Author: Fred Abrahams
Publisher: Univ of California Press
ISBN: 9780520233034
Category : History
Languages : en
Pages : 272
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Book Description
"Seldom does a book take readers so powerfully inside war crimes--both into the pain of the victims and, even more chilling, into the minds of the perpetrators. In a Washington so timid about supporting the international institutions designed to prevent such horrors, this book should be mandatory reading."--Adam Hochschild, author of King Leopold's Ghost: a Story of Greed, Terror and Heroism in Colonial Africa "This searing documentary takes those large abstractions--ethnic cleansing, crimes against humanity--and confronts us with the anguishing reality: the faces of the alleged killers and their victims, stories of shattered families, desolation of a ruined community. The book is also a stunning example of careful, determined pursuit of evidence by frontline human rights workers, our best hope for accountability and justice in the wake of systematic evil. This unparalleled account thus records the worst--and the best--of human capacities."--H. Jack Geiger, M.D., founding member and past president of Physicians for Human Rights "Marshalling precision in the face of obfuscation, clarity in the face of desolation, and lucidity in the face of oblivion, the authors and creators of A Village Destroyed have somehow managed to meld witness and majesty. Truth is beauty--sometimes the only solace left to us--and this is a harrowingly beautiful book."--Lawrence Weschler, author of A Miracle, A Universe: Settling Accounts with Torturers "Gilles Peress's photographs take us where we have never gone before: into the killing zones of Kosovo where ethnic Albanians were tortured, executed, robbed, and driven from the land. Here is an astounding record that will make it impossible for us to say that we never knew what happened in Kosovo or how."--Gloria Emerson, author of Gaza: A Year in the Intifada "A Village Destroyed is a very important book, offering a revealing examination of how contemporary human rights investigations and international efforts to do justice are transforming the context in which great crimes are committed."--Aryeh Neier, President of the Open Society Institute "By some of the best investigators and reporters in the human rights movement, A Village Destroyed helps comfort the afflicted by letting them speak in their own voices. Let us hope it also serves to afflict the comforted."--Juan E. Mendez, Vice-President, Inter-American Commission on Human Rights "This is a groundbreaking work. It is the anatomy of a crime: the destruction of a village. The photographs and witness accounts are of astounding power. The book is crucial for anyone who wants to know what happened in Kosovo."--Laura Silber, co-author of Yugoslavia: Death of a Nation
Author: Andrew Herscher
Publisher: Stanford University Press
ISBN: 0804769354
Category : History
Languages : en
Pages : 224
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Book Description
The first history ever of violence against architecture as political violence, this book examines the case of the former Yugoslavia and the ways in which architecture is a site where power, agency, and ethnicity are constituted.
Author:
Publisher:
ISBN:
Category : Albanians
Languages : en
Pages : 38
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Book Description
Author: Roger Luckhurst
Publisher: Routledge
ISBN: 1136015027
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of ‘trauma culture’ from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.
Author: Adam Jones
Publisher: Routledge
ISBN: 1134259816
Category : Political Science
Languages : en
Pages : 457
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Book Description
An invaluable introduction to the subject of genocide, explaining its history from pre-modern times to the present day, with a wide variety of case studies. Recent events in the former Yugoslavia, Rwanda, East Timor and Iraq have demonstrated with appalling clarity that the threat of genocide is still a major issue within world politics. The book examines the differing interpretations of genocide from psychology, sociology, anthropology and political science and analyzes the influence of race, ethnicity, nationalism and gender on genocides. In the final section, the author examines how we punish those responsible for waging genocide and how the international community can prevent further bloodshed.
Author: Stuart Allan
Publisher: Taylor & Francis
ISBN: 113647367X
Category : Language Arts & Disciplines
Languages : en
Pages : 288
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Book Description
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.
Author: Gutman
Publisher: W. W. Norton & Company
ISBN: 9780393328462
Category : History
Languages : en
Pages : 452
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Book Description
This A-to-Z guide reveals--through case studies, definition of key terms, and legal explanations--what the public needs to know about war and the law.
Author:
Publisher:
ISBN:
Category : Albanians
Languages : en
Pages : 38
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Book Description
Author: Fred Abrahams
Publisher:
ISBN:
Category : Albanians
Languages : en
Pages : 247
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Book Description
Author: Liam Kennedy
Publisher: University of Chicago Press
ISBN: 022633726X
Category : History
Languages : en
Pages : 233
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Book Description
Liam Kennedy here takes as his focus the ways in which selected photographers have sought to frame the activities and effects of American foreign policy, often with a critical perspective, and how their work engages the dynamics of power and knowledge that attend the American worldview. What is at issue in this book is understanding relations between the geopolitical conditions of visuality and the particulars of the image. Conditions of visuality, for Kennedy, are the ideologies that determine certain ways of seeing, that support actions and representations which establish (in)visibilities and which police the relationship between seeing and believing the American worldview. The individual photographers whose work Kennedy so insightfully dissects are those who have pushed the boundaries of photographic practice and who reflect critically on the contexts and scenery of war: Larry Burrows and Philip Jones Griffiths in Vietnam, Gilles Peress covering the Iranian Revolution, Susan Meiselas in El Salvador and Nicaragua, Ron Haviv and Gary Knight in the Balkans, Ashley Gilbertson and Chris Hondros in Iraq, and Tim Hetherington and Lynsey Addario in Afghanistan. These individuals expanded the conception and technical repertoire of photojournalism, receiving critical acclaim, provoking public and professional controversy, and often incurring great personal cost to themselves. Afterimages presents us with a revisionary understanding of the art of conflict photography. The images are often searing they sometimes demonize and dehumanize the enemy, but also humanize friend or victim: a focus on the human roots the range of feeling in such imagery, from horror to pity."
