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Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587436
Category : Art
Languages : en
Pages : 505
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Book Description
From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions – waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief's houses) – declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) – embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyzes the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587436
Category : Art
Languages : en
Pages : 505
Get Book Here
Book Description
From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions – waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief's houses) – declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) – embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyzes the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
Author: Ngarino Ellis
Publisher:
ISBN: 9781869407377
Category : Art
Languages : en
Pages : 0
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Book Description
Maori carving went through a rapid evolution from 1830 to 1930. Beginning around 1830, three dominant art traditions - war canoes, decorated storehouses and chiefly houses - declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). In A Whakapapa of Tradition, Ngarino Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau school of carving - an ancestor who lived in the Waiapu Valley around 1700, Iwirakau is credited for reinvigorating carving on the East Coast. The six major carvers of his school went on to create more than thirty important meeting houses and other structures, which Ngarino Ellis explores to tell this story of Ngati Porou carving and a profound transformation in Maori art. A Whakapapa of Tradition also attempts to make sense of Maori art history, exploring what makes a tradition in Maori art; how traditions begin and, conversely, how and why they cease. Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, A Whakapapa of Tradition will be a landmark volume in the history of writing about Maori art.
Author: Ngarino Gabriel Ellis
Publisher:
ISBN:
Category : Art, Maori
Languages : en
Pages :
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Book Description
Author: Judith Binney
Publisher: Bridget Williams Books
ISBN: 192713109X
Category : History
Languages : en
Pages : 519
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Book Description
The writing of history will only flourish if there is a vehicle for its publication: such was Sir Keith Sinclair’s vision when he founded The New Zealand Journal of History in 1967. Since then the journal has been the conduit for a flow of remarkable history writing. The Shaping of History brings together a selection of essays from its first 30 years by some of the nation’s best-known historians, including Judith Binney, Tipene O’Regan, Claudia Orange, Barbara Brookes, Alan Ward, Jock Phillips and Jamie Belich. Their sharp analysis and great storytelling make the collection an essential resource for understanding how New Zealand history is shaped.
Author: Jane McRae
Publisher: Auckland University Press
ISBN: 1775589080
Category : History
Languages : en
Pages : 368
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Book Description
Maori oral tradition is the rich, poetic record of the past handed down by voice over generations through whakapapa, whakatauki, korero and waiata. In genealogies and sayings, histories, stories and songs, Maori tell of ‘te ao tawhito' or the old world: the gods, the migration of the Polynesian ancestors from Hawaiki and life here in Aotearoa. A voice from the past, today this remarkable record underpins the speeches, songs and prayers performed on marae and the teaching of tribal genealogies and histories. Indeed, the oral tradition underpins Maori culture itself. This book introduces readers to the distinctive oral style and language of the traditional compositions, acknowledges the skills of the composers of old and explores the meaning of their striking imagery and figurative language. And it shows how nga korero tuku iho – the inherited words – can be a deep well of knowledge about the way of life, wisdom and thinking of the Maori ancestors.
Author: Hilary Mitchell
Publisher: Huia Publishers
ISBN: 9781869690878
Category : History
Languages : en
Pages : 508
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Book Description
"Volume One, Te Tangata me te Whenua - the people and the land, encompasses myths and legends of the region, the succession of tribes who have inhabited Te Tau Ihu o te Waka and their interactions, early encounters with Europeans, the arrival of the New Zealand Company, the Treaty of Waitangi, land transactions, and the administration of Maori Resserves." - p. 16.
Author: Nepia Mahuika
Publisher: Oxford University Press
ISBN: 0190681691
Category : History
Languages : en
Pages : 288
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Book Description
Indigenous peoples have our own ways of defining oral history. For many, oral sources are shaped and disseminated in multiple forms that are more culturally textured than just standard interview recordings. For others, indigenous oral histories are not merely fanciful or puerile myths or traditions, but are viable and valid historical accounts that are crucial to native identities and the relationships between individual and collective narratives. This book challenges popular definitions of oral history that have displaced and confined indigenous oral accounts as merely oral tradition. It stands alongside other marginalized community voices that highlight the importance of feminist, Black, and gay oral history perspectives, and is the first text dedicated to a specific indigenous articulation of the field. Drawing on a Maori indigenous case study set in Aotearoa New Zealand, this book advocates a rethinking of the discipline, encouraging a broader conception of the way we do oral history, how we might define its form, and how its politics might move beyond a subsuming democratization to include nuanced decolonial possibilities.
Author: Rawiri Taonui
Publisher:
ISBN:
Category : Maori (New Zealand people)
Languages : en
Pages : 525
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Book Description
This thesis questions the accuracy of current understandings about the nature of pre-contact Maori oral tradition. In the main, it finds that this is not the case hence two further questions are asked: why this is so and how can we better understand the traditions? Part One argues that the way we understand the nature of pre-contact Maori oral tradition does not always reflect the way it was for several reasons. The transition from orality to literacy and from memory to publication caused some change producing new traditions in a legitimate process whereby oral tradition, like all systems of knowledge, changed and adapted to new circumstances. Other processes stemming from misinterpretation, deliberate invention or poor research were less legitimate. These legitimate and illegitimate changes to oral tradition are problematic when published accounts deliberately or inadvertently present unauthentic new oral traditions as authentic pre-contact oral traditions when patently they are not. The distinction between precontact and post-contact is important because it is an axiom in scholarship, for several reasons, to determine the nature of pre-contact oral tradition. Unauthentic published traditions have regularly become widely accepted and deeply entrenched within academic and Maori communities. When this occurs they constitute 'false orthodoxies'. The problem is more widespread than is generally appreciated. Some well known false orthodoxies persist in belief, having become entrenched over time in one form or other despite some competent deconstructions. Others are yet to be deconstructed. And, contrary to the prevailing and counter-opposed beliefs that European writers were solely responsible for distorting Maori oral tradition or that the traditions are unreliable anyway, both Maori and European researchers, scribes, informants and writers have knowingly and unknowingly contributed to the distortion of oral tradition in complex relationships underwritten by a European monopoly over publication. Many of the false orthodoxies are therefore 'hybrids' born from the interactions between Pakeha and Maori. Part Two: Reconstruction Theory explores theoretical and empirical means by which a more accurate understanding of pre-contact oral tradition might be gained. The first chapter develops a structural model of Maori oral tradition based on the proposition that all oral tradition is characterised by a range of historical and symbolic dynamics extended along a continuum between the present and past. Other chapters explore how existing theoretical approaches can be best applied, how new ones can be developed, and what the pitfalls are. There is also an examination of sources of Maori oral tradition and Maori oral texts. Parts Three and Four apply these principles to analyse tribal and waka traditions.
Author: Michael Bintley
Publisher: Boydell & Brewer
ISBN: 1843846640
Category : History
Languages : en
Pages : 307
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Book Description
Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world. The essays collected here aim to highlight human encounters with the forest and its trees at the time of the European Middle Ages, when, whether symbol and metaphor, or actual and real, their lofty boughs were weighted with meaning. The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.
Author: Francis Tipene
Publisher: HarperCollins
ISBN: 1775492060
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
Living a fulfilling life rich with tradition, connection and te ao Maori Following on from their bestseller, Life as a Casketeer, Francis and Kaiora Tipene share how they bring the traditional values of tikanga Maori into day-to-day living, what they know about whanau, mahi and manaakitanga, and how they live a life rich with the concepts of te ao Maori Known for their warm hearts, grace and humour, the stars of the wildly popular series The Casketeers show how the traditions of tikanga shapes their lives juggling five sons, three businesses and a television show - all while sustaining a life filled with joy and connection.
