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Author: David Wilton Steadman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
Author: David Wilton Steadman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
Author: Ann Diels
Publisher: Harvey Miller
ISBN: 9781905375509
Category : Art
Languages : en
Pages : 0
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Book Description
This text presents both an overview of the print production in 17th-century southern Low Countries and a focused approach to the work of three collaborators of Rubens - Abraham Van Diepenbeeck, Erasmus Quellinus II, and Cornelis Schut.
Author: Madeleine Manderyck
Publisher:
ISBN: 9789463887991
Category :
Languages : en
Pages : 88
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Book Description
In this edition of 'Phoebus Focus', no less than three specialists examine two of the sketches that Baroque master Abraham Van Diepenbeeck made for the stained-glass windows of the Antwerp St. Paul's Church. The stained-glass windows themselves have not survived the ravages of time and so these sketches are invaluable for the reconstruction of the church's original interior.
Author: Felice Stampfle
Publisher: Princeton University Press
ISBN: 9780691040639
Category : Art
Languages : en
Pages : 640
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Book Description
The description for this book, Netherlandish Drawings of the Fifteenth and Sixteenth Centuries and Flemish Drawings of the Seventeeth and Eighteenth Centuries in the Pierpont Morgan Library, will be forthcoming.
Author: Hans Holbein
Publisher:
ISBN:
Category : Dance of death in art
Languages : en
Pages : 220
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Book Description
Author: Gwendoline de Mûelenaere
Publisher: Brill's Studies on Art, Art Hi
ISBN: 9789004444539
Category : Art
Languages : en
Pages : 468
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Book Description
"In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses. Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought"--
Author: Andrea Bubenik
Publisher: Studies in Baroque Art
ISBN: 9781909400429
Category : Art
Languages : en
Pages : 242
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Book Description
Wenceslaus Hollar (1607 Prague - 1677 London) was one of the most important artists of the 17th century. His international career, affluent patrons, and insatiable curiosity enabled him to create a diverse range of prints and drawings, remarkable for their varied subject matter and exceptional technical qualities. Hollar's oeuvre includes cities and fortifications, portraits, religious subjects, politics, mythology, architecture, heraldry and numismatics, antiquarian relics, costume, maps, sports, classical literature, landscape views, 'Old Master' drawings and paintings, and natural history. His work invokes his close observation of, and engagement with, the natural world, as much as the society of his times. Unfortunately, Hollar has received less attention than many of his contemporaries. He has all too often been undervalued as being primarily a 'reproductive printmaker' - one who reproduces in print the designs of others, or simply copies paintings into print. This volume seeks to revise how Hollar has formerly been characterized, through an exploration of hitherto unexamined drawings, as well as the more innovative qualities of his printmaking. It includes new research on Hollar's biography and his patrons, fresh perspectives on Hollar's portraits and urban scenes, and insights into Hollar's forays into the natural world. Partly the outcome of a 2010 symposium held at the Thomas Fisher Rare Books Library at the University of Toronto (repository of third largest collection of Hollar prints), this book comprises contributions from nine international print scholars, from Australia, Canada, Czech Republic, Germany, England, and The Netherlands. Their work on Hollar reaffirms his importance not only to the history of printmaking, but also to the art, science and culture of his times.
Author: Edward Hodnett
Publisher: Univ of California Press
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
Author: Alastair Fowler
Publisher: Oxford University Press
ISBN: 019102743X
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Alastair Fowler presents a fascinating study of title-pages printed in England from the early modern period to the nineteenth century. He examines pictorial title-pages in the context of the History of the Book for the first time. The first part of The Mind of the Book explores the forerunner of the frontispiece in late antiquity; the use of frames and borders in title-pages; portraits; printers' devices; emblematic title-pages of the sixteenth and seventeenth centuries, especially attending to explanatory verses and arcane features such as chronograms; title-pages as 'memory prompts'; and eighteenth and nineteenth-century title-pages, tracing 'the rejection of emblematic and symbolic features and the introduction of unadorned, unpictorial, title-pages'. The second part of the book presents illustrations of sixteen significant title-pages with commentaries, ranging from Chaucer's Works in 1532 through Bacon's Instauratio Magna in 1620, Dicken's The Mystery of Edwin Drood in 1870, and arriving back at Chaucer with Edward Burnes-Jones's illustrated title-page for the Works of 1896.
Author: BERNARD. PICART
Publisher: Gale Ecco, Print Editions
ISBN: 9781385510414
Category :
Languages : en
Pages : 96
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Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T112503 Also published under title: 'Innocent counterfeits', 1756. London: printed for J. Boydell, 1756. [2],8, [2]p., plates: port.; 2°
