Acta Ad Archaeologiam Et Artium Historiam Pertinentia PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Acta Ad Archaeologiam Et Artium Historiam Pertinentia PDF full book. Access full book title Acta Ad Archaeologiam Et Artium Historiam Pertinentia by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 644
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 644
Get Book Here
Book Description
Author: Siri Sande
Publisher: Scienze e Lettere
ISBN:
Category : Art
Languages : en
Pages : 248
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9788866872474
Category : Social Science
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Søren Kaspersen
Publisher: Museum Tusculanum Press
ISBN: 9788763501330
Category : Art
Languages : en
Pages : 180
Get Book Here
Book Description
Oxbow says: The six essays featured in this study originated as papers given at the 36th International Congress of Medieval Studies at Kalamazoo. The contributors survey the ornate altars produced from the early 8th to 13th century in Europe, with specific examples taken from Italy, Germany and Scandinavia.
Author: J. Rasmus Brandt
Publisher: Oxbow Books
ISBN: 178297640X
Category : Social Science
Languages : en
Pages : 481
Get Book Here
Book Description
The forms by which a deceased person may be brought to rest are as many as there are causes of death. In most societies the disposal of the corpse is accompanied by some form of celebration or ritual which may range from a simple act of deportment in solitude to the engagement of large masses of people in laborious and creative festivities. In a funerary context the term ritual may be taken to represent a process that incorporates all the actions performed and thoughts expressed in connection with a dying and dead person, from the preparatory pre-death stages to the final deposition of the corpse and the post-mortem stages of grief and commemoration. The contributions presented here are focused not on the examination of different funerary practices, their function and meaning, but on the changes of such rituals – how and when they occurred and how they may be explained. Based on case studies from a range of geographical regions and from different prehistoric and historical periods, a range of key themes are examined concerning belief and ritual, body and deposition, place, performance and commemoration, exploring a complex web of practices.
Author: Gawdat Gabra
Publisher: Oxford University Press
ISBN: 9774167775
Category : History
Languages : en
Pages : 769
Get Book Here
Book Description
John of Barullos (540-615) / Bishop Kyrillos -- The Relationship between the Monks of Northern Egypt and the patriarchs of the Egyptian church / David Brakke -- Saint Mina monastery in Arabic sources / Sherin Sadek El Gendi -- The Bashmurite revolts in the Delta and the 'Bashmuric dialect,' Frank Feder -- Toward the localization of the Hennaton monastic complex, Mary Ghattas -- The Pachomian federation and lower Egypt : the ties that bind / James E. Goehring -- The relations between the coptic church and the Armenian church from the time of Muhammad Ali to the present (1805-2015) / Mary Kupelian -- Saint Barsoum the naked and his veneration at al-Ma'sara (Deir Shahran) / Bishop Martyros -- The traditions of the holy family and the development of Christianity in the Nile Delta / Ashraf Alexandre Sadek -- Anba Ruways and the cathedral of Saint Mark / Adel F. Sadek -- The perception of St. Athanasius of Alexandria in later coptic literature / Ibrahim Saweros -- The discovery of papyri from Turah at Dayr al-Qusayr (Dayr Arsaniyus) and its legacy / Caroline T. Schroeder -- Nitria / Mark Sheridan -- Yuhanna al-Samannudi, the founder of national coptic philology in the Middle Ages / Adel Sidarus -- The Arabic version of the Miracles of Apa Mena Based on two unpublished manuscripts in the collection of the St. Shenouda the Archimandrite coptic society in Los Angeles / Hany N. Takla -- Life of Pope Cyril VI (Kyrillos VI) / Teddawos Ava Mina and Youhanna Nessim Youssef -- The veneration of Anba Hadid and the Nile Delta in the thirteenth century / Asuka Tsuji -- Kellia and monastic epigraphy / Jacques van der Vliet -- Butrus al-Sadamanti al-Armani (Peter of Sadamant "the Armenian") / Fr. Awad Wadi -- Julius of Aqfahs : the martyrdom of John and Simon / Youhanna Nessim Youssef -- The Bohairic Acts of the Martyrs acts as a genre of religious discourse / Ewa D. Zakrzewska -- Remnants of a Byzantine church at Athribis / Tomasz Górecki -- Architecture in Kellia / Gisèle Hadji-Minaglou -- Kellia : its decoration in painting and stucco / Karel C. Innemée -- Highlights from the polish excavations at Marea/Philoxenite 2000-14 / Krzysztof Babraj and Daria Tarara -- Conservation of mural paintings in the coptic museum / Michael Jones.
Author: Roger S. Bagnall
Publisher: Cambridge University Press
ISBN: 0521871379
Category : History
Languages : en
Pages : 452
Get Book Here
Book Description
A comprehensive portrayal of Egypt from the fourth to the seventh centuries.
Author: Jorge Tomás García
Publisher: Taylor & Francis
ISBN: 1000574180
Category : Art
Languages : en
Pages : 213
Get Book Here
Book Description
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
Author: Anne Dillon
Publisher: Routledge
ISBN: 1351917773
Category : History
Languages : en
Pages : 445
Get Book Here
Book Description
In May 1555, a broadsheet was produced in Rome depicting the torture and execution in London and York of the Carthusians of the Charterhouses of London, Axeholme, Beauvale and Sheen during the reign of Henry VIII. This single-page martyrology provides the basis for an in-depth exploration of several interconnected artistic, scientific and scholarly communities active in Rome in 1555 which are identified as having being involved in its production. Their work and concerns, which reflect their time and intellectual environment, are deeply embedded in the broadsheet, especially those occupying the groups and individuals who came to be known as Spirituali and in particular those associated with Cardinal Reginald Pole who is shown to have played a key role in its production. Following an examination of the text and a discussion of the narrative intentions of its producers a systematic analysis is made of the images. This reveals that the structure, content and intention of what, at first sight, seems to be nothing more than a confessionally charged Catholic image of the English Carthusian martyrs, typical of the genre of propaganda produced during the Reformation, is, astonishingly, dominated by the most celebrated name of the Italian Renaissance, the artist Michelangelo Buonarotti. Not only are there direct borrowings from two works by Michelangelo which had just been completed in Rome, The Conversion of St Paul and The Crucifixion of St Peter in the Pauline Chapel but many other of his works are deliberately cited by the broadsheet's producers. Through the use of a variety of artistic, scientific and historical approaches, the author makes a compelling case for the reasons for Michelangelo's presence in the broadsheet and his influence on its design and production. The book not only demonstrates Michelangelo's close relationship with notable Catholic reformers, but shows him to have been at the heart of the English Counter Reformation at its inception. This detailed analysis of the broadsheet also throws fresh light on the Marian religious policy in England in 1555, the influence of Spain and the broader preoccupations of the Counter Reformation papacy, while at the same time, enriching our understanding of martyrology across the confessional divide of the Reformation.
Author: David Freedberg
Publisher: University of Chicago Press
ISBN: 022644550X
Category : Art
Languages : en
Pages : 361
Get Book Here
Book Description
With new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg has addressed this topic for five decades. His work has brought this subject to a central place in art history, critical to the understanding not only of art but of all images in society. This volume collects the most significant of Freedberg’s texts on iconoclasm and censorship, bringing five key works back into print alongside new assessments of contemporary iconoclasm in places ranging from the Near and Middle East to the United States, as well as a fresh survey of the entire subject. The writings in this compact volume explore the dynamics and history of iconoclasm, from the furious battles over images in the Reformation to government repression in modern South Africa, the American culture wars of the early 1990s, and today’s cancel culture. Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact. This volume also provides a supplement to Freedberg’s essay on idolatry and iconoclasm from his pathbreaking book, The Power of Images. Freedberg’s writings are of foundational importance to this discussion, and this volume will be a welcome resource for historians, museum professionals, international law specialists, preservationists, and students.
