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Author: Mark Ross Clark
Publisher: Indiana University Press
ISBN: 0253109396
Category : Music
Languages : en
Pages : 172
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Book Description
"... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" -- Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike.
Author: Mark Ross Clark
Publisher: Indiana University Press
ISBN: 0253109396
Category : Music
Languages : en
Pages : 172
Get Book
Book Description
"... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" -- Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike.
Author: LizBeth Abeyta Lucca
Publisher: Acting Techniques for Opera
ISBN: 9780981562407
Category : Acting in opera
Languages : en
Pages : 164
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Book Description
Author: Alan E. Hicks
Publisher: Amadeus
ISBN: 9781574672015
Category : Acting in opera
Languages : en
Pages : 0
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Book Description
SINGER AND ACTOR: ACTING TECHNIQUE AND THE OPERATIC PERFORMER
Author: Norman Cooley
Publisher:
ISBN: 9781522018667
Category : Acting
Languages : en
Pages : 90
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Book Description
Over 150 copies sold!! This is an in-depth and detailed manual on acting for opera singers. Based on 45 years of performance and knowledge of opera, classically trained actor and director Norman Cooley has devised an acting training for opera singers. The book includes theory, supported by exercises, anecdotes as well as observations from operatic performances and rehearsals.Norman believes acting in opera should be completely integrated with the singing and support and empower the work of the singer, and should never hamper nor harm good singing technique. It should be as effortless as possible to provide a safe harbour for the singer to sing at their best while creating a fully satisfying performance.
Author: David F. Ostwald
Publisher: Oxford University Press
ISBN: 0199881839
Category : Music
Languages : en
Pages : 264
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Book Description
Written to meet the needs of thousands of students and pre-professional singers participating in production workshops and classes in opera and musical theater, Acting for Singers leads singing performers step by step from the studio or classroom through audition and rehearsals to a successful performance. Using a clear, systematic, positive approach, this practical guide explains how to analyze a script or libretto, shows how to develop a character building on material in the score, and gives the singing performer the tools to act believably. More than just a "how-to" acting book, however, Acting for Singers also addresses the problems of concentration, trust, projection, communication, and the self-doubt that often afflicts singers pursuing the goal of believable performance. Part I establishes the basic principles of acting and singing together, and teaches the reader how to improvise as a key tool to explore and develop characters. Part II teaches the singer how to analyze theatrical work for rehearsing and performing. Using concrete examples from Carmen and West Side Story, and imaginative exercises following each chapter, this text teaches all singers how to be effective singing actors.
Author: Pavel Ivanovich Rumi︠a︡nt︠s︡ev
Publisher: Psychology Press
ISBN: 9780878305520
Category : Music
Languages : en
Pages : 388
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Martin Constantine
Publisher:
ISBN: 9781350006492
Category :
Languages : en
Pages : 0
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Book Description
"The complete dramatic toolbox for the opera singer ? a step-by-step guide detailing how to create character, from auditions through to rehearsal and performance and formulate a successful career. Drawing upon the innovative approach to the training of young opera singers developed by Martin Constantine, Co-Director of ENO Opera Works, The Opera Singer's Acting Toolkit leads the singer through the process of bringing the libretto and score to life in order to create character. It draws on the work of practitioners such as Stanislavski, Lecoq, Laban and Cicely Berry to introduce the singer to the tools needed to create an interior and physical life for character. The book draws on operatic repertoire from Handel through Mozart to Britten to present practical techniques and exercises to help the singer develop their own individual dramatic toolbox. The Opera Singer's Acting Toolkit features interviews with leading conductors, directors, singers and casting agents to offer invaluable insights into the professional operatic world, and advice on how to remain focused on the importance of the work itself."--...
Author: Alan Montgomery
Publisher: Taylor & Francis
ISBN: 0415976014
Category : Music
Languages : en
Pages : 208
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Book Description
This volume deals with the qualities needed in a pianist embarking on a career as a vocal coach. It also addresses the potential problems facing the coach. --pref.
Author: Nina Penner
Publisher: Indiana University Press
ISBN: 0253049989
Category : Music
Languages : en
Pages : 312
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Book Description
Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.
Author: Joseph Rescigno
Publisher: University of North Texas Press
ISBN: 1574418041
Category : Music
Languages : en
Pages : 311
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Book Description
Conducting Opera discusses operas in the standard repertory from the perspective of a conductor with a lifetime of experience performing them. It focuses on Joseph Rescigno’s approach to preparing and performing these masterworks in order to realize what opera can uniquely achieve: a fusion of music and drama resulting in a whole that is greater than the sum of its parts. Opening with a chapter discussing his performance philosophy, Rescigno then covers Mozart’s most-performed operas, standards of the bel canto school including Rossini’s Il barbiere di Siviglia, five of Verdi’s works including La traviata, a selection of Wagner’s compositions followed by French Romantic operas such as Bizet’s Carmen, Puccini’s major works, and finally four operas by Richard Strauss. A useful appendix contains a convenient guide to the scores available online. Conducting Opera includes practical advice about propelling a story forward and bringing out the drama that the music is meant to supply, as well as how to support singers in their most difficult moments. Rescigno identifies particularly problematic passages and supplies suggestions about how to navigate them. In addition, he provides advice on staying true to the several styles under discussion.
