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Author: Tania Roy
Publisher: Routledge
ISBN: 131718534X
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
In the postcolonial world, the claim to an emancipated national culture was bound to its aesthetic correlate, the unfolding time and experiments of the twentieth-century novel. Today, the constructs of both novel and a progressivist national project function, in all their closures, within global scales of economic disparity and violent exclusion. What is the fate of a literary canon when it is no longer capable of delineating a future – or otherwise, is bound to reproduce the failures of the past within its own inscriptions? How do we experience our current "globalist" moment, when lived inequities of gender, labour and ethnicity emerge in a text’s inability to speak on time? When does artistic or literary failure become the measure of a work's accomplishment? And what sort of liberation is envisioned by works that refuse the imperatives of "progress" and "independence" – which embrace the appearance of obsolescence by rejecting values of artistic freedom, originality and innovation? These are some of the provocations that arise from T.W. Adorno's idea of late style for our own conjuncture – a properly postcolonial context, in which every conceptual or expressive engagement is articulated through an awareness of eroded national promise. Examining works by Rabindranath Tagore, Mulk Raj Anand, Vikram Seth and the photography of Dayanita Singh, Tania Roy examines the delayed claims of literary and artistic modernity in India through Adorno’s category of late-style. In striking readings of Adorno and his interlocuters, the book extends a poetics of lateness toward a speculative history of the twentieth-century novel in India. Comprised of critically neglected selections from the oeuvres of canonical writers, Adorno and the Architects of Late Style in India proposes that under conditions of advanced capitalism, logics of redundancy overtake the novel’s foundational reference point in the nation to produce altered frames of thought and sensibility – and therein, a reader who might encounter, anew, the figures of an unfulfilled twentieth century.
Author: Tania Roy
Publisher: Routledge
ISBN: 131718534X
Category : Literary Criticism
Languages : en
Pages : 378
Get Book Here
Book Description
In the postcolonial world, the claim to an emancipated national culture was bound to its aesthetic correlate, the unfolding time and experiments of the twentieth-century novel. Today, the constructs of both novel and a progressivist national project function, in all their closures, within global scales of economic disparity and violent exclusion. What is the fate of a literary canon when it is no longer capable of delineating a future – or otherwise, is bound to reproduce the failures of the past within its own inscriptions? How do we experience our current "globalist" moment, when lived inequities of gender, labour and ethnicity emerge in a text’s inability to speak on time? When does artistic or literary failure become the measure of a work's accomplishment? And what sort of liberation is envisioned by works that refuse the imperatives of "progress" and "independence" – which embrace the appearance of obsolescence by rejecting values of artistic freedom, originality and innovation? These are some of the provocations that arise from T.W. Adorno's idea of late style for our own conjuncture – a properly postcolonial context, in which every conceptual or expressive engagement is articulated through an awareness of eroded national promise. Examining works by Rabindranath Tagore, Mulk Raj Anand, Vikram Seth and the photography of Dayanita Singh, Tania Roy examines the delayed claims of literary and artistic modernity in India through Adorno’s category of late-style. In striking readings of Adorno and his interlocuters, the book extends a poetics of lateness toward a speculative history of the twentieth-century novel in India. Comprised of critically neglected selections from the oeuvres of canonical writers, Adorno and the Architects of Late Style in India proposes that under conditions of advanced capitalism, logics of redundancy overtake the novel’s foundational reference point in the nation to produce altered frames of thought and sensibility – and therein, a reader who might encounter, anew, the figures of an unfulfilled twentieth century.
Author: Valerie Barnes Lipscomb
Publisher: Springer Nature
ISBN: 303150917X
Category :
Languages : en
Pages : 612
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Book Description
Author: Ute Meta Bauer
Publisher: MIT Press
ISBN: 0262046814
Category : Art
Languages : en
Pages : 404
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Book Description
Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking. Experimental in form as well as in method, Climates. Habitats. Environments. features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid’s Metamorphoses to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore. Copublished with NTU Centre for Contemporary Art Singapore
Author: Gyan Prakash
Publisher: Princeton University Press
ISBN: 140083662X
Category : History
Languages : en
Pages : 286
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Book Description
Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience. In addition to the editor, the contributors are David R. Ambaras, James Donald, Rubén Gallo, Anton Kaes, Ranjani Mazumdar, Jennifer Robinson, Mark Shiel, Ravi Sundaram, William M. Tsutsui, and Li Zhang.
Author: Saloni Mathur
Publisher: Duke University Press
ISBN: 1478003383
Category : Art
Languages : en
Pages : 156
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Book Description
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
Author: Soumyen Bandyopadhyay
Publisher: Routledge
ISBN: 1134717245
Category : Architecture
Languages : en
Pages : 254
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Book Description
The expedited globalised process of exchange and new forms of cultural production have transformed old established notions of identity, calling into question their conceptual foundations. This book explores the spatial and representational dimension of this phenomenon, by addressing how the reshaping of the key themes of place, architecture and memory are altering the nature, as well as, our understanding of identity. Cutting across boundaries, the book drives discussion of identity beyond the well-worn concern for its loss within a globalised context, and importantly provides links between identity, place, memory and representation in architecture. Examining a range of case studies from Australia, Germany, India, Japan, Mexico, Poland, Puerto Rico, Turkey and Singapore, as well as with contributions cutting across geographical and temporal boundaries, this volume addresses such issues as architecture technology, place and memory – critical issues in the monitoring and mapping of identity shift within a rapidly globalising context. With contributions from renowned authors in the field including Nicholas Temple, Patsy Hely, Robert Brown, Liane Lefaivre, John Hendrix, Ana Souto, Fiona MacLaren, Stephen Walker, Nezar AlSayyad, Andrzej Piotrowski, Catherine Ettinger, Luz Marie Rodríguez, and Raymond Quek this book presents fresh insights and diverse perspectives on the evolving question of identity and globalisation.
Author: Peter Scriver
Publisher: Reaktion Books
ISBN: 1780234686
Category : Architecture
Languages : en
Pages : 386
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Book Description
A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.
Author: Reinhold Martin
Publisher: U of Minnesota Press
ISBN: 1452915326
Category : Architecture
Languages : en
Pages : 269
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Book Description
Written at the intersection of culture, politics & the city, particularly in the context of corporate globalization, 'Utopia's Ghost' challenges dominant theoretical paradigms & opens new avenues for architectural scholarship & cultural analysis.
Author: Bill Readings
Publisher: Harvard University Press
ISBN: 9780674929531
Category : Education
Languages : en
Pages : 260
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Book Description
Tracing the roots of the modern American University in German philosophy and in the work of British thinkers such as Newman and Arnold, Bill Readings argues that the integrity of the modern University has been linked to the nation-state, which it has served by promoting and protecting the idea of a national culture. But now the nation-state is in decline, and national culture no longer needs to be either promoted or protected.
Author: Oswald Spengler
Publisher: Oxford University Press, USA
ISBN: 9780195066340
Category : History
Languages : en
Pages : 500
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Book Description
Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.
