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Author: Henry Bial
Publisher: University of Michigan Press
ISBN: 9780472069088
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Publisher Description
Author: Henry Bial
Publisher: University of Michigan Press
ISBN: 9780472069088
Category : Performing Arts
Languages : en
Pages : 212
Get Book Here
Book Description
Publisher Description
Author: Henry Bial
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Publisher Description
Author: Gal Beckerman
Publisher: HMH
ISBN: 0547504438
Category : History
Languages : en
Pages : 801
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Book Description
The “remarkable” story of the grass-roots movement that freed millions of Jews from the Soviet Union (The Plain Dealer). At the end of World War II, nearly three million Jews were trapped inside the USSR. They lived a paradox—unwanted by a repressive Stalinist state, yet forbidden to leave. When They Come for Us, We’ll Be Gone is the astonishing and inspiring story of their rescue. Journalist Gal Beckerman draws on newly released Soviet government documents as well as hundreds of oral interviews with refuseniks, activists, Zionist “hooligans,” and Congressional staffers. He shows not only how the movement led to a mass exodus in 1989, but also how it shaped the American Jewish community, giving it a renewed sense of spiritual purpose and teaching it to flex its political muscle. Beckerman also makes a convincing case that the effort put human rights at the center of American foreign policy for the very first time, helping to end the Cold War. This “wide-ranging and often moving” book introduces us to all the major players, from the flamboyant Meir Kahane, head of the paramilitary Jewish Defense League, to Soviet refusenik Natan Sharansky, who labored in a Siberian prison camp for over a decade, to Lynn Singer, the small, fiery Long Island housewife who went from organizing local rallies to strong-arming Soviet diplomats (The New Yorker). This “excellent” multigenerational saga, filled with suspense and packed with revelations, provides an essential missing piece of Cold War and Jewish history (The Washington Post).
Author: Andrea Most
Publisher: NYU Press
ISBN: 0814708196
Category : History
Languages : en
Pages : 305
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Book Description
“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.
Author: Elissa Bemporad
Publisher: Indiana University Press
ISBN: 0253008271
Category : History
Languages : en
Pages : 293
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Book Description
An “endlessly rewarding” contribution to the study of Jewish life in the Soviet Union: “Fascinating . . . nuanced and respectful of human limitations” (Slavic Review). Minsk, the present capital of Belarus, was a heavily Jewish city in the decades between the world wars. Recasting our understanding of Soviet Jewish history, Becoming Soviet Jews demonstrates that pre-revolutionary forms of Jewish life in Minsk maintained continuity through the often violent social changes enforced by the communist project. Using Minsk as a case study of the Sovietization of Jews in the former Pale of Settlement, Elissa Bemporad reveals the ways in which many Jews acculturated to Soviet society in the 1920s and 1930s while remaining committed to older patterns of Jewish identity, such as Yiddish culture and education, attachment to the traditions of the Jewish workers’ Bund, circumcision, and kosher slaughter. This pioneering study also illuminates the reshaping of gender relations on the Jewish street and explores Jewish everyday life and identity during the years of the Great Terror. “Highly readable and brimming with novel facts and insights . . . [A] rich and engaging portrayal of a previously overlooked period and place.” —H-Judaic
Author: Heather Nathans
Publisher: University of Michigan Press
ISBN: 0472122703
Category : Drama
Languages : en
Pages : 297
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Book Description
While battling negative stereotypes, American Jews carved out new roles for themselves within the first theatrical entertainments in America. Jewish citizens were active as performers, playwrights, critics, managers, and theatrical shareholders, and often tied their involvement in these endeavors to the patriotic rhetoric of the young republic as they struggled to establish themselves in the new nation. Examining play texts, theatrical reviews, political discourse, and public performances of Jewish rights and rituals, Hideous Characters and Beautiful Pagans argues that Jewish stage types shed light on our understanding of the status of Jewish Americans during a critical historical period. Using an eclectic range of sources including theatrical reviews, diaries, letters, cartoons, portraiture, tax records, rumors flying around the tavern, and more, Heather S. Nathans has listened for the echoes of vanished audiences who witnessed and responded to these stereotypes onstage, from the earliest appearance of Shylock on an American stage in 1752 to Jewish theater artists on the eve of the Civil War. The book integrates social, political, and cultural histories, with an examination of those texts (both dramatic and literary) that shaped the stage Jew.
Author: Rebecca Rossen
Publisher: Oxford University Press
ISBN: 0199792011
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach - Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.
Author: John Efron
Publisher: Routledge
ISBN: 1351017853
Category : History
Languages : en
Pages : 1239
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Book Description
The Jews: A History is a comprehensive and accessible text that explores the religious, cultural, social, and economic diversity of the Jewish people and their faith. Placing Jewish history within its wider cultural context, the book covers a broad time span, stretching from ancient Israel to the modern day. It examines Jewish history across a range of settings, including the ancient Near East, the age of Greek and Roman rule, the medieval realms of Christianity and Islam, modern Europe, including the World Wars and the Holocaust, and contemporary America and Israel, covering a variety of topics, such as legal emancipation, acculturation, and religious innovation. The third edition is fully updated to include more case studies and to encompass recent events in Jewish history, as well as religion, social life, economics, culture, and gender. Supported by case studies, online references, further reading, maps, and illustrations, The Jews: A History provides students with a comprehensive and wide-ranging grounding in Jewish history.
Author: Aaron Tillman
Publisher: Lexington Books
ISBN: 1498565034
Category : Literary Criticism
Languages : en
Pages : 159
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Book Description
Efforts to describe contemporary Jewish American identities often reveal more questions than concrete articulations, more statements about what Jewish Americans are not than what they are. Highlighting the paradoxical phrasings that surface in contemporary writings about Jewish American literature and culture—language that speaks to the elusive difference felt by many Jewish Americans—Aaron Tillman asks how we portray identities and differences that seem to resist concrete definition. Over the course of Magical American Jew, Tillman examines this enigma—the indefinite yet undeniable difference that informs contemporary Jewish American identity—demonstrating how certain writers and filmmakers have deployed magical realist techniques to illustrate the enigmatic difference that Jewish Americans have felt and continue to feel. Similar to the indeterminate nature of Jewish American identity, magical realism is marked by paradox and does not fit easily into any singular category. Often characterized as a mode of literary expression, rather than a genre within literature, magical realism has been the subject of debates about definition, origin, and application. After elucidating the features of the mode, Tillman illustrates how it enables uniquely cogent portrayals of enigmatic elements of difference. Concentrating on a diverse selection of Jewish American short fiction and film—including works by Woody Allen, Sarah Silverman, Cynthia Ozick, Nathan Englander, Steve Stern, and Melvin Jules Bukiet— Magical American Jew covers a range of subjects, from archiving Holocaust testimony to satirical Jewish American humor. Shedding light on aspects of media, marginalization, excess, and many other facets of contemporary American society, the study concludes by addressing the ways that the magical realist mode has been and can be used to examine U.S. ethnic literatures more broadly.
Author: I.Q. Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1501347535
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
After 45 years, Steven Spielberg's Jaws remains the definitive summer blockbuster, a cultural phenomenon with a fierce and dedicated fan base. The Jaws Book: New Perspectives on the Classic Summer Blockbuster is an exciting illustrated collection of new critical essays that offers the first detailed and comprehensive overview of the film's significant place in cinema history. Bringing together established and young scholars, the book includes contributions from leading international writers on popular cinema including Murray Pomerance, Peter Krämer, Sheldon Hall, Nigel Morris and Linda Ruth Williams, and covers such diverse topics as the film's release, reception and canonicity; its representation of masculinity and children; the use of landscape and the ocean; its status as a western; sequels and fan-edits; and its galvanizing impact on the horror film, action movie and contemporary Hollywood itself.
