Adelgitha; or, The fruits of a single error, a tragedy [in verse]. PDF Download
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![Adelgitha; or, The fruits of a single error, a tragedy [in verse]. PDF](https://books.google.com/books/content/images/frontcover/0hgOAAAAQAAJ?fife=w150-h200)
Author: Matthew Gregory Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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![Adelgitha; or, The fruits of a single error, a tragedy [in verse]. PDF](https://books.google.com/books/content/images/frontcover/0hgOAAAAQAAJ?fife=w80-h100)
Author: Matthew Gregory Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 592
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Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 596
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Author: Laura Dabundo
Publisher: Routledge
ISBN: 1135232342
Category : Literary Collections
Languages : en
Pages : 900
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First Published in 1992, this encyclopedia is designed to survey the social, cultural and intellectual climate of English Romanticism from approximately the 1780s and the French Revolution to the 1830s and the Reform Bill. Focussing on ‘the spirit of the age’, the book deals with the aesthetic, scientific, socioeconomic – indeed the human – environment in which the Romantics flourished. The books considers poets, playwrights and novelists; critics, editors and booksellers; painters, patrons and architects; as well as ideas, trends, fads, and conventions, the familiar and the newly discovered. The book will be of use for everyone from undergraduate English students, through to thesis-driven graduate students to teaching faculty and scholars.
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 1132
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 788
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Author: James Watt
Publisher: Cambridge University Press
ISBN: 1139426001
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.
![Catalogue of the Private Library of Peter Buchan ... Consisting of ... Rare and Curious Books and Unpublished Manuscripts, Chiefly Old Scottish Poetry, Etc. [A Sale Catalogue. Compiled by the Owner.] Few MS. Notes PDF](https://books.google.com/books/content/images/frontcover/KU8WvyYI3tMC?fife=w80-h100)
Author: Peter Buchan
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 50
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Author: Ralph Griffiths
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
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Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
Author: Ralph Griffiths
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 572
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