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Author: Vance Dickason
Publisher: Audio Amateur Incorporated
ISBN: 9781882580101
Category : High-fidelity sound systems
Languages : en
Pages : 165
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Book Description
Author: Vance Dickason
Publisher: Audio Amateur Incorporated
ISBN: 9781882580101
Category : High-fidelity sound systems
Languages : en
Pages : 165
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Book Description
Author: Allan Kaprow
Publisher: Univ of California Press
ISBN: 0520930843
Category : Art
Languages : en
Pages : 300
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Book Description
Allan Kaprow's "happenings" and "environments" were the precursors to contemporary performance art, and his essays are some of the most thoughtful, provocative, and influential of his generation. His sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings. A new preface and two new additional essays published in the 1990s bring this valuable collection up to date.
Author: Allan Kaprow
Publisher:
ISBN: 9788886072007
Category :
Languages : en
Pages : 212
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Book Description
Author: Martha Buskirk
Publisher: MIT Press
ISBN: 9780262522175
Category : Art
Languages : en
Pages : 246
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Book Description
This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and Fred Wilson) and a round-table discussion of the Duchamp effect on conceptual art. Contents Introduction, Benjamin H. D. Buchloh • What's Neo about the Neo-Avant-Garde?, Hal Foster • Typotranslating the Green Box, Sarat Maharaj • Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris, Benjamin H. D. Buchloh • Interviews with Ed Ruscha and Bruce Conner, Elizabeth Armstrong • Echoes of the Readymade: Critique of Pure Modernism, Thierryde Duve • Concept of Nothing: New Notes by Marcel Duchamp and Walter Arensberg, Molly Nesbit and Naomi Sawelson-Gorse • Interviews with Sherrie Levine, Louis Lawler, and Fred Wilson, Martha Buskirk • Thoroughly Modern Marcel, Martha Buskirk • Conceptual Art and the Reception of Duchamp, October Round Table • All the Things I Said about Duchamp: A Response to Benjamin Buchloh, T. J. Clark • Response to T. J. Clark, Benjamin Buchloh
Author: Allan Kaprow
Publisher:
ISBN: 9780810900226
Category : Happening (Art)
Languages : en
Pages : 341
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Book Description
Author: Paul Schimmel
Publisher:
ISBN: 9780500280508
Category : Action in art
Languages : en
Pages : 0
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Book Description
Author: Nikolaĭ Nikolaevich Evreinov
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 320
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Book Description
Author: Peter Plagens
Publisher: Praeger Publishers
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Author: Robert Craft
Publisher: Faber & Faber
ISBN: 0571308791
Category : Music
Languages : en
Pages : 163
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Book Description
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times
Author: John Gruen
Publisher: Viking
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
"[S]uch painters as Larry Rivers, Elaine de Kooning, Helen Frankenthaler, and Marisol, critics Clement Greenberg and Harold Rosenberg, composers Virgil Thomson and Ned Rorem, writers such as Jack Gelber and John Ashbery, and art dealers Sidney Janis and Betty Parsons all describe in ... interviews how they 'made the scene, ' with whom, and why. Poet Bill Berkson talks about his close friend Frank O'Hara, Lee Krasner recalls her life with Jackson Pollock, and the late William Flanagan, composer and music critic, describes the early days of Edward Albee."--Page 2 of cover.
