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Author: Lowell Mason
Publisher: University Rochester Press
ISBN: 9780835720021
Category : Literary Collections
Languages : en
Pages : 264
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Book Description
By the middle of the nineteenth century Lowell Mason (1792-1872) was probably the most famous native-born musician in America. Concentrating almost exclusively on vocal music, he built a spectacular reputation as a choir director and teacher. He published many collections of sacred music that sold in unprecedented numbers and made him a household name. In 1837 he traveled to Europe on a little-publicized trip. This was a bold move decades before such trips by American musicians became commonplace, and his diaries from this time are a primary source of information on early nineteenth-century European music. This edition of Mason's 1837 journal has been carefully edited: throughout, Broyles has attempted to reproduce the original manuscript faithfully, making adjustments only where necessary for intelligibility. Appendices include a list names with brief biographies, an itinerary of the tour, and those letters received during the trip that still survive. An introduction completes this unique and highly readable volume. Michael Broyles is Distinguished Professor of Music and Professor of American History Emeritus at Penn State University and Visiting Professor at Florida State University.
Author: Lowell Mason
Publisher: University Rochester Press
ISBN: 9780835720021
Category : Literary Collections
Languages : en
Pages : 264
Get Book
Book Description
By the middle of the nineteenth century Lowell Mason (1792-1872) was probably the most famous native-born musician in America. Concentrating almost exclusively on vocal music, he built a spectacular reputation as a choir director and teacher. He published many collections of sacred music that sold in unprecedented numbers and made him a household name. In 1837 he traveled to Europe on a little-publicized trip. This was a bold move decades before such trips by American musicians became commonplace, and his diaries from this time are a primary source of information on early nineteenth-century European music. This edition of Mason's 1837 journal has been carefully edited: throughout, Broyles has attempted to reproduce the original manuscript faithfully, making adjustments only where necessary for intelligibility. Appendices include a list names with brief biographies, an itinerary of the tour, and those letters received during the trip that still survive. An introduction completes this unique and highly readable volume. Michael Broyles is Distinguished Professor of Music and Professor of American History Emeritus at Penn State University and Visiting Professor at Florida State University.
Author: Lowell Mason
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Gordon Cox
Publisher: Bloomsbury Publishing
ISBN: 1474229115
Category : Education
Languages : en
Pages : 312
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Book Description
This landmark collection explores the origins and foundations of music education in Europe, The Americas, Africa and Asia-Pacific, and the Middle East, and considers the inclusion of music as part of the compulsory school curriculum in the context of the historical, social and political landscape. Within each chapter, the contributors explore the following key areas: - the aims, objectives and content of the music curriculum - teaching methods - the provision and training of teachers of music - the experiences of pupils This fully revised second edition includes new chapters on Brazil, Israel, Kosovo, Lithuania, and Turkey, along with questions to encourage reflection and discussion. A concluding chapter has been added to encourage readers to consider the evolution of music education globally. The Foreword for this new edition has been written by Sheila Woodward, President of the International Society for Music Education. Contributors have been carefully selected to represent countries that have incorporated music into compulsory schooling for a variety of reasons resulting in a diverse collection which will guide future actions and policy.
Author: John Ogasapian
Publisher: Mercer University Press
ISBN: 9780881460261
Category : Music
Languages : en
Pages : 306
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Book Description
The history of American church music is a particularly fascinating and challenging subject, if for no other reason than because of the variety of diverse religious groups that have immigrated and movements that have sprung up in American. Indeed, for the first time in modern history-possibly the only time since the rule of medieval Iberia under the Moors-different faiths have co-existed here with a measure of peace- sometimes ill-humored, occasionally hostile, but more often amicable or at least tolerant-influencing and even weaving their traditions into the fabric of one another's worship practices even as they competed for converts in the free market of American religion. This overview traces the musical practices of several of those groups from their arrival on these shores up to the present, and the way in which those practices and traditions influenced each other, leading to the diverse and multi-hued pattern that is American church music at the beginning of the twenty-first century. The tone is non-technical; there are no musical examples, and the musical descriptions are clear and concise. In short, it is a book for interested laymen as well as professional church musicians, for pastors and seminarians as well as students of American religious culture and its history.
Author: Laura Lohman
Publisher: Routledge
ISBN: 1000388956
Category : Music
Languages : en
Pages : 170
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Book Description
This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.
Author: Clifford R. Murphy
Publisher: University of Illinois Press
ISBN: 0252096614
Category : Music
Languages : en
Pages : 233
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Book Description
Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders. As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style. But the music also gave--and gives--voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life.
Author: Celia Applegate
Publisher: Cornell University Press
ISBN: 0801455820
Category : Music
Languages : en
Pages : 303
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Book Description
Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day. Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow "national work." In 1865 Wagner would claim that Bach embodied "the history of the German spirit's inmost life." That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today—a statement that embraces both the great achievements and the disasters of 150 years of German history. In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were "the people of music." Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself.
Author: Paul B. Moyer
Publisher: Cornell University Press
ISBN: 9780801444944
Category : History
Languages : en
Pages : 248
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Book Description
"In Wild Yankees, Paul B. Moyer argues that a struggle for personal independence waged by thousands of ordinary settlers lay at the root of conflict in northeast Pennsylvania and across the revolutionary-era frontier. The concept and pursuit of independence was not limited to actual war or high politics; it also resonated with ordinary people, such as the Wild Yankees, who pursued their own struggles for autonomy. With vivid descriptions of the various levels of this conflict, Moyer shows that the Wyoming controversy illuminates the process of settlement, the daily lives of settlers, and agrarian unrest along the early American frontier."--BOOK JACKET.
Author: Helen M. Greenwald
Publisher: Oxford Handbooks
ISBN: 0195335538
Category : Music
Languages : en
Pages : 1217
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Book Description
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
Author: David M. Guion
Publisher: Scarecrow Press
ISBN: 1461655900
Category : Music
Languages : en
Pages : 269
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Book Description
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument—the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.
