly influential this belief would be on the course of Western art for the next fifteen hundred years"--
Author: Nikola Pantić
Publisher: Taylor & Francis
ISBN: 100096261X
Category : Religion
Languages : en
Pages : 274
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Book Description
Sufism in Ottoman Damascus analyzes thaumaturgical beliefs and practices prevalent among Muslims in eighteenth-century Ottoman Syria. The study focuses on historical beliefs in baraka, which religious authorities often interpreted as Allah's grace, and the alleged Sufi-ulamaic role in distributing it to Ottoman subjects. This book highlights considerable overlaps between Sufis and ʿulamāʾ with state appointments in early modern Province of Damascus, arguing for the possibility of sociologically defining a Muslim priestly sodality, a group of religious authorities and wonder-workers responsible for Sunni orthodoxy in the Ottoman Empire. The Sufi-ʿulamāʾ were integral to Ottoman networks of the holy, networks of grace that comprised of hallowed individuals, places, and natural objects. Sufism in Ottoman Damascus sheds new light on the appropriate scholarly approach to historical studies of Sufism in the Ottoman Empire, revising its position in official early modern versions of Ottoman Sunnism. This book further re-approaches early modern Sunni beliefs in wonders and wonder-working, as well as the relationship between religion, thaumaturgy, and magic in Ottoman Sunni Islam, historical themes comparable to other religions and other parts of the world.
Author: Nicola Spanu
Publisher: Routledge
ISBN: 1000166376
Category : History
Languages : en
Pages : 223
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Book Description
This volume examines the discussion of the Chaldean Oracles in the work of Proclus, as well as offering a translation and commentary of Proclus’ Treatise On Chaldean Philosophy. Spanu assesses whether Proclus’ exegesis of the Chaldean Oracles can be used by modern research to better clarify the content of Chaldean doctrine or must instead be abandoned because it represents a substantial misinterpretation of originary Chaldean teachings. The volume is augmented by Proclus’ Greek text, with English translation and commentary. Proclus and the Chaldean Oracles will be of interest to researchers working on Neoplatonism, Proclus and theurgy in the ancient world.
