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Author:
Publisher: National Library Australia
ISBN:
Category :
Languages : en
Pages : 1220
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Book Description
Author:
Publisher: National Library Australia
ISBN:
Category :
Languages : en
Pages : 1220
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Book Description
Author: Shireen Huda
Publisher: ANU E Press
ISBN: 1921313722
Category : Art
Languages : en
Pages : 254
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Book Description
"Art auctions have long captured the public imagination. They regularly make news headlines and have become synonymous with glamour, money and social distinction. The marketing of auction houses and the works they sell has resulted in firms attaining authoritative positions and the ability both to influence and reflect collecting tastes. Pedigree and panache is the first comprehensive history of the art auction in Australia. In this fascinating work, Shireen Huda investigates the construction of the glamorous reputation of art auctions and art auction houses. Featuring absorbing case studies of key art auctions and major art auction houses in Australia (including Christies, Sothebys and Deutscher-Menzies) the work provides an overview of the origin and international development of art auctions. The development of the Australian marketplace is then explored, detailing colonial inception and continuing until Christies' withdrawal of its saleroom presence in 2006."--Provided by publisher.
Author: Timothy Neale
Publisher: UTS ePRESS
ISBN: 0987236911
Category : Social Science
Languages : en
Pages : 570
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Book Description
History, Power, Text: Cultural Studies and Indigenous Studies is a collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. ‘Indigenous cultural studies’ is our name for the intersection of cultural studies and Indigenous studies showcased here. This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson—many of whom have taken this opportunity to write reflections on their work—as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke.
Author: Margo Neale
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 824
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Book Description
A comprehensive overview covering indigeneous Australian art, archeological traditions, styles of the contact period, nineteenth-century art trends, and the development of contemporary Aboriginal and Torres Strait Islander practices.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
Author: Cressida Fforde
Publisher: Psychology Press
ISBN: 9780415344494
Category : Business & Economics
Languages : en
Pages : 364
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Book Description
Repatriation of human remains has become a key international heritage concern. This extensive collection of papers provides a survey of the current state of repatriation in terms of policy, practice and theory.
Author: Darla Fisher-Odjig
Publisher: Xlibris Corporation
ISBN: 1477172068
Category : Poetry
Languages : en
Pages : 68
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Book Description
For as long as I can remember I have wanted to help people. In actuality it is in my nature to want to give and is one factor of my lineage I cherish; being brought up in a responsible home whereby you work hard for what you want was a valued quality instilled by my parents as was the drive to accomplish and succeed. For the summers I would go to my reserve, Wikwemikong, on Manitoulin Island and participate in the pow wow. My connection with my people there had a very strong influence in regards to my love and empathy for them and thus, for myself. The culture and the beautiful sense of connectedness with them, the Creator and mother earth gave me strength. I've grown and seen much and experienced also the same things as my people, such as the forced influential plight for assimilation and the splitting of two worlds leaving a sense of displacement and lost identity. I believe this close relationship with my roots and the love of my people will only fuel hope in helping them and others experiencing trauma and the intergenerational affects it has caused toward a fusion of two worlds and peace within.
Author: Bowker
Publisher: Bowker-Saur
ISBN: 9781864520156
Category : Reference
Languages : en
Pages : 888
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Book Description
"...excellent coverage...essential to worldwide bibliographic coverage."--AMERICAN REFERENCE BOOKS ANNUAL. This comprehensive reference provides current finding & ordering information on more than 75,000 in-print books published in or about Australia, or written by Australian authors, organized by title, author, & keyword. You'll also find brief profiles of more than 7,000 publishers & distributors whose titles are represented, as well as information on trade associations, local agents of overseas publishers, literary awards, & more. From D.W. Thorpe.
Author: Andrew Sayers
Publisher: Oxford University Press, USA
ISBN: 9780192842145
Category : Art
Languages : en
Pages : 268
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Book Description
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Author: José Antonio González Zarandona
Publisher: University of Pennsylvania Press
ISBN: 0812251563
Category : Social Science
Languages : en
Pages : 312
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Book Description
A fascinating case study of the archaeological site at Murujuga, Australia Located in the Dampier Archipelago of Western Australia, Murujuga is the single largest archaeological site in the world. It contains an estimated one million petroglyphs, or rock art motifs, produced by the Indigenous Australians who have historically inhabited the archipelago. To date, there has been no comprehensive survey of the site's petroglyphs or those who created them. Since the 1960s, regional mining interests have caused significant damage to this site, destroying an estimated 5 to 25 percent of the petroglyphs in Murujuga. Today, Murujuga holds the unenviable status of being one of the most endangered archaeological sites in the world. José Antonio González Zarandona provides a full postcolonial analysis of Murujuga as well as a geographic and archaeological overview of the site, its ethnohistory, and its considerable significance to Indigenous groups, before examining the colonial mistreatment of Murujuga from the seventeenth century to the present. Drawing on a range of postcolonial perspectives, Zarandona reads the assaults on the rock art of Murujuga as instances of what he terms "landscape iconoclasm": the destruction of art and landscapes central to group identity in pursuit of ideological, political, and economic dominance. Viewed through the lens of landscape iconoclasm, the destruction of Murujuga can be understood as not only the result of economic pressures but also as a means of reinforcing—through neglect, abandonment, fragmentation, and even certain practices of heritage preservation—the colonial legacy in Western Australia. Murujuga provides a case study through which to examine, and begin to reject, archaeology's global entanglement with colonial intervention and the politics of heritage preservation.
