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Author: Robert L. Cowden
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
A thorough revision of The school administrator and supervisor: catalysts for change (no date noted). Advises personnel in college-level music departments on such topics as management, organizational structure, leadership styles, faculty evaluation, curriculum design and planning, budget and finance
Author: Robert L. Cowden
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
A thorough revision of The school administrator and supervisor: catalysts for change (no date noted). Advises personnel in college-level music departments on such topics as management, organizational structure, leadership styles, faculty evaluation, curriculum design and planning, budget and finance
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 718
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Book Description
Author: Ramsay Adams
Publisher: Omnibus Press
ISBN: 9781468315042
Category : Music supervision
Languages : en
Pages : 0
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Book Description
The newly revised, definitive book on music supervision, which guides you through real-world scenarios and legal landmines, explores sound design, and profiles key players. Music supervision, or matching music to all the different mediums from films to ring tones, is one of the fastest-growing careers in the music industry, but finding the winning song for a national ad campaign or compiling a platinum movie soundtrack takes more than just good taste. Music supervision today requires serious multi-tasking and the ability to navigate licensing, relationships, and cultural trends with ease. This book guides you through real scenarios and legal landmines you might encounter; it explores sound design and profiles key players with insightful interviews, while providing project form templates that will save time for seasoned music supervisors. This is the only guide to the career of music supervision and is ideal for the music student, musician, industry executive and of course, for those who want to break into the field of music supervision. Authors David Weiss, Ramsay Adams and David Hnatiuk are all renowned figures in the procurement and supervision of music and they apply their combined knowledge and experience to give the best possible advice and tell you how to get the job!
Author: Anita Pankake
Publisher: Kendall Hunt Publishing Company
ISBN: 9780757518416
Category : Education
Languages : en
Pages : 252
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Book Description
Author: Dee Hansen
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 156
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Book Description
Provides music education professionals with best practices for tasks such as: articulating the need for music education; developing a positive leadership style; designing curriculum and assessment; managing people, paper, and time; communicating with a variety of constituents; overseeing resources and budgets; scheduling; and more.
Author: Keith D. Snyder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Author: Wayne Hoy
Publisher: McGraw-Hill Higher Education
ISBN: 0077526422
Category : Language Arts & Disciplines
Languages : en
Pages : 594
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Book Description
Author: Vanessa Hawes
Publisher: Cambridge Scholars Publishing
ISBN: 1443898392
Category : Music
Languages : en
Pages : 265
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Book Description
Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Author: Fred Engelhardt
Publisher:
ISBN:
Category : Albert Lea (Minn.)
Languages : en
Pages : 92
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Book Description
Author: Sharal Churchill
Publisher:
ISBN: 9780967933603
Category : Motion picture industry
Languages : en
Pages : 0
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Book Description
