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Author: Mark Franko
Publisher: Wesleyan University Press
ISBN: 9780819563958
Category : Art
Languages : en
Pages : 260
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Book Description
Leading scholars redefine the scope and concerns of scholarship on historical performance.
Author: Mark Franko
Publisher: Wesleyan University Press
ISBN: 9780819563958
Category : Art
Languages : en
Pages : 260
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Book Description
Leading scholars redefine the scope and concerns of scholarship on historical performance.
Author: Daniel Meyer-Dinkgräfe
Publisher: A&C Black
ISBN: 1441103813
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
For centuries the theatre has been one of the major forms of art. How did acting, and its institutionalization in the theatre, begin in the first place? In some cultures complex stories relate the origin of acting and the theatre. And over time, approaches to acting have changed considerably. In the West, until the end of the 19th century, those changes occurred within the realm of acting itself, focusing on the question of whether acting should be 'natural' or 'formal.' Approaches to acting were closely related to the trends in culture at large. Acting became more and more professional and sophisticated as philosophical theories developed and knowledge in the human sciences increased. In the 20th century, the director was established as the most important force in the theater--able to lead actors to pinnacles of their art which they could not have achieved on their own. Approaches to acting in non-Western cultures follow quite different patterns. This book provides a clear overview of different approaches to acting, both historical and contemporary, Western and non-Western, and concludes with a challenge to the future of the art.
Author: Larry Silverberg
Publisher: Rowman & Littlefield
ISBN: 1480302503
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
TRUE ACTING TIPS
Author: David Thomson
Publisher: Yale University Press
ISBN: 0300213697
Category : Drama
Languages : en
Pages : 191
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Book Description
Does acting matter? David Thomson, one of our most respected and insightful writers on movies and theater, answers this question with intelligence and wit. In this fresh and thought-provoking essay, Thomson tackles this most elusive of subjects, examining the allure of the performing arts for both the artist and the audience member while addressing the paradoxes inherent in acting itself. He reflects on the casting process, on stage versus film acting, and on the cult of celebrity. The art and considerable craft of such gifted artists as Meryl Streep, Laurence Olivier, Vivien Leigh, Marlon Brando, Daniel Day-Lewis, and others are scrupulously appraised here, as are notions of “good” and “bad” acting. Thomson’s exploration is at once a meditation on and a celebration of a unique and much beloved, often misunderstood, and occasionally derided art form. He argues that acting not only “matters” but is essential and inescapable, as well as dangerous, chronic, transformative, and exhilarating, be it on the theatrical stage, on the movie screen, or as part of our everyday lives.
Author: Sanford Meisner
Publisher: Vintage
ISBN: 0307830632
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. "This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller "If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck
Author:
Publisher: BRILL
ISBN: 9004496122
Category : Philosophy
Languages : en
Pages : 209
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Book Description
This book gathers six trenchant new analyses of the idea of the person as raised by the German philosopher and social theorist Max Scheler (1874–1928). The issues raised in the volume are both timely and perennial, from considerations of postmodernity, phenomenology, and metaphysics, to sharp-edged comparisons with other thinkers, including Immanuel Kant, Martin Heidegger, Emmanuel Levinas, Eric Voegelin, Richard Rorty, and Hannah Arendt.
Author: James Naremore
Publisher: Univ of California Press
ISBN: 9780520062283
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
By analysing the work of seven classic film stars including Cary Grant and Marlene Dietrich, the author explores the techniques and theory of acting for the big screen.
Author: Stephen Book
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 664
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Book Description
"The Improvisation Technique is then applied to exercises with scripted lines, developing sophisticated improvisation skills for enhancing character, emotions, conflict, and agreement as well as improving the actor's audition process. Also included is a unique process for breaking down scripted scenes into improvisation choices."--BOOK JACKET.
Author: Robert T. Eberwein
Publisher: Rutgers University Press
ISBN: 0813547598
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
The book focuses on the way various film icons engaged in and defined some major issues of cultural and social concern to America during the 1980s.
Author: E. Gabrielle Kuenzli
Publisher: University of Pittsburgh Pre
ISBN: 0822978601
Category : History
Languages : en
Pages : 209
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Book Description
For most of the postcolonial era, the Aymara Indians of highland Bolivia were a group without representation in national politics. Believing that their cause would finally be recognized, the Aymara fought alongside the victorious liberals during the Civil War of 1899. Despite Aymara loyalty, liberals quickly moved to marginalize them after the war. In her groundbreaking study, E. Gabrielle Kuenzli revisits the events of the civil war and its aftermath to dispel popular myths about the Aymara and reveal their forgotten role in the nation-building project of modern Bolivia. Kuenzli examines documents from the famous postwar Pe–as Trial to recover Aymara testimony during what essentially became a witch hunt. She reveals that the Aymara served as both dutiful plaintiffs allied with liberals and unwitting defendants charged with wartime atrocities and instigating a race war. To further combat their "Indian problem," Creole liberals developed a public discourse that positioned the Inca as the only Indians worthy of national inclusion. This was justified by the Incas' high civilization and reputation as noble conquerors, along with their current non-threatening nature. The "whitening" of Incans was a thinly veiled attempt to block the Aymara from politics, while also consolidating the power of the Liberal Party. Kuenzli posits that despite their repression, the Aymara did not stagnate as an idle, apolitical body after the civil war. She demonstrates how the Aymara appropriated the liberal's Indian discourse by creating theatrical productions that glorified Incan elements of the Aymara past. In this way, the Aymara were able to carve an acceptable space as "progressive Indians" in society. Kuenzli provides an extensive case study of an "Inca play" created in the Aymara town of Caracollo, which proved highly popular and helped to unify the Aymara. As her study shows, the Amyara engaged liberal Creoles in a variety of ways at the start of the twentieth century, shaping national discourse and identity in a tradition of activism that continues to this day.
