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Author: Richard Shusterman
Publisher: Taylor & Francis
ISBN: 041537832X
Category : Art
Languages : en
Pages : 207
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Book Description
Examines the notion of aesthetic experience as well as its value. This title brings together major voices that have directly theorised the concept of aesthetic experience or indirectly worked on topics connected to it.
Author: Richard Shusterman
Publisher: Taylor & Francis
ISBN: 041537832X
Category : Art
Languages : en
Pages : 207
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Book Description
Examines the notion of aesthetic experience as well as its value. This title brings together major voices that have directly theorised the concept of aesthetic experience or indirectly worked on topics connected to it.
Author: William Davis Furry
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 188
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Book Description
Author: Thomas Hilgers
Publisher: Routledge
ISBN: 1317444884
Category : Philosophy
Languages : en
Pages : 303
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Book Description
The notion of disinterestedness is often conceived of as antiquated or ideological. In spite of this, Hilgers argues that one cannot reject it if one wishes to understand the nature of art. He claims that an artwork typically asks a person to adopt a disinterested attitude towards what it shows, and that the effect of such an adoption is that it makes the person temporarily lose the sense of herself, while enabling her to gain a sense of the other. Due to an artwork’s particular wealth, multiperspectivity, and dialecticity, the engagement with it cannot culminate in the construction of world-views, but must initiate a process of self-critical thinking, which is a precondition of real self-determination. Ultimately, then, the aesthetic experience of art consists of a dynamic process of losing the sense of oneself, while gaining a sense of the other, and of achieving selfhood. In his book, Hilgers spells out the nature of this process by means of rethinking Kant’s and Schopenhauer’s aesthetic theories in light of more recent developments in philosophy–specifically in hermeneutics, critical theory, and analytic philosophy–and within the arts themselves–specifically within film and performance art.
Author: Richard Shusterman
Publisher: Routledge
ISBN: 1134182880
Category : Art
Languages : en
Pages : 207
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Book Description
This book re-examines the notion of aesthetic experience as well as its value. A team of internationally respected contributors bring together major voices that have directly theorised the concept of aesthetic experience or indirectly worked on topics connected to it.
Author: Ranjan K. Ghosh
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 170
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Book Description
Author: J. Colin McQuillan
Publisher: Rowman & Littlefield
ISBN: 1783482133
Category : Philosophy
Languages : en
Pages : 204
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Book Description
Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.
Author: Janet Wolff
Publisher: Columbia University Press
ISBN: 0231140967
Category : Art
Languages : en
Pages : 198
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Book Description
Abstract:
Author:
Publisher: BRILL
ISBN: 9004455612
Category : Philosophy
Languages : en
Pages : 192
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Book Description
Author: Monroe C. Beardsley
Publisher: Hackett Publishing
ISBN: 9780915145089
Category : Philosophy
Languages : en
Pages : 694
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Book Description
This second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work.
Author: Qazi Nasir Uddin, Ph.D.
Publisher: AuthorHouse
ISBN: 1452070660
Category : Literary Collections
Languages : en
Pages : 262
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Book Description
This book was originally written as a dissertation in partial fulfillment of the requirement for the degree of Doctor of Philosophy in Comparative Literature in the Graduate School of the State University of New York at Binghamton in 1985.
