Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The goal of this project is to create a new instrument: the E-Drumset. This new interface addresses the lack of expressivity in current electronic percussion devices. The project combines Electrical Engineering for implementing hardware and digital signal processing, Computer Science for implementing musical and mapping software, and Music to devise new playing techniques and ways to combine them into a pedagogy and language of transmission. Like an acoustic drumset, the E-Drumset consists of different components that can be arranged together as a whole. An acoustic drumset can be thought of as a collection of pedals, drums and cymbals. The E-Drumset consists of the E-Pedal, E-Drum and E-Cymbal. The technology utilized in the E-Drumset includes sensor technologies with newly developed technologies such as acoustically excited physical models and timbre-recognition based instruments. These new technologies are discussed and applied to situations beyond the E-Drumset. Just building a new controller is not enough. It needs to be thoroughly tested in musical situations and to take into account feedback from musicians (both the player and other members of the ensemble) during the evaluation of the instrument. Clear and attainable technical guidelines have not been devised for the E-Drumset. In the case of the radiodrum, a spatial controller, improvements can be summarized to be better resolution in space and time. In the case of the E-Drumset the goal is to offer a flexible interface to percussionists where electronic drums are often the bottleneck in bandwidth. There is no clear answer to questions such as how low the latency needs to be to satisfy a drummer; an issue that will be explored through the project. The goals of the project are to provide the percussionist with an interface that they may sit down and use existing skills. Utilizing the great variety of gesture available to the expert, the E-Drumset allows the percussionist to explore all manners of controllers.
Advancing the Art of Electronic Percussion
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The goal of this project is to create a new instrument: the E-Drumset. This new interface addresses the lack of expressivity in current electronic percussion devices. The project combines Electrical Engineering for implementing hardware and digital signal processing, Computer Science for implementing musical and mapping software, and Music to devise new playing techniques and ways to combine them into a pedagogy and language of transmission. Like an acoustic drumset, the E-Drumset consists of different components that can be arranged together as a whole. An acoustic drumset can be thought of as a collection of pedals, drums and cymbals. The E-Drumset consists of the E-Pedal, E-Drum and E-Cymbal. The technology utilized in the E-Drumset includes sensor technologies with newly developed technologies such as acoustically excited physical models and timbre-recognition based instruments. These new technologies are discussed and applied to situations beyond the E-Drumset. Just building a new controller is not enough. It needs to be thoroughly tested in musical situations and to take into account feedback from musicians (both the player and other members of the ensemble) during the evaluation of the instrument. Clear and attainable technical guidelines have not been devised for the E-Drumset. In the case of the radiodrum, a spatial controller, improvements can be summarized to be better resolution in space and time. In the case of the E-Drumset the goal is to offer a flexible interface to percussionists where electronic drums are often the bottleneck in bandwidth. There is no clear answer to questions such as how low the latency needs to be to satisfy a drummer; an issue that will be explored through the project. The goals of the project are to provide the percussionist with an interface that they may sit down and use existing skills. Utilizing the great variety of gesture available to the expert, the E-Drumset allows the percussionist to explore all manners of controllers.
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The goal of this project is to create a new instrument: the E-Drumset. This new interface addresses the lack of expressivity in current electronic percussion devices. The project combines Electrical Engineering for implementing hardware and digital signal processing, Computer Science for implementing musical and mapping software, and Music to devise new playing techniques and ways to combine them into a pedagogy and language of transmission. Like an acoustic drumset, the E-Drumset consists of different components that can be arranged together as a whole. An acoustic drumset can be thought of as a collection of pedals, drums and cymbals. The E-Drumset consists of the E-Pedal, E-Drum and E-Cymbal. The technology utilized in the E-Drumset includes sensor technologies with newly developed technologies such as acoustically excited physical models and timbre-recognition based instruments. These new technologies are discussed and applied to situations beyond the E-Drumset. Just building a new controller is not enough. It needs to be thoroughly tested in musical situations and to take into account feedback from musicians (both the player and other members of the ensemble) during the evaluation of the instrument. Clear and attainable technical guidelines have not been devised for the E-Drumset. In the case of the radiodrum, a spatial controller, improvements can be summarized to be better resolution in space and time. In the case of the E-Drumset the goal is to offer a flexible interface to percussionists where electronic drums are often the bottleneck in bandwidth. There is no clear answer to questions such as how low the latency needs to be to satisfy a drummer; an issue that will be explored through the project. The goals of the project are to provide the percussionist with an interface that they may sit down and use existing skills. Utilizing the great variety of gesture available to the expert, the E-Drumset allows the percussionist to explore all manners of controllers.
The Art of Digital Drumming
Author: Steve Wilkes
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780881888690
Category : Drum
Languages : en
Pages : 0
Book Description
This book/cassette pack consists of two parts: one for non-drummers who want to program drum machines, and one for drummers with percussion controllers who want to expand their playing by using melodies and not just rhythms. The part for non-drummers features more than 35 grooves and feels, and uses rhythm maps - unique simple reference guides used to get the 'real feel.' The section on percussion controllers gives all the instruction needed to play melodic and bass lines, plus chords and melodies. It finally frees the drummer from continually playing the rhythm parts. The Art Of Digital Drumming also gives advice on how to construct a song - where to put fills, ties, etc. The accompanying cassette covers all of the demonstrations found in the book.
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780881888690
Category : Drum
Languages : en
Pages : 0
Book Description
This book/cassette pack consists of two parts: one for non-drummers who want to program drum machines, and one for drummers with percussion controllers who want to expand their playing by using melodies and not just rhythms. The part for non-drummers features more than 35 grooves and feels, and uses rhythm maps - unique simple reference guides used to get the 'real feel.' The section on percussion controllers gives all the instruction needed to play melodic and bass lines, plus chords and melodies. It finally frees the drummer from continually playing the rhythm parts. The Art Of Digital Drumming also gives advice on how to construct a song - where to put fills, ties, etc. The accompanying cassette covers all of the demonstrations found in the book.
The Art of Electronic Music
Author: Tom Darter
Publisher: William Morrow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
Publisher: William Morrow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
The Complete Electronic Percussion Book
Author: David Crombie
Publisher:
ISBN: 9780711911260
Category : Drum machine
Languages : en
Pages : 80
Book Description
Publisher:
ISBN: 9780711911260
Category : Drum machine
Languages : en
Pages : 80
Book Description
Modern Drummer
Author:
Publisher:
ISBN:
Category : Drum
Languages : en
Pages : 1082
Book Description
Publisher:
ISBN:
Category : Drum
Languages : en
Pages : 1082
Book Description
Electronic Drums
Author: Frank Vilardi
Publisher: Amsco Music
ISBN: 9780825624407
Category : Music
Languages : en
Pages : 84
Book Description
Beskrivelser af 16 elektroniske trommesæt og tromme-computere
Publisher: Amsco Music
ISBN: 9780825624407
Category : Music
Languages : en
Pages : 84
Book Description
Beskrivelser af 16 elektroniske trommesæt og tromme-computere
Modern Percussionist
Author:
Publisher:
ISBN:
Category : Percussion instruments
Languages : en
Pages : 278
Book Description
Publisher:
ISBN:
Category : Percussion instruments
Languages : en
Pages : 278
Book Description
Drummer's Guide to Fills: Master the Art of Drum Fills, Book & Online Audio [With CD]
Author: Pete Sweeney
Publisher: Alfred Music Publishing
ISBN: 9780739052709
Category : Music
Languages : en
Pages : 84
Book Description
Offers advice for adding fills in various styles of music and includes exercises and counting tips to improve stick control and precision.
Publisher: Alfred Music Publishing
ISBN: 9780739052709
Category : Music
Languages : en
Pages : 84
Book Description
Offers advice for adding fills in various styles of music and includes exercises and counting tips to improve stick control and precision.
Official Gazette of the United States Patent and Trademark Office
Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 1236
Book Description
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 1236
Book Description
Evelyn Glennie: Sound Creator
Author: Georgina Hughes
Publisher: Boydell & Brewer
ISBN: 1837650675
Category : Biography & Autobiography
Languages : en
Pages : 287
Book Description
A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization. Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.
Publisher: Boydell & Brewer
ISBN: 1837650675
Category : Biography & Autobiography
Languages : en
Pages : 287
Book Description
A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization. Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.